English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50919843      Online Users : 774
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 學術期刊 > 俄語學報 > 期刊論文 >  Item 140.119/97065
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/97065


    Title: 柴可夫斯基第五號交響曲中的「命運」主題
    Other Titles: The Theme “Fate” in P. I. Tchaikovsky’s Symphony No. 5
    Authors: 古曉梅
    Keywords: 柴可夫斯基;交響曲;命運觀;主導動機(leitmotif);東正教
    Date: 2012-07
    Issue Date: 2016-05-31 15:43:24 (UTC+8)
    Abstract: 音樂是人類共同的語言,她傳達的不僅是人類心靈層面共同的情感,更包含了對於人類生命意義的沉思。偉大的作曲家柴可夫斯基,是第一位將俄羅斯民族特質發揚到國際舞台的俄國音樂家。在他的眾多屬於委託創作的音樂作品中,交響曲是唯一屬於自由創作的音樂類別,也是作曲家抒發內心感動和哲思的途徑。尤其第五號交響曲可說是柴可夫斯基與天命的對話,他擷用了貝多芬《第五號交響曲》中的命運主題,作為全首交響曲的貫穿思想。俄羅斯民族對於命運的態度,塑造了民族性格中非常重要的特徵-富有衝突和矛盾的特性,猶如柴可夫斯基音樂中水與火之強烈對比性,即是深邃俄羅斯文化內在深度最佳的例證。
    Music truly is the universal language. Not only does it express common emotions on a spiritual level, but it also helps us meditate on the deeper meanings of life. The work of the great composer Pyotr Ilyich Tchaikovsky brought Russian characteristics in classical music to world prominence in the later half of the 19th century. Among his numerous symphonies, this is the only one that was not commissioned and perhaps best represents the composer’s exercise of artistic license. In the 5th Symphony the composer expresses some of his deepest emotions and philosophical thoughts. These expressions are most noticeable in his meditations on fate – the central theme of the symphony, which was borrowed from Beethoven’s Fifth Symphony. Tchaikovsky’s musical manifestation of Russian characteristics is deeply rooted in the fate of the Russian people, which contains irony and conflict. We will show the tremendous conflict of the elements of fire and water in Tchaikovsky’s music, which illustrates how his music represents Russian culture.
    Relation: 俄語學報,20,59-78
    Journal of Russian Philology
    Data Type: article
    Appears in Collections:[俄語學報] 期刊論文

    Files in This Item:

    File Description SizeFormat
    59.pdf7860KbAdobe PDF2562View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback