政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/79077

政大典藏 > College of Liberal Arts > Department of Chinese Literature > Periodical Articles > Item 140.119/79077

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/79077

Title:	論「嚴羽劉辰翁詩論並稱」的基礎、背景和意義
Authors:	陳英傑 Chen, Ying-Chieh
Contributors:	中文系
Keywords:	嚴羽;劉辰翁;明代復古派;詩法類著作;審美特質 Yan Yu;Liu Chenweng;revivalists in the Ming dynasty;writings on Shifa 詩法;the aesthetic quality of poetry
Date:	2015-06
Issue Date:	2015-10-27 17:59:17 (UTC+8)
Abstract:	明代中葉以後的詩學史上，出現了一種「嚴羽劉辰翁詩論並稱」的觀點。這種觀點，主要屬於復古派的建構，也透露其所承受的詩學傳統，然而尚未引起當代學者的關注。本文即針對此說的詩學基礎、背景和意義，進行系統化之考察。研究成果顯示：明人提出嚴、劉並稱之說，應是注意到兩人詩論的質性及其價值甚近似。據嚴、劉詩學原典推敲，兩人都認為詩的審美特質，乃是一種辯證超越於語言形式以外的美感，如嚴羽（1195？-1245？）所謂「興趣」，劉辰翁（1232-1297）所謂「不著一字」、「不著相」云云。這可視為兩人並稱之說的基礎。而此說之提出，當是明人緣於自身既有的某種審美觀念，由回溯詩學史而發現契合於嚴、劉，遂能照見其價值。明人觀念係延續了元代以降的詩法類著作，甚至據以作為理解、評價嚴羽詩論的「前理解」。而在此說之成型過程中，高棅（1350-1423）、李東陽（1447-1516）可能扮演了重要推手，也必須留意「傳統評價延續性」、「論述形式互補性」二因素。這可視為兩人並稱之說的背景。立足前述的研究成果，本文最後指出明人此說的兩項重要意義：一是透露明人對嚴、劉所體現的詩學史轉向已有清楚之掌握；其次是顯示宋末元初以迄明代復古派的詩學史，可視為一個連續性整體。 In Ming dynasty documents, we find passages written by authors with ties to the revivalist movement that juxtapose Yan Yu (1195?-1245?) and Liu Chen-weng (1232-1297). These juxtapositions are comparative in nature, and they show that the revivalist`s view of the poetic tradition was complex and concerned with more than just Yan`s standing and influence. This study discusses the basis, background, and significance of texts that juxtapose Yan and Liu for comparative purposes. It finds that both Yan and Liu maintained that a good poem must manifest aesthetic beauty beyond any form of language. The origin of the Yan-Liu comparison can be found in Gao Bing`s 高棅 (1350-1423) interpretation of the Tangshi pinhui 唐詩品彙. Moreover, the revivalist`s use of Yuan dynasty perspectives to interpret Yan Yu`s poetic theory constitutes the primary background for understanding the Yan-Liu comparisons. The revivalist`s view of poetic history held that Yan and Liu had moved poetry in a new direction and opened a new phase of poetic style in China.
Relation:	清華中文學報,13,181-227
Data Type:	article
Appears in Collections:	[Department of Chinese Literature] Periodical Articles

Files in This Item:

File	Description	Size	Format
181-227.pdf		1740Kb	Adobe PDF2	550	View/Open

社群 sharing

Loading...