English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113311/144292 (79%)
Visitors : 50926452      Online Users : 865
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/78076


    Title: 小型文創公司經營策略之個案探討
    An Exploration of Business Strategy of Small-sized Companies in Creative Cultural Industry - A Case Approach
    Authors: 黃詠如
    Huang, Yung-Ju
    Contributors: 林宛瑩
    Lin, Wan-Ying
    黃詠如
    Huang, Yung-Ju
    Keywords: 文化創意產業
    企業價值網絡
    創新的軌跡
    價值創造
    Cultural creative industries
    Value Net
    The trajectories of industry evolution
    Value co-creation
    Date: 2013
    Issue Date: 2015-09-01 16:15:43 (UTC+8)
    Abstract: 本研究參採McGahan (2007)之產業演變分析架構,探討台灣文化創意產業之環境,並透過個案研究三家不同業務類型之小型文創公司,以瞭解其發展過程中所面臨之機會與挑戰,並輔以Brandenburger & Nalebuff (1996)之企業價值網絡架構,分析個案公司之核心資源、核心活動,以及支援活動網絡之企業整體價值創造體系。本研究藉由對外部產業環境的瞭解,以及個案公司與其網絡參與者之合作關係,歸納其內、外資源的運用及發展階段,提出符合個案公司的策略目標及相對應的解決方案。本研究之主要發現包括:
    1. 處於創業初期之文創公司,須致力於提升其「專案控管」及「重複創造新核心資產」的能力,達到在產業中存續之目的。
    2. 當文創公司財務狀況已達損益兩平,顯示其在「專案控管」及「重複創造新核心資產」兩階段之耕耘已獲得正向的報酬,而朝向「延續獲利」階段。此階段之文創公司策略重心將聚焦「顧客關係」與「供應商關係」,加速整體核心活動的效率,達成永續經營之目的。
    3. 企圖角逐產業領導地位之文創公司則不僅須達到連續獲利目標,亦應朝競爭者及互補者延伸其關係網絡,進行各種創新商業合作模式的測試,拓展公司在產業內的影響力。
    本研究根據上述研究結果,發展「文創公司發展階段檢核模型」供文創企業自行檢視其其內、外資源運用及發展現狀後,作為文創業者制定未來運營策略與方向之參考。
    The study adopts the framework of The trajectories of industry evolution proposed by McGahan (2007) to obtain an in-depth understanding of some small-sized Taiwanese companies that focus their businesses on cultural and creative activities.
    In order to maximize their revenues with limited resources, small-sized companies must build network with their strategic alliances for value co-creation. The study investigates three subject companies from four aspects: suppliers, complementors, customers, and competitors. Based upon the Value Net model proposed by Brandenburger and Nalebuff (1996), this study comprehends the activities between the participators in the value co-creation process. By interviewing the subject companies, the relationships between the stakeholders were identified, which also indicates the development phases of the companies. The finding leads to a hypothetical track of the developmental stages of small-sized companies.
    In sum, the finding of this study suggests a self-evaluation model along with the corresponding strategies for small-sized companies at their development stage to help evaluate the use of internal and external resources so as to achieve sustainability in the long term aspect.
    Reference: 中文部分:
    文化部,2013。2012台灣文化創意產業發展年報。
    方世榮(譯),2005。智慧資本價值精煉術:如何將公司無形資產轉化為市場價值  (原Sullivan, P.H. 2000, Value-driven intellectual capital: how to convert intangible corporate assets into market value, John Wiley & Sons, Inc.),台北市:五南。
    王美雅、陳筱迪、陳欽雨,2012。數位典藏廠商價值創造策略與核心資源,圖書資訊學刊,第10卷第1期,頁47-81。
    古永嘉、楊雪蘭(編譯),2012。企業研究方法 (原Cooper, D.R. and Schindler, P.S. 2011, Business research methods, 11/e, Mc-Graw Hill publishing),台灣:美商麥格羅‧希爾。
    台灣經濟研究院產經資料庫,2012。2013年文化創意業景氣趨勢調查報告。  
    行政院文化建設委員會,2011。文化創意產業座談會研究報告。
    李仁芳,2011。2010台灣文化創意產業發展年報,行政院文化建設委員會。
    李齡芳(譯) ,2007。創新的軌跡:產業演變與企業策略 (原McGahan, A.M. 2004, Harvard Business Press),台北:天下雜誌。
    林奎佑,2005。台灣文化創意產業經營之研究,國立政治大學經營管理碩士學程科技管理組碩士論文。
    徐鑑、于俊傑、蔡尚鈞、劉曾若,2011。人力資源管理、師徒功能與敬業貢獻度對組織公民行為影響之研究-以國內A公務組織為例,國家文官學院T&D飛訊,第128期。
    財團法人國家文化藝術基金會,2002。文化創意產業概況分析調查。
    許恩德、陳遵行,2011。企業價值網整合:模型與經驗,中山管理評論,第19卷,第4期,頁875-908。
    朱歆如,2010。文化創意產業之總體策略,台灣經濟研究月刊,第33卷,第8期。
    陳郁秀,2004。文化創意創發展計畫,文化創意產業,台北市:文建會case網路學院編印,行政院文化建設委員會發行。
    曾志朗,2012。2011台灣文化創意產業發展年報,行政院文化建設委員會。
    黃勝桓,2010。從價值網絡觀點探討新創事業策略選擇評估,國立政治大學商學院經營管理碩士企管組碩士論文。
    楊燕枝、吳思華,2005。文化創意產業的價值創造形塑之初探,行銷評論,第2 卷,第3 期,頁313-338。
    廖珮君(譯),2006。文化產業 (原Hesmondhalgh, D. 2002, The Cultural Industries, Sage Publication.),台北:韋伯文化國際出版有限公司。
    劉新圓,2009。什麼是文化創意產業?國家政策研究報告 (http://www.npf.org.tw/post/2/5867; 檢視日期:2013/06/13)。
    劉曉蓉,2006。文化產業發展成文化創意產業之特性研究,國立中山大學公共事務管理研究所碩士論文。
    鄭玉苹,2010。台灣文化創意產業之輔導現況與未來展望-專訪行政院文化建設委員會李仁芳副主委,台灣經濟研究月刊,第33卷第8期,頁18-22。
    鄭美華,2008。推動文化創意產業政策與政府治理模式的轉型-政府與文化關係的再思考,國立政治大學公共行政學報,第27期,頁111-159。
    賴逸芳、游凱文,2013。「從日韓產業軟實力的發展檢視產業競爭模式的轉變」,台灣經濟研究月刊,第36卷,第2期,頁82-89。
    謝榮峰,2009。試探文化創意產業的中介體系,台灣工藝,第35卷,頁18-23。

    英文部分:
    Ameru and CAJ. 2008, Gauteng Creative Mapping Project: an analysis, S.A.: Department of Sports, Arts, Culture and Recreation.
    Bakhshi, H. and Throsby, D. 2010, 2009, Innovation in arts and cultural organizations, NESTA Interim Research Report, UK.
    Bakhshi, H. and Throsby, D. 2010, Culture of innovation: an economic analysis of innovation in arts and cultural organizations, NESTA Interim Research Report, UK.
    Bassett-Jones, N. 2005, The paradox of diversity management, creativity and innovation, Creativity and Innovation Management, Vol.14, No.2, pp.169-175.
    Bilton, C. 2007, Management and creativity: from creative industries to creative management, UK: Blackwell Publishing.
    Hansen, M.T. and Birkinshaw, J. 2007, The innovation value chain, Harvard Business Review, pp. 2-13.
    Hearn, G.N. and Roodhouse, S.C. and Blakey, J.M. 2007, From value chain to value creating ecology: implications for creative industries development policy, International Journal of Cultural Policy 13(4), pp.419-436.
    Hesmondhalgh, D. 2006, Bourdieu, the media and cultural production, Media, culture society, Sage Publications (28), pp.226-230.
    Higgs, P., Cunningham, S. and Bakhshi, H. 2008, Beyond the creative industries: mapping the creative economy in the United Kingdom, UK: NESTA.
    Hotho, S. and Champion, K. 2011, Small businesses in the new creative industries: innovation as a people management challenge, Management Decision, Vol.49, No.1, pp.29-54.
    Joffe, A. 2008, Understanding creative industries: their definitions, models, measurements and drivers, Culture, arts and jobs, South Africa: UNESCO.
    McGahan, A.M. 2004, How industries evolve: principles for achieving and sustaining superior performance, United States, Harvard Business Press.
    Moller, K. and Rajala, A. 2007, Rise of strategy nets- new modes of value creation, Industrial Marketing Management, 36, pp.895-908.
    Pisano, G.P. and Teece, D.J. 2007, How to capture value from innovation: shaping intellectual property and industry architecture, California Management Review, Vol.50, No.1, pp.278-294.
    Porter, M.E. and Kramer, M.R. 2011, Creating shared value: how to reinvent capitalism- and unleash a wave of innovation and growth, Harvard Business Review, pp.2-17.
    Prahalad, C.K. and Ramaswamy, V. 2004, Co-creating unique value with customers, Strategy & Leadership, Vol. 32 (3), pp. 4- 9.
    Rabe, C.B. 2006, The innovation killer: how what we know limits what we can imagine: and what smart companies are doing about it, United States: AMACOM.
    Throsby, D. 2008, the concentric circles model of the cultural industries, Cultural Trends, Vol. 17 (3), pp. 147-164.
    UNESCO Global Alliance team. 2006, Understanding creative industries: cultural statistics for public-policy making. (Available at: http://portal.unesco.org/culture/en/ev.php-URL_ID=29947&URL_DO=DO_TOPIC&URL_SECTION=-465.html; Assessed on June.13, 2013)
    Description: 碩士
    國立政治大學
    商管專業學院碩士學位學程(AMBA)
    100380030
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1003800301
    Data Type: thesis
    Appears in Collections:[管理碩士學程/商管專業學院碩士學位學程 AMBA] 學位論文

    Files in This Item:

    File SizeFormat
    030101.pdf2516KbAdobe PDF2367View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback