| Reference: | Selected Bibliography
Alldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.
Bagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.
Bebbington, W. G. "Four Quartets?" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):
234-41.
Berard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.
Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.
Bergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:
Humanities, 1973.
Blackmur, R. P. "Unappeasable and Peregrine: Behaviour and the Four Quartets" Thought. 26 (1951): 50-76.
Boaz, Mildred Meyer. "You Are the Music: Turning in to Eliot." Approaches to Teaching T. S. Eliot`s Poems and Plays.
New York: Modern Language Association of America, 1988.
- - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.
Bodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.
Brotman, D. Bosley. "T. S. Eliot: `The Music of Ideas.`" University of Toronto Quarterly. XVIII (1948): 20-29.
Brown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.
Canary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.
Cluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
Cooper, John Xiros. "Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets." Ezra Pound and
Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.
- - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.
Dallas, Elizabeth S. "Canon Cancrizans and the Four Quartets." Comparative Literature. 17 (1965): 193-208.
Edward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.
Eliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.
- - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.
- - -. "London Letter." Dial 71.4 (1921): 252-55.
- - -. On Poetry and Poets. London: Faber and Faber, 1957.
- - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.
- - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,
1967.
Fletcher, John Gould. "Poems in Counterpoint." Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.
Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.
Flint, R. W. "The Four Quartets Reconsidered." Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.
Bernard Bergonzi. London: Macmillan, 1987, 107-18.
Fussell, B. H. "Structural Methods in Four Quartets." A Journal of English Literary History.. Vol. 22 (1955): 212-41.
Gardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.
- - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.
Gordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.
Holloway, John. "Eliot`s Four Quartets and Beethoven`s Last Quartets." New Essays on T. S. Eliot: the Fire and the Rose.
Ed. Sena Vinod. Delhi: Oxford University Press, 1992.
Howarth, Herbert. "Eliot, Beethoven and J. W. N. Sullivan." Comparative Literature. (1957): 322-32.
Huxley, Aldous. Point Counter Point. New York: Modern Library, 1928.
John of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.
Jones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood
Press, 1980.
Kennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.
Kenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.
Levy, J. "Synthesis of Antithesis in T. S. Eliot`s Poetry." Essays in Criticism, Vol. 2 (1952): 434-43.
Loucks, James F. "Eliot`s Four Quartets: Dry Salvages, second movement." Explicator 50.2 (1992): 100-03.
MacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,
1953.
Matthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.
Moody, Anthony David. "Four Quartets: Music, Word, Meaning and Value." The Combridge Companion to T. S. Eliot.
Cambridge, [England]: New York: Cambridge University Press, 1994.
Nattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.
Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.
Reibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.
Rhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann
Arbor: UMI, 1969. 7009624.
Richards, I. A. "The Music of Ideas." The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.
Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.
Scher, Steven Paul. "Literature and Music." Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,
New York: Modern Language Association, 1982, 225-250.
Sinha, Krishna Nandan. "Music." On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.
Spencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:
Prentice Hall, 1988.
Spender, Stephen. T. S. Eliot. New York: Penguin, 1964.
Spring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.
Stead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.
Stein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.
Stoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.
Stravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.
Thormahlen, Marianne. " `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry." In T. S. Eliot: A Voice
Descanting ed. Shyamal Bagchee, 122-48.
Tovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.
Verheul, K. "Music, Meaning and Poetry in Four Quartets by T. S. Eliot." Lingua: International Review of General
Linguistics. 16 (1966): 279-91.
Walton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.
Wellek, Rene and AustinWarren. "Literature and Art." Theory of Literature. Third Edition. New York: Harcourt Brace
Jovanovich, 1977.
Winter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.
Ulrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.
Unger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University
Press, 1981. |
