English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113318/144297 (79%)
Visitors : 50965045      Online Users : 964
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/67293
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/67293


    Title: 一個「國民」,各自表述──論晚清小說與魯迅小說的國民想像
    Other Titles: One “National,” Different Interpretations: The Image of the National in the Fiction of the Late Qing and Lu Xun
    Authors: 顏健富
    Guan, Kean-Fung
    Contributors: 中文系
    Keywords: 國民;晚清;魯迅;小說;時間;空間
    national;late Qing;Lu Xun魯迅;fiction;time;space
    Date: 2005-06
    Issue Date: 2014-07-03 17:00:37 (UTC+8)
    Abstract: 本文從文學的場域,研究晚清小說與魯迅小說的「國民」想像如何衝擊到小說的敘事。論文先從「國民」詞彙的流變切入,凸顯一個「國民」,如何被作者群各自表述,投射出不同的意涵。論文進而以這兩個時代的普遍議題──「覺醒」與「昏睡」、「未來」與「過去」作為取鏡點,論證小說在不同「國民」概念的介入下,構築出兩種朝代末與世紀初交錯的「國民」奇書,極端而瑰麗,激切又詭異,「國民」或成為力振山河、雄心壯志的希冀所在,或成為承擔國事日非、社會頹壞的重擔。若是放到作者的寫作動機上,各自表述的國民卻又相互呼應,國民被放在國家盛衰的角度上,擔負起歷史、政治的責任,在不同的向度展示出一救贖的書寫框架。
    This paper looks at how, in the field of literature, the image of “national” in the fiction of the late Qing and of Lu Xun魯迅 impacted fictional narrative.We begin with changes in the vocabulary associated with “national” to show how writers applied different interpretations of the image to express differing connotations. We then take topics that were common to the two periods, i.e. awakening vs. slumber, future vs. past, to discuss how these different usages helped to create two great works revolving around the concept of “national”that captured the spirit of the time at the end of the Qing dynasty and the birth of the Republic of China. Extreme yet beautiful, strident yet unique, “national” in these works became either a source of hope for a new start, or took on the burden of a country in decline and a decaying society. If we speak in terms of the authors` motive for writing, we see that the different interpretations of“national” are actually responses to each other wherein the “national” takes on the historical and political responsibility for a country`s rise and decline under the framework of a writing of salvation or redemption.
    Relation: 漢學研究,23(1),325-358
    Data Type: article
    Appears in Collections:[中國文學系] 期刊論文

    Files in This Item:

    File Description SizeFormat
    325358.pdf3002KbAdobe PDF2742View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback