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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/78036


    Title: 論藏戲《諾桑王傳》的結構
    Authors: 鄭怡甄
    Contributors: 民族研究所
    Keywords: 論藏;諾桑;王傳;藏傳佛教文化;帕木竹巴;佛教經典;印度佛教;八大藏戲;倉央嘉措;仁蚌巴
    Date: 1998
    Issue Date: 2015-08-31 17:57:55 (UTC+8)
    Abstract: 藏戲的傳統劇目有所謂“八大藏戲”,即演出場次多、劇情曲折完整,在各個地區都有劇團演出并受到社會各界歡迎的八個劇目。據王堯教授譯述的《藏劇故事集》,八大藏戲是:《文成公主》、《諾桑王傳》、《卓瓦桑姆》、《蘇吉尼瑪》、《頓月頓珠》、《赤美滾丹》、《朗薩姑娘》和《白瑪文巴》。①無論從劇情復雜、角色眾多、演出規模和時間的哪一個方面看,《諾桑王傳》都應當算是其中的一出主要的劇目,其中反映的神人關系,亦可看作是藏族在藏戲中表現出來的對神人觀念的認識之代表。
    Relation: 青海社會科學,1998(06),88-93
    Data Type: article
    Appears in Collections:[民族學系] 期刊論文

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