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政大典藏 > College of Foreign Languages and Literature > Department of English > Theses > Item 140.119/87752

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/87752

Title:	從音韻及句法、語意、構詞的關係看漢語的輕聲現象 Neutral Tone Sandhi in Mandarin Chinese: A Perspective of the Connection between Phonology and Three Linguistic Components, Syntax, Semantics and Morphology
Authors:	吳琇鈴 Wu, Xiu Ling
Contributors:	蕭宇超 Hsiao, Yu Chau 吳琇鈴 Wu, Xiu Ling
Keywords:	焦點詞語韻板計數理論構詞規型 Focal Phrase Beat-counting Theory Morphological Template
Date:	1994
Issue Date:	2016-04-29
Abstract:	本文主要是探討漢語短語及詞彙層次的輕聲現象。關於短語性的輕聲，鄭良偉先生(1989)是從句法的觀點來分析，本文則採用韻律体系理論來探討。我們提議了一組焦點詞語的原則及幾個相關的制約。此外，我們從蕭宇超先生(1991 & 1994)的韻板計數理論來觀察輕聲的節奏問題，因而修訂了虛詞音板指派及音板連接方向的原則，也建議了一條抵輔音板加入的規則。　　This thesis deals with neutral tone sandhi in Mandarin Chinese at the phrasal and lexical levels. Previous research of the phrasal neutral tone, e.g., R. Cheng (1989), has focused only at the syntactic level. In this research, we employ prosodic theories (Selkirk (1984 & 1986), Nespor and Vogel (1986), etc.) to condition phrasal neutral tone sandhi, and propose a set of focal phrasing principles and a couple of relevant constraints. In addition, we discuss the rhythm of neutral tone under the framework of the beat-counting theory (Hsiao, 1991 & 1994) to see in what ways the theory has to be modified. We propose a pair of revised principles of functor beat assignment and directional beat adjunction, along with a backup rule of the default beat addition.
Description:	碩士國立政治大學英國語文學系 G81551007
Source URI:	http://thesis.lib.nccu.edu.tw/record/#B2002003313
Data Type:	thesis
Appears in Collections:	[Department of English] Theses

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