 |
English
|
正體中文
|
简体中文
|
Post-Print筆數 : 27 |
Items with full text/Total items : 113311/144292 (79%)
Visitors : 50919502
Online Users : 834
|
|
|
Loading...
|
Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/72634
|
| Title: | 《我的鴿子籠故事》中認同情結之探討 |
| Other Titles: | Discussing the Identity Complex in The Story of My Dovecot |
| Authors: | 鄢定嘉
Yen, Ting-chia |
| Contributors: | 斯語系 |
| Keywords: | 巴別爾;我的鴿子籠故事;他者;認同;兒童視角
I. Babel;The Story of My Dovecot;The other;Identity;Child`s point of view |
| Date: | 2014-06 |
| Issue Date: | 2015-01-05 16:49:26 (UTC+8) |
| Abstract: | 巴別爾可謂是俄國文壇第一位深度書寫猶太主題的作家。從踏入文壇起，巴別爾就開始思考猶太主題，並在自己的猶太論述中，表現與十九世紀俄國作家迥異的視角。他觸及猶太人的生活風俗、信仰、民族世界觀等，同時藉文學人物身份立場的搖擺與追尋，思考俄羅斯境內猶太人的命運。巴別爾短篇小說集《我的鴿子籠故事》亦稱「童年故事集」，以「我」的觀點講述十歲至二十三歲的生活故事。敘事者一方面想逃離令他窒息的猶太家庭氛圍，逃離自己的身份，並在革命後成為蘇維埃的「自己人」；另一方面，他在世界文學當中找到安身立命之處，並以創作為使命。誠如拉岡所言，自我的概念由他者的目光形塑。觀看行為因此成為身份／認同議題重要的切入點。作為俄國社會、文化中的「他者」，敘事者如何看待自己的身份，又如何為自己找到定位，是筆者探討的重點。本文以敘事學的「視角」與「聚焦」分析為研究途徑，從敘事者視野中的大時代、地方感受與文化認同等層面，分析《我的鴿子籠故事》之主體意識，並探討敘事者的認同問題。
Isaac Babel, born in Odessa, was arguably the first writer who deeply focused on the Jewish themes in Russian literature.From the early days of his literary career, I. Babel reflected Jewish themes, and presented entirely different perspective from the 19th century Russian writers in his Jewish discourse. He mentioned the Jewish custom, faith, and ethnic worldview in his literary works. Babel deliberated about the fate of the Jews in Russia by his literary figures’ hesitation and pursuance of identity.Babel’s Story of My Dovecot, was known as the “childhood stories” in which there were the first-person narrative stories between narrator’s age from ten to twenty-three. On the one hand, the narrator tried to escape from the suffocated Jewish atmosphere, get away from the identity, and become “one of us” after the Soviet revolution. On the other hand, he found the place to settle down in world literature, and took literary creation as his mission.For Lacan, the formation of the ego is a process of ‘identification’ with an external image/other. The gaze becomes the focal point of identity / identity issue. In this article, author focuses on how did the narrator regard his identity and find the position for himself as the “other” in Russian society and culture. The research approaches of the paper are “perspective” and “focus” analysis of narratology. From the narrator’s sight of the great era, local reception and cultural identity, the author intends to analyze the subject consciousness in The Story of My Dovecot, and discuss the narrator’s identity issue. |
| Relation: | 俄語學報, 24, 51-74 |
| Data Type: | article |
| Appears in Collections: | [斯拉夫語文學系] 期刊論文
[俄語學報] 期刊論文
|
Files in This Item:
| File |
Size | Format | |
|---|
| 51-74.pdf | 671Kb | Adobe PDF2 | 800 | View/Open |
|
All items in 政大典藏 are protected by copyright, with all rights reserved.
|
著作權政策宣告 Copyright Announcement1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.
2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(
nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(
nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
