English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113303/144284 (79%)
Visitors : 50796095      Online Users : 493
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/96920


    Title: 「淨土五會念佛法事」與八關齋、講經
    Other Titles: The Eight Precepts, Buddhist Sutra Expounding, and the Pure Land Buddhist Five-Tune Method of Repeating the Name of Amitābha Buddha
    Authors: 荒見泰史
    Hiroshi, Arami
    Keywords: 變文;講經;八關齋;五會念佛
    bianwen (transformation texts);Buddhist sutra expounding;Eight Precepts;five-tune method of repeating the name of Amitābha Buddha
    Date: 2012-12
    Issue Date: 2016-05-23 15:59:22 (UTC+8)
    Abstract: 筆者在拙稿《敦煌本讚文類と唱導，變文》裏曾提到過佛讚略要本，本稿便是進一步探討這些佛讚等韻文類發展演變的背景。通過以俗人為對象舉行的齋會、法會等的宗教儀式上的用途，來考察淨土五會念佛法事在9、10 世紀敦煌的演化過程，佛讚略要本通過各種齋會、俗講等影響到講唱文學文體，以補足前稿。\\r 從唱導演變成為講唱體變文、講唱文學的角度來考慮，在敦煌的講唱體變文的發生以及流行應是9 世紀末到10 世紀，很有可能是10 世紀以後，這段時期的音樂、讚文的流行和變化需要關注。本稿裏探討了佛讚的流行、作為其淵源的淨土五會念佛的流行，和種種宗教儀式之間的習合的問題。筆者認為這些是研究講唱體變文發生所不可忽略的問題。
    This article discusses the background and development of Buddhist verse such as the essential book of abridged Buddhist lauds that the author has mentioned in his “Tonkouhon sanmonrui to Shoudou, Henbun.” Aimed at religious rituals like memorial services held for ordinary people, this paper examines the evolving process of Pure Land Buddhist five-tune memorial services of repeating the name of Amitābha Buddha in 9th-and-10th-century Dunhuang and the simplified essential book of abridged Buddhist lauds’ influences on telling and singing literature. Because telling and singing literature like bianwen originate from preaching, the beginning and prevailing of telling and singing bianwen in Dunhuang should be at the end of the 9th century, in the 10th century, and probably after the 10th century. This study probes into the prevalence of Buddhist hymns and their origins, the Pure Land Buddhist five-tune method of repeating the name of Amitābha Buddha, and the blending among religious rituals, which are all noteworthy topics for bianwen research.
    Relation: 政大中文學報, 18, 57-86
    Bulletin of the Department of Chinese Literature National Chengchi University
    Data Type: article
    Appears in Collections:[政大中文學報 THCI Core] 期刊論文

    Files in This Item:

    File SizeFormat
    18(57-86).pdf3246KbAdobe PDF2461View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback