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    政大機構典藏 > 文學院 > 哲學系 > 期刊論文 >  Item 140.119/98767
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/98767


    Title: 對生命反思所表現的「記號」與「信號」 ─ 胡塞爾與海德格的差異
    Authors: 汪文聖
    Wang, Wen-Sheng
    Contributors: 哲學系
    Keywords: 胡塞爾;海德格;現象學;記號;信號
    Husserl;Heidegger;Phenomenology;Sign;Indication
    Date: 2016-01
    Issue Date: 2016-07-07 15:55:44 (UTC+8)
    Abstract: 本文始於討論胡塞爾的《邏輯研究》的〈第一研究〉對「記號」與「信號」的區分,有關問題將涉及到〈第六研究〉。接著對海德格在《存有與時間》第十七節「指涉與記號」(Verweisung und Zeichcn)做闡釋,並延伸到其〈藝術作品的起源〉視記號為一種象徵的另一種觀點。但這裡的記號根本即是胡塞爾所說的信號。海德格所謂的記號能向更深邃涵義去指引,胡塞爾以記號能清楚明白表達意義,二者的立場因此有所不同。
    This article begins with the discussion of Husserl`s differentiation of sig n and indication in his "First Investigation" of Logical Investigations, referring to the "Six Investigation" regarding some issues. Then the theme of "References and Signs" in the §17 of Heidegger`s Being and Time will be explicated. extending to "The Origin of the, "work of Art," where the sign is viewed as a symbol. However. what the sign is meant by Heidegger in origin means the indication by Husserl The so-called sign by Heidegger can indicate a more profound meaning; sign by Husserl can clearly and distinctly express meanings, therefore their posit ions are different.
    Relation: 哲學與文化月刊, 43(1), 123-137
    Data Type: article
    Appears in Collections:[哲學系] 期刊論文

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