政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/70020
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 114401/145431 (79%)
造訪人次 : 53104956      線上人數 : 905
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋
    政大機構典藏 > 文學院 > 宗教研究所 > 期刊論文 >  Item 140.119/70020


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/70020


    題名: 服飾與禮儀：〈離騷〉的服飾中心說
    其他題名: Attire and Ritual in ＂Li-sao＂
    作者: 李豐楙
    Lee, Fong-Mao
    貢獻者: 宗教所
    關鍵詞: 服飾;禮儀;巫俗
    Attire;rituals;shamanistic culture
    日期: 1999.03
    上傳時間: 2014-09-18 13:57:36 (UTC+8)
    摘要: 對於屈原〈離騷〉的研究，歷來己多注意衣飾的重要性，本篇則從《山海經》等說明「服」、「初服」、「非世俗之所服」的服字用例，就是服飾、服佩的意義。而在各種香草象徵服飾的藝術手法中，廣泛引用文獻及出土文物證明當時楚人的服佩習慣，確有被衣、帶劍、佩珠及戴高冠的君子之服。屈原採用香草服飾隱喻其修習才德，在此提出凡經三變的三階段說：即初服、成年入仕之服及昇天的巫者之服，分別象徵不同階段的禮儀及祭儀服飾。並從文脈證明「好修」一詞為一篇的綱領，象徵屈原對於美與善的堅持。因此提出「不變」為其主題，用以對照「變」，本研究認為屈原使用香草的變質以隱喻小人的變節，這種諷諭手法對於子蘭、子椒的諷刺，乃與當時楚國王室以香革命名的習慣有關。故綜合相關論證，嘗試從「常與非常」的服飾思維，提出〈離騷〉的服飾中心說。
    Previous study of Ch`ü Yuan`s ”Li-sao” already recognized the significance of attire. This paper takes Shan-hai-ching and other sources as examples to explicate that ju, ch`u-fu and the unworldly fu all refer to men`s attire. It has been proved by historical documents and archaeological artifacts that, among the various artistic techniques of symbolizing men`s attire by fragrant grass, the Ch`u people in Ch`u Yuan`s time did have the habit of wearing fine apparel, swords, precious stones and high top hats which represented the attire of a gentleman. To explain how Ch`u Yuan employed images of fragrant grass attire as metaphors for self-cultivation, this paper proposes a theory of three stages, or three changes, which are the novice`s attire (ch`u-ju), the adult`s official attire, and the shaman`s attire of ascending to heaven, to symbolize attire for ritual ceremony and memorial ceremony in different stages. The author argues that the term ”hao-hsiu” (refined cultivation) is the motif of ”Li-sao” which symbolizes Ch`u Yuan`s insistence on goodness and beauty. As a contrast to ”change,” ”constancy” is indeed the theme of ”Li-sao”. The fact that Ch`ii Yuan employed the changes of fragrant grass as a metaphor for inferior men`s moral repentance, to satirize Tzu-Ian and Tzu-chiao, is related to the tradition of naming of the Ch`u royal family with names of fragrant grass. By way of the ”constancy” and ”inconstancy” of the attire theory and other related arguments, the author conc1udes that attire is the core of ”Li-sao.”
    關聯: 中國文哲研究集刊, 14, 1-49
    資料類型: article
    顯示於類別:[宗教研究所] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    1-49.pdf7299KbAdobe PDF2838檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋