 |
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113303/144284 (79%)
Visitors : 50799495
Online Users : 780
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/96940
|
| Title: | 左翼共名與青年文藝－－1947 至1951 年的《華僑日報》「學生週刊」 |
| Other Titles: | Shared Ideology among Leftists and Youth Literature: "Student Weekly" in Overseas Chinese Daily News from 1947 to 1951 |
| Authors: | 陳智德
Chan, Chi-tak |
| Keywords: | 左翼共名;青年文藝;《華僑日報》;陳君葆;自我改造
shared leftist ideology;youth literature;Hua Qiao Ri Bao;Chen Junbao;self-reform |
| Date: | 2013-12 |
| Issue Date: | 2016-05-23 17:25:08 (UTC+8) |
| Abstract: | 四、五十年代之交的香港，左翼文化不單見於其陣營內部媒體，也廣泛滲透到其他中性媒體，包括《星島日報》和《華僑日報》。透過沿用共同術語，傳播一致的意識形態訊息，建構左翼共名。《華僑日報》於40 年代末新設的幾個副刊都具左翼傾向，其中「學生週刊」特以青年學生為對象，強調思想覺醒與自我改造，多篇文章所使用的新民主主義、群眾、人民等名詞及自我改造、走向群眾等觀念，都可以在左翼理論著作或毛澤東的文章中找到源頭，同時也為其他作者共同使用。戰後香港青年文藝在左翼陣營中的意義正如茅盾所指，他們既「參加鬥爭」，也「生活在群眾中」，配合也傳播左翼共名，最後身體力行，作自我的「思想改造」;文藝青年協助左翼陣營完成政治需要，同時有被「工具化」的傾向。本文擬以1947 至1951 年間的《華僑日報》「學生週刊」為例，追溯一段早被遺忘的文藝青年「自我改造」史，探討戰後左翼文藝在陣營以外報刊，如何發揮左翼共名的滲透和影響力。
During the late 1940s and early 1950s in Hong Kong, leftist culture was ubiquitous both within and without the realm of leftist media. It widely infiltrated into neutral publications such as Sing Tao Daily and Overseas Chinese Daily News (Hua Qiao Ri Bao). It was because a set of shared terminology was used to help disseminate and establish a “shared leftist ideology.” Leftist tendency was spotted in several supplement sections of Hua Qiao Ri Bao which were set up in the 1940s. Among them, “Student Weekly” (“Xue Sheng Zhou Kan”), targeted at the students, emphasized on enlightenment and self-reform. Terms which originated from leftist theories and writings of Mao Zedong were widely used in these supplements—“neo-democracy,” “the masses,” “the people,” “self-reform,” “going towards the masses,” and so on. As Mao Dun has pointed out, post-war leftist youth literature in Hong Kong was a hands-on practice in “joining in the combat,” “living among the masses, with an aim to spread leftist ideology and reform one’s thoughts. While contributing to the leftist propaganda campaign, young writers were also, to some extent, being used and manipulated. By examining “Xue Sheng Zhou Kan” of Hua Qiao Ri Bao, this paper aims to trace a long forgotten history of young writer’s journey to “self-reform” and to look into how the leftist camp propagated a “shared ideology” and their impact on the non-leftist publications in the post-war Hong Kong. |
| Relation: | 政大中文學報, 20, 243-266
Bulletin of the Department of Chinese Literature National Chengchi University |
| Data Type: | article |
| Appears in Collections: | [政大中文學報 THCI Core] 期刊論文
|
Files in This Item:
| File |
Description |
Size | Format | |
|---|
| 20(243-266).pdf | | 3021Kb | Adobe PDF2 | 593 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(
nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
