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政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/94372

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/94372

Title:	想我非洲的兄弟（們）：亞索傅格德《血結》劇中的認同與踰越 "My brother(s), my africa": Identity and transgression in Athol Fugard`s blood knot
Authors:	張源勤 Chang, Yuan-Chin
Contributors:	姜翠芬 Jiang, Tsui-Fen 張源勤 Chang, Yuan-Chin
Date:	2002
Issue Date:	2016-05-06 16:33:05 (UTC+8)
Abstract:	南非劇作家亞索傅格德於1961年寫出《血結》一劇，其中檢視的認同問題來自兩方面:一是根據膚色而造成由社會所建構出的差異，二是語言間不平等而產生的疏離。再者，傅格德藉曲混雜(hybridize)、諧擬 (mimic)西方典律論述而呈現出斷裂、不完整的後殖民主體。劇中兩兄弟諧擬彼此的角色而模糊、逾越膚色的邊界，粉碎了種族隔離政策的殖民霸權，並重新體認手足之情。 South African Athol Fugard wrote his Blood Knot in 1961, which examines both the problem of identity that rises from the socially constructed differences in the light of skin color, and how the inequality of language generates the alienation between the two brothers, Morris and Zachariah. What is more, as a mimic text by hybridizing Western narratives, Fugard`s play presents the split postcolonial subject rather than the whole, unified subject; the two brothers, by way of mimicking each others` roles to blur as well as transgress the boundaries of color lines, sabotage the colonial hegemony of apartheid system, and then resume the bond of their brotherhood.
Description:	碩士國立政治大學英國語文學系
Source URI:	http://thesis.lib.nccu.edu.tw/record/#G91NCCU0482012
Data Type:	thesis
Appears in Collections:	[英國語文學系] 學位論文

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