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Title: | 《只為快一秒》劇本創作 The Film Script of "All for One Second" |
Authors: | 曾懿晴 |
Contributors: | 廖慶松 曾懿晴 |
Keywords: | 資訊焦慮 即時新聞 即時新聞焦慮症 數位匯流 媒體 anxiety of information real-time news anxiety of real-time news digital convergence media |
Date: | 2015 |
Issue Date: | 2016-02-03 11:57:53 (UTC+8) |
Abstract: | 網路、智慧型手機普及後,國內媒體環境近年驟變,過去稱霸社會主要輿論導向的老字號報紙力求轉型,全力在網路上發展即時新聞,企圖迎合網路時代越來越多變的閱聽人樣貌。傳統媒體彷彿罹患即時新聞焦慮症,將即時新聞作為轉型的第一步。 這是一個傳統媒體轉型的戰國時代,報紙、電視無不改變經營策略,新媒體的出現,看似帶來更多自由、多元、開放的選擇,打破過去由傳統媒體壟斷的資訊,卻因資訊爆炸,同時產生了更多資訊焦慮。焦慮對新聞界而言,不僅是有史以來最大的一場洪水,更像這個時代特有的流行病,面對不確定的未來,感到焦慮的不只是媒體本身,還包括閱聽人。 本文聚焦於報紙記者在面臨轉型的過程中所產生的即時新聞焦慮,並呼應現代人在資訊爆炸時代中所面臨的資訊焦慮,進一步探討未來可能的解決之道,並預想未來透過海量資料分析及群眾力量所發展出來的智慧,有機會運用在新聞上,將過量的重複資訊透過篩選加以刪除,找到新的新聞表現形態,讓新聞能更加貼近事件真實,讓資訊的出現不再只是加法,而是增加減法機制,朝更正確的方向邁進。 劇本背景設定在2016年,傳統媒體面對新媒體的到來仍在找尋轉型方式,故事主角由傳統報紙記者試圖揭發一起台鐵連續弊案,探討傳統新聞定義、資訊蒐集方式,與過去大不相同的可能性,記者在數位匯流時代的工作方式轉變以及即時新聞焦慮症,進一步呼應整個社會對於資訊不確定性的焦慮,並預言新聞未來的可能發展類型。以劇本為表現方式,意在期盼對於新媒體的未來發展,在媒體型態不斷革命的今天,能有更多的想像及展現空間,找到更多的可能。 As the network, smart phones and other mobile devices are booming in recent year, there are dramatic changes in domestic mass media. In attempt to cater to increasingly diverse audiences in the Internet era, old-branded newspapers, dominating the main public opinion in the past, is developing real-time news on the Internet thoroughly. Those traditional mass media corporations seem to suffer from anxiety disorders of real-time news competition, and consequently conclude that real-time news should be the first step for them to transform.
In this war of transforming traditional media, newspaper companies and broadcasting television all have to change their strategies. It has seemed to bring more free, pluralistic, and open-minded choices since brand new media emerging. In spite of breaking through the way of getting information, information explosion has turned people into deep anxiety for getting it. Anxiety is regarded as an epidemic, partucularly in this era. Facing uncertain future, it does not only make media anxious, but also the audience.
This article emphasizes on journalists who felt anxious about real-time news while they encountered the transformation of media. Meanwhile, it describes information anxiety among modern people. This article further figures out possible solutions, and assumes the mechanism of news in the future. It includes two traits, the big data analysis and crowdsourcing intelligence, as for the mechanism of news. The more appropriate form of news can be developed not only on the way of accumulating information, but also the screening of removing repeated information. Thus, we could be much closer to reality.
Presented via the form of a script writing and based on a story in the year of 2016, the script describes that traditional media is struggling to figure out a way toward successful transformation, while facing the confrontation of the new media. The main character of the story, a newspaper journalist, tried to uncover a scandal of Taiwan Railway Administration. By following the journalist`s work, this article discusses about definition of traditional news, the way of collecting information, and the differences how journallists are working in the digital convergence era, reflecting the entire society`s anxiety toward uncertainties of information. This article also tries to predict possible development of news in the future by storytelling. In this continuing evolution of media nowadays, we hope that society can embrace more imagination and possibilities. |
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中文文獻 牛隆光、蘇蘅、黃美燕、趙曉南(2000)。〈台灣報紙轉型的問題與挑戰─提供讀者更好的選擇?〉,《新聞學研究》, 64:1-32。 尹萍譯(2013)。《超棒小說這樣寫:寫出結構完整、劇情緊湊、讓人欲罷不能的超完美小說!》。臺北:雲夢千里。(原書James N. Frey. [2013]. How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling.) 尹萍譯(2014)。《超棒小說再進化 : 深度剖析拍成電影的暢銷小說,教你呈現好萊塢等級的戲劇張力!》。臺北:雲夢千里。(原書James N. Frey. [2014]. HOW TO WRITE A DAMN GOOD NOVEL- II: Advanced Techniques for Dramatic Storytelling.) 位明宇(2012)。〈媒體匯流的策略、操作與衝突:中央社與聯合報系的個案研究〉,《中華傳播學會2012年年會論文》。 李蔡彥、鄭宇君(2011)。〈資訊科技與新媒體研究之發展〉,《傳播研究與實踐》, 1(1): 71-81。 李懿芳(2013)。〈《情書》劇本創作與論述〉。國立政治大學傳播學院碩士在職專班畢業作品創作報告。 孫秀蕙(2005)。〈初探網路謠言中「女性」符號運作:以東森新聞台「網路追追追」為例〉,《廣告學研究》,24: 1-29。 崔斐韻(2004)。〈大學生資訊焦慮與因應方式之研究--以南部地區為例〉。國立高雄師範大學教育學系碩士論文。 張美惠譯(1994),《資訊焦慮》,台北:時報文化出版。(原書Wurman, R. S. [1990].Information anxiety: what to do when information doesn’t tell you what you need to know. NY: Bantam.) 張雅惠(2001)。〈網際網路對公關人員之溝通滿意、工作滿意、工作壓力與資訊焦慮之影響〉。中山大學傳播管理研究所碩士論文。 郭玢玢譯(2013)。《為什麼你的故事被打 ×:創意、編劇、文案魔力鍊金術》。臺北:典藏藝術家庭。(原書D. B. Gilles[2013].The Screenwriter Within) 曾西霸等譯(1993)。《實用電影編劇技巧》。台北:遠流。(原著:Field, S. (1982).Screenplay: The Foundations of Screenwriting. New York: Dell Publishing, a division of Bantam Doubleday Dell Publishing Group, Inc.) 黃柏堯(2011)。〈電視新聞文字記者資訊行為與資訊焦慮之現象研究〉。臺灣師範大學圖書資訊學研究所碩士論文。 黃厚銘(2015年4月)。〈後學運時代的幾個斷裂:遊戲、情緒感應(empathy)與理性政制(Regime of Reason)〉,「後學運時代新聞與傳播環境之反思與展望」,台北市木柵。 辜振豐(2012)。《寫作的秘密》。台北:台灣書房。 楊玉齡譯(2013)。《群眾的智慧:如何讓整個世界成為你的智囊團》,台北:遠流。(原書James, S.[2004]. The Wisdom of Crowds:why the many are smarter than the few and how collective wisdom shapes business, economies, societies, and nations.) 蔡慧美(2003)。〈資訊焦慮對個人資訊尋求行為及模式的影響〉。美國資訊科學與技術會臺北學生分會會訊,95-119。 鄭宇融(2014)。〈即時新聞與媒體勞動-以蘋果日報為例〉。中正大學電訊傳播所碩士論文。 鄭智謙(2013)。〈《第二人生》劇本創作與論述〉。國立政治大學廣播電視學系碩士論文。 鄭宛靜(2012)。〈臺灣學齡前幼兒父母之育兒資訊需求與資訊焦慮〉。國立臺灣師範大學圖書資訊學研究所碩士論文。 蘇映雲(1999)。〈高科技研發人員的網路使用,資訊焦慮與工作表現之研究--以工研院為例〉。國立交通大學傳播研究所碩士論文。
網路資源 賴東澤(2013年3月日5),〈潛腦偵查科〉,《102年度優良電影劇本獎得獎作品》。取自http://www.taiwancinema.com/public/Attachment/45121153171.pdf。 黃彥樵(2013年3月日5),〈批著人皮的大象〉,《102年度優良電影劇本獎得獎作品》。 取自http://www.taiwancinema.com/public/Attachment/451211593171.pdf。
影視作品 《大陰謀(All Pesident’s Men〉》(1976),華納兄弟。 《永不妥協(Erin Brockovich〉》(2000),環球影業。 《神行太保》(1989),山西電影製片廠。 《唐人街(Chinatown〉》(1974),派拉蒙電影公司。 《烽火傳真(Live From Baghdad〉》(2002),HBO。 《鍥而不捨(Veronica Guerin〉》(2003),博偉電影。 |
Description: | 碩士 國立政治大學 傳播學院碩士在職專班 102941008 |
Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0102941008 |
Data Type: | thesis |
Appears in Collections: | [EMA Program in Communication] Theses
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