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| Title: | 「海上的心聲」: 未來人與物之相互關係
“Whispers from the Sea”: On Future Human-Object Interrelationships |
| Authors: | 姚紀徽
Yao, Chi Hui |
| Contributors: | 陶亞倫
廖峻鋒
Tao, Ya Lun
Liao, Chun Feng
姚紀徽
Yao, Chi Hui |
| Keywords: | 反思設計
物自身
人機關係
技術現象學
reflective design
Human-Object Interrelationships
object-oriented |
| Date: | 2016 |
| Abstract: | 現今,人類的科技世代到處充斥著遍佈運算的便利物件,目前我們人類與科技人造物之間的互動模式,大多數都是:讓此物進入人類的生活。主要的目的是:為了讓人們更有效率地利用這些科技物件,解決他們在生活上的任何困難,或者改變生活不便利的困境。然而,每當物件在面對人類、開始產生情感與意識時,正在地影響著人的知覺感受,同時,人們也賦予了物件新的意義,讓這些物件們產生了新的地位。因此,如何讓人們感受到「物自身」的存在,是本研究探討的主要核心。本論述透過技術現象學哲學家 Don Ihde 的互動關係理論,提出了「科技物件的存在」;以展覽形式的創作「海上的心聲」,創造地點主角彭佳嶼的天氣裝置,進行物自身的內省與探究。本論述的創作手法重新連結了數位資訊對於人類的意義,進而達到「我之於物,物之於我,體驗這個世 界。」
未來,人類與科技產物的生存模式,彼此透過探索和經驗,相互交織、 影響、重置與習慣;人類與物體的互動關係,也將會進行許多未來生活的互動性對話,產生更多值得探討的物件生存議題,以及發展性的想像空間。
Today, technology is pervasive in our life. The main purposes of the interactions among a human and technological objects are problem solving or efficiency promoting. Nevertheless, the meanings of life and the presence of technologies are often ignored. Don Ihde, who proposed the concept of the experience of object and presented four types of object-human utilization relationships, is one of few researchers who dealt with the issues mentioned above. Based on Don Ihde` s philosophy of technology, the objective of this thesis is to identify the presence of technology of creative design work in rethinking the object-human relationships. The overall concept is an experimental design called “Whispers from the Sea”, which interprets and reveals the weather data in Pengjia Islet. This creative work shows the characteristic Installations which making weather datas in visual and auditory sensations. This study also invites participants to comment meanings among themselves and Pengjia Islet.
In the future, human-object interrelationships will be a very important issue. Thus, one has to pay attention to the existence of an object, and attach importance to effects of smart objects into physical world. |
| Reference: | phenomenology of technology
參考文獻(英文):
Barthes, R., & Luccioni, G., (1967). Système de la mode.
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網路參考資料(英文):
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总策划:艾民。参展艺术家:陈劭雄,陈维,陈晓云,耿建翌,何翔宇,洪浩,胡介 鸣,冷广敏,李邦耀,李景湖,李青,李消非,刘窗,刘建华,刘韡,刘唯 艰,刘雨佳,刘卓泉,马秋莎,毛旭辉,秦琦,仇晓飞,尚杨,宋冬,宋元 元,隋建国,王鲁炎,王音,王郁洋,吴昊,萧昱,徐震,薛松,闫冰,杨心 广,杨振中,尹齐,尹秀珍,尉洪磊,余极,张恩利,张亚平,郑国谷,庄 辉。学术主持:汪民安。(2015)。 《物体系 ── The System of Objects》 。 上海民生现代美术馆。檢自:https://www.douban.com/event/23751302/, http://www.360doc.com/content/15/0407/17/103068_461331633.shtml
臺北市立美術館。(2014)。 《劇烈加速度》 。檢自: http://www.taipeibiennial2014.org/index.php/tw/ |
| Description: | 碩士
國立政治大學
數位內容碩士學位學程
102462003 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G1024620031 |
| Data Type: | thesis |
| Appears in Collections: | [數位內容碩士學位學程] 學位論文
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