政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/86516
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 114205/145239 (79%)
造訪人次 : 52956166      線上人數 : 614
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/86516


    題名: 跨文化的性／別政治評析：李昂的《迷園》和愛特伍的《強盜新娘》
    其他題名: A Transcultural Critique of Sexual Politics:Ang Li’s Labyrinthine Garden (Miyuan) and Margaret Atwood’s The Robber Bride
    作者: 邱子修
    關鍵詞: 跨文化視野;女性主義批評;李昂;《迷園》;愛特伍;《強盜新娘》
    a transcultural perspective;feminist criticism;Ang Li;Labyrinthine Garden;Margaret Atwood;The Robber Bride
    日期: 2008-12
    上傳時間: 2016-04-27 11:35:45 (UTC+8)
    摘要: 自從米利特（Kate Millett）的《性／別政治》（Sexual politics, 1969）揭露了文學中性／別政治的演變和佐證後，性／別政治議題就一直為女性主義批評論壇熱切地應用。從批判吳爾芙（Virginia Woolf）（1927）「雌雄同體」到洛德 （Moya Lloyd）（2005）的「超越認同政治」，焦點似乎從性／別（不平等）政治漸成帶有多元族裔政治色彩的性別（文本）政治論述。這樣的轉變在仔細閱讀來自不同文化，敏銳的女性作品中，不難辨識出。本文即嘗試從宏觀的跨文化視野，以性／別政治批評角度切入，比較李昂的《迷園》和愛特伍的（Margaret Atwood）《強盜新娘》（The Robber Bride），探索她們各自「想像」的地域政治圖繪，希望能開啟臺加跨文化論壇的對話。
    Ever since Kate Millett’s Sexual Politics (1969) delved into the evolution and evidence of sexual politics in literature, the issue of sexual politics has been vigorously applied. The topic has also been incorporated into the feminist dialogues of theorists and scholars. From Virginia Woolf’s (1927) “androgynist poetics” to Moya Lloyd’ (2005) Beyond Identity Politics, the focus seems to have switched from sexual politics to multicultural politics subliminally. Such a switch is discernable by close readings of prominent female writers’ works, spanning various cultures across different periods and regions. In light of a holistic transcultural perspective, this article will explore their individual imagined geopolitical mapping of domestic variations on the sexual politics in Ang Li’s Labyrinthine Garden (1991) and Margaret Atwood’s The Robber Bride (1995) in the hope to stimulatingly further academic dialogues.
    關聯: 文山評論：文學與文化, 2(1),121-156
    The Wenshan Review of Literature and Culture
    資料類型: article
    顯示於類別:[文山評論：文學與文化 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    2(1)p121-156.pdf998KbAdobe PDF2421檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋