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    題名: <紐約三部曲>中走入迷宮的偵探
    The Detective in the Maze of The New York Trilogy
    作者: 黃筱茵
    Sharon Huang, Hsiao-Yin
    貢獻者: 陳超明
    Chen, Chao-ming
    黃筱茵
    Sharon Huang, Hsiao-Yin
    關鍵詞: 反偵探小說
    保羅•奧斯特
    德希達
    波赫士
    作者與讀者
    後現代
    anti-detective novel
    Auster, Paul
    Derrida, Jacques
    Borges
    the writer and the reader
    postmodernity
    日期: 2001
    上傳時間: 2016-04-15 15:58:50 (UTC+8)
    摘要: 保羅•奧斯特的〈紐約三部曲〉被歸類為「反偵探小說」（anti-detective novel）。在這三個故事裡，因緣際會背負了偵探角色的主角們，試圖還原事件的真相，卻個個受挫，甚至迷失在糾纏的線索與沈重的身份認同的遊戲中。他們像是一腳踏進了令人暈眩的泥沼，非但沒法用理智脫困，還愈陷愈深，隨著迷宮裡的音樂瘋狂起舞。
    Labelled as an anti-detective novel, The New York Trilogy defies the traditional detective process and instead renders the experience for man to distill and to locate meaning as an agonizing one. The protagonists in The Trilogy undertake the roles of the detective, hoping to reveal a sole truth behind the entangled situation. Yet they are not only frustrated in disclosing meaning, but thrown into extreme bafflement. Their identities fall apart, wriggling in the maze built by spiral words, crossed names and the ongoing efforts to define the relations.
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    Tysh, Chris. “From One Mirror to Another: the Rhetoric of Disaffiliation in City of Glass.” The Review of Contemporary Fiction 14.1(1994): 46-52.
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    描述: 碩士
    國立政治大學
    英國語文學系
    資料來源: http://thesis.lib.nccu.edu.tw/record/#A2002001026
    資料類型: thesis
    顯示於類別:[英國語文學系] 學位論文

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