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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/77498
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/77498


    Title: 《紅樓夢》肖像描繪考察——以“影身人物”為核心
    Authors: 楊婕
    Contributors: 中文系
    Keywords: 紅樓夢;曹雪芹;麻衣相法;相術;肖像描繪;影身人物
    Date: 2012
    Issue Date: 2015-08-11 16:33:21 (UTC+8)
    Abstract: 《紅樓夢》之人物塑造極為成功,宛如"人像畫廊"。作者曹雪芹在創新之際,亦多從傳統資產吸取、轉化。曹氏進行肖像描繪時,對相術應有所繼承。據脂硯齋批語,《紅樓夢》對古代著名相書《麻衣相法》確有所接受。本文以"影身人物"為關鍵詞,對照《麻衣相法》所載相術理論,透過個別比對與綜合考察,探究曹氏對相術的繼承與超越,藉由《紅樓夢》與《麻衣相法》對讀,探討小說人物美學,并分析《紅樓夢》肖像描繪中"限知視角"的多重意涵。以便能對《紅樓夢》肖像描繪與小說命運觀有更深入的認識。
    Relation: 紅樓夢學刊,2012(3),153-172
    Data Type: article
    Appears in Collections:[中國文學系] 期刊論文

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