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    Title: 兩漢七體文類及其文化意涵
    Other Titles: The Culture Meaning and Development in Qi Genre of Han Dynasty
    Authors: 郭章裕
    Kuo, Chang-yu
    Contributors: 中文系
    Keywords: ;文類;兩漢;招隱;儒道之爭
    Qi;genre;Han Dynasty;Recruiting recluses
    Date: 2009.05
    Issue Date: 2014-08-04 11:24:34 (UTC+8)
    Abstract: 枚乘〈七發〉向來被認為是古代七之文類的首倡之作,在東漢之後,引起許多仿作,遂而使「七」形成一種文類。而這些作品因為大量呈現耳目聲色娛樂,最後才進以正道妙理,所以常引來「勸百諷一」的負面批評;但這種奢華的享樂,其實是一合於漢人禮教思想的說服策略。在此遊樂的過程中,又包呈顯出漢代天人合一的思想,有著特殊的文化意涵。東漢之後,眾七之作不約而同出現了儒、道二家思想的抗辯,與原來〈七發〉大不相同,其實,這也與東漢之後隱士抗旨不奉朝聘的風氣密切相關。從文類發展的角度來說,七其實是在漢賦之下發展起來的,故七經常被以漢賦的評價標準衡量之,但七與漢賦終究不同之處何在?除了對問凡七、主客雙方始異終契、論說義理之外,主要更在於「求賢招隱」此一題材與目的上;此題材與目的為傳統漢賦所無,傅毅〈七激〉問世,便為此確立典範,引起許多仿作,篇章既多,遂而成類。漢迄於六朝,七的體貌大同小異,直到唐代之後,才突破窠臼,使該文類有了新的發展。
    Qi-Fa is considered the first composition of Qi genre, during East Han Qi was created generally so be a literature genre. This kind of articles was filled with many kinds desires so get bad command. In the fact, this phenomenon revealed the moral conception and university-human relationship. Beside, the development of Qi was considered to be subordinated to Han-fu, whereas the different between Han-fu and Qi, the major point is 「recruiting recluses」, After Fu-Chan`s Qi-gj, many articles simulated it, and Qi be a literature genre, until Taun-Dynasty, Qi had broken it`s original type.
    Relation: 東吳中文學報, 17, 19-46
    Data Type: article
    Appears in Collections:[Department of Chinese Literature] Periodical Articles

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