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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/86189


    Title: 論六○年代台灣文學的現代性──以現代詩論戰為中心
    Authors: 朱芳玲
    Chu, Fong-Ling
    Contributors: 長庚技術學院
    Keywords: 六零年代;台灣文學;現代性;現代主義;現代詩
    Date: 2007-12
    Issue Date: 2016-04-26 15:26:03 (UTC+8)
    Abstract: 王德威在《被壓抑的現代性：晚清小說新論》中重理世紀初的文學譜系，挖掘晚清小說中「被壓抑的多重現代性」線索，重新定位晚清文化並解釋新文學「起源」的範式，為中國文學發現另一種現代性，建構新的中國文學現代性論述。以王德威重審中國文學現代性的企圖，而對晚清文學「被壓抑的現代性」的挖掘與建構的思考，本論文擬以對台灣現代性三種向度的理解，以五、六○年代現代詩論戰為研究場域，挖掘其中隱而未彰的現代性線索，勾勒台灣文學現代性開展的迂迴並複雜的播散脈流，建構以台灣為主體的文學現代性論述。
    In Depressed modernity: New Discussion of Late-Qing Novels, Wang Te-Wei reorganized the literature pedigree of the beginning of the century and unearthed clues of “depressed multiple modernity” in Late-Qing novels. He re-positioned the status of Late-Qing culture and explained the model of new literature “origin” to discover another modernity for Chinese literature and to construct a new modernity discussion of Chinese literature. In light of Wang Te-Wei re-examination of the modernity of Chinese literature, the investigation of Late-Qing literature “Depressed Modernity” and the deliberation of construction, this paper intends to explore concealed modernity clues, sketch the complicated trails of modernity development in Taiwanese literature, and construct a Taiwan-based literature modernity discussion from the interpretation of three aspects of Taiwanese modernity in a modern poetry polemic in 50s-60s.
    Relation: 臺灣文學學報,11,161-182
    Data Type: article
    Appears in Collections:[臺灣文學學報 THCI Core] 期刊論文

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