政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/85628
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113303/144284 (79%)
造訪人次 : 50829696      線上人數 : 758
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/85628


    題名: 詩中音樂: 艾略特《四首四重奏》中的音樂形式
    The Music of Poetry: Musical Forms in T. S. Eliot`s Four Quartets.
    作者: 蔡文傑
    Tsai, Wen-chieh
    貢獻者: 楊麗敏
    Li-min Yang
    蔡文傑
    Wen-chieh Tsai
    關鍵詞: 艾略特
    四首四重奏
    曲式
    Eliot, T. S.
    Four Quartets
    Musical Forms
    日期: 1998
    上傳時間: 2016-04-20 13:42:28 (UTC+8)
    摘要: 國立政治大學英國語文學系碩士班
    English Abstract
    參考文獻: Selected Bibliography
    Alldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.
    Bagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.
    Bebbington, W. G. "Four Quartets?" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):
    234-41.
    Berard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.
    Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.
    Bergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:
    Humanities, 1973.
    Blackmur, R. P. "Unappeasable and Peregrine: Behaviour and the Four Quartets" Thought. 26 (1951): 50-76.
    Boaz, Mildred Meyer. "You Are the Music: Turning in to Eliot." Approaches to Teaching T. S. Eliot`s Poems and Plays.
    New York: Modern Language Association of America, 1988.
    - - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.
    Bodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.
    Brotman, D. Bosley. "T. S. Eliot: `The Music of Ideas.`" University of Toronto Quarterly. XVIII (1948): 20-29.
    Brown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.
    Canary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.
    Cluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
    Cooper, John Xiros. "Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets." Ezra Pound and
    Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.
    - - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.
    Dallas, Elizabeth S. "Canon Cancrizans and the Four Quartets." Comparative Literature. 17 (1965): 193-208.
    Edward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.
    Eliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.
    - - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.
    - - -. "London Letter." Dial 71.4 (1921): 252-55.
    - - -. On Poetry and Poets. London: Faber and Faber, 1957.
    - - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.
    - - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,
    1967.
    Fletcher, John Gould. "Poems in Counterpoint." Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.
    Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.
    Flint, R. W. "The Four Quartets Reconsidered." Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.
    Bernard Bergonzi. London: Macmillan, 1987, 107-18.
    Fussell, B. H. "Structural Methods in Four Quartets." A Journal of English Literary History.. Vol. 22 (1955): 212-41.
    Gardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.
    - - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.
    Gordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.
    Holloway, John. "Eliot`s Four Quartets and Beethoven`s Last Quartets." New Essays on T. S. Eliot: the Fire and the Rose.
    Ed. Sena Vinod. Delhi: Oxford University Press, 1992.
    Howarth, Herbert. "Eliot, Beethoven and J. W. N. Sullivan." Comparative Literature. (1957): 322-32.
    Huxley, Aldous. Point Counter Point. New York: Modern Library, 1928.
    John of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.
    Jones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood
    Press, 1980.
    Kennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.
    Kenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.
    Levy, J. "Synthesis of Antithesis in T. S. Eliot`s Poetry." Essays in Criticism, Vol. 2 (1952): 434-43.
    Loucks, James F. "Eliot`s Four Quartets: Dry Salvages, second movement." Explicator 50.2 (1992): 100-03.
    MacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,
    1953.
    Matthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.
    Moody, Anthony David. "Four Quartets: Music, Word, Meaning and Value." The Combridge Companion to T. S. Eliot.
    Cambridge, [England]: New York: Cambridge University Press, 1994.
    Nattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.
    Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.
    Reibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.
    Rhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann
    Arbor: UMI, 1969. 7009624.
    Richards, I. A. "The Music of Ideas." The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.
    Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.
    Scher, Steven Paul. "Literature and Music." Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,
    New York: Modern Language Association, 1982, 225-250.
    Sinha, Krishna Nandan. "Music." On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.
    Spencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:
    Prentice Hall, 1988.
    Spender, Stephen. T. S. Eliot. New York: Penguin, 1964.
    Spring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.
    Stead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.
    Stein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.
    Stoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.
    Stravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.
    Thormahlen, Marianne. " `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry." In T. S. Eliot: A Voice
    Descanting ed. Shyamal Bagchee, 122-48.
    Tovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.
    Verheul, K. "Music, Meaning and Poetry in Four Quartets by T. S. Eliot." Lingua: International Review of General
    Linguistics. 16 (1966): 279-91.
    Walton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.
    Wellek, Rene and AustinWarren. "Literature and Art." Theory of Literature. Third Edition. New York: Harcourt Brace
    Jovanovich, 1977.
    Winter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.
    Ulrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.
    Unger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University
    Press, 1981.
    描述: 碩士
    國立政治大學
    英國語文學系
    85551006
    資料來源: http://thesis.lib.nccu.edu.tw/record/#B2002001472
    資料類型: thesis
    顯示於類別:[英國語文學系] 學位論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    index.html0KbHTML2558檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋