政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/96923
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113648/144635 (79%)
造訪人次 : 51600267      線上人數 : 779
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/96923


    題名: 跨越徵聖與宗經的門檻─從《論衡》之歷史意識論王充的書寫概念
    其他題名: Beyond Sages and Classics: Wang Chong`s Writing Concept and the Historical Viewpoint of the "Lunheng"
    作者: 龔韻蘅
    Kung, Yun-heng
    關鍵詞: 書寫;經典;歷史觀;詮釋權;陌生化
    writing;classics;historical viewpoint;power of interpretation;defamiliarization
    日期: 2012-12
    上傳時間: 2016-05-23 16:00:20 (UTC+8)
    摘要: 東漢思想家王充所撰作的《論衡》,在歷代獲得的評價十分歧異,原因之一為全書各篇章呈現出來的觀點與立場看似相互牴觸,批判的力度亦時強時弱。過去的研究者曾由時代的限制、個人品德的缺陷或王充的知識特質等不同面向,來闡述《論衡》內部的衝突,本文則嘗試說明,《論衡》各種見解之間其實貫穿著一致的精神底蘊,那是將主要讀者群設置於遙遠的未來,一再以後世的視角審鑑前朝與當代圖像的待考掘史觀。此種獨特的歷史觀使王充特別強調「古」與「今」的對峙關係,尤其憂慮「經」、「聖」對兩漢之新典範所產生的排擠效應。因為如此,「書寫」被形塑成帶有顛覆意義的創造行為,是用來和傳統相頡頏的利器,並且具備了兩種極端的走向,其一為迫切而充滿反抗意識的詮釋概念,另一為以歷史作為陌生化之條件,藉著時間的延遲來取代藝術手法的美學策略。
    Over the past dynasties, there have been different evaluations of Eastern Han thinker Wang Chong’s Lunheng, and one reason for it is that the viewpoints of the chapters seem to contrast with one another, and that the author’s criticism is sometimes severe and sometimes weak. To interpret the inconsistencies of the book, past researchers have probed into various aspects, such as Eastern Han values, Wang’s personality defects, and Wang’s personal knowledge. Dissimilarly, this paper is of the opinion that there is a consistency among the different viewpoints in the Lunheng: a historical viewpoint set up for later generations to examine the images of the Eastern Han and its previous dynasties. In this unique historical viewpoint, Wang especially emphasizes the confrontation between the past and the present and worries about the exclusive effect caused by the policy of adopting sages and classics as the new model for the two Han Dynasties. Therefore, to fight against traditions, Wang bestows on his writings a subversive creativeness that contains two extremes: an interpretive concept that is urgent and full of rebelling thoughts, and an aesthetic strategy that replaces artistic methods by delaying time.
    關聯: 政大中文學報, 18, 169-202
    Bulletin of the Department of Chinese Literature National Chengchi University
    資料類型: article
    顯示於類別:[政大中文學報 THCI Core] 期刊論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    18(169-202).pdf3243KbAdobe PDF2409檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋