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    题名: 本體‧文體‧身體 －－明代賦家音字、王祖摘之華山巡禮及其創意之旅
    其它题名: Noumenon.Genre.Body
    作者: 許東海
    Hsu, Tung-Hai
    贡献者: 中文系
    日期: 2007-12
    上传时间: 2015-11-04 17:23:59 (UTC+8)
    摘要: 山嶽世界為初民文化對話中的大自然重鎮，西嶽華山向以奇險絕勝名 世，明代賦家叉如何在這場古今競技的華山賦史上，展現其新變的獨特書寫巡 禮及其創意之旅。 本文主要以喬宇、王祖嫡為例，探討明賦華山書寫之新變視界。明代賦 家的變創關鍵，又在代之以宦遊書寫脈絡，並在結合書寫文體的多元性開展， 從而將唐賦以君國為中心的書寫取向， 巧妙轉化為以身體實踐為主要書寫依 據，從而進而觸探更為幽微深婉的自我情志世界。
    The world of lofty mountains is highly valued in forerunner `s culture. Mountain Hua is, above all, famous for its precipice and has always been noticed as a historic spot. lt is interesting to study how those Ming Fu poets reveal their unique literary talent and creativities in order to contend for the Mountain Hua poems of great repute. This paper aims to discuss the variant modes and genres of Ming Fu regarding Mountain Hua with the examples ofQiao yu and Wang zu-di; and the Ming Fu poets` key to variation and creation. Huan You genre is also used as a model, thus the diversification of literature noumenon is merged; and the monarchy-based genre of Tang Fu is manipulated into bodily practices-based genre and hence explore more profound and complicated self sentiment world.
    關聯: 中正大學中文學術年刊,10,41-59
    数据类型: article
    显示于类别:[中國文學系] 期刊論文

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    41-59-a.pdf546KbAdobe PDF2559检视/开启


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