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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/96622


    Title: 有文化的野蠻人：《罕布頓的畢維斯》中的薩拉遜公主
    Other Titles: The Cultured Barbarian: The Saracen Princess in Bevis of Hampton
    Authors: 廖貞智
    Liao, Chen-chih
    Keywords: 野蠻人;薩拉遜人;伊斯蘭文化;中古英文傳奇;《罕布頓的畢維斯》
    barbarian;the Saracen;the Saracenic culture;the Medieval English romance;Bevis of Hampton
    Date: 2011-12
    Issue Date: 2016-05-13 14:23:20 (UTC+8)
    Abstract: 　　喬塞的《律師的故事》中羅馬公主康斯坦絲屈從於父皇的意旨，下嫁敘利亞，她稱此邦為「蠻夷國度」。此稱呼隱含了歐洲中心主義與對他方的誤解。其實，中世紀時期，敘利亞擁有高度伊斯蘭文明與文化。中古文學中對於薩拉遜人的描繪多以敵對的態度，貶抑的字眼或妖魔化的形象。中古英文傳奇《罕布頓的畢維斯》中卻記錄描繪了伊斯蘭文化的進步與成就。故事中的薩拉遜公主喬思安體現了此伊斯蘭文化。薩拉遜公主喬思安是一個有品德、有文化、有行動力的傳奇女主角，有別於其他的傳奇女性角色。此浪漫作者展現了對他方的理解與對他者的公正評論。
    　　The “Barbre nacioun” in the Man of Law’s Tale is “Surrye”, a nation of Muslims which stands for a pagan world. For Custance, it symbolizes savagery and uncivilization. Though reluctant, as a woman she can only surrender to her father‟s will and governance. In fact, the Saracenic culture was by no means barbarous in the Middle Ages. In Middle English romances, the religious antagonism between the Saracens and the Christians is one of the most prevalent themes. The paradigm proclaimed by Sir Roland in The Song of Roland “The pagans are wrong and the Christians are right” (1015) persists throughout medieval English literature. However, in addition to the role as religious counterpart, in English romances alternative representations of the Saracens are not rare as might be supposed. In this article, I aim to examine how the Middle English romancer represents the alien culture in Bevis of Hampton embodied by the Saracen princess, Josian. I will contend that the romancer shows some traces of fair appraisal of the other culture and fair representations of the Saracens.
    Relation: 文山評論：文學與文化, 5(1),45-65
    The Wenshan Review of Literature and Culture
    Data Type: article
    Appears in Collections:[文山評論：文學與文化 THCI Core] 期刊論文

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