English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51613831      Online Users : 844
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/65880


    Title: 中共文藝政策溯源
    Other Titles: The Origin of the PRC`s Policy on Literature and Art
    Authors: 周玉山
    Chou, Yu-Sun
    Contributors: 國際關係研究中心
    Keywords: 文藝政策;馬克思;恩格斯;列寧;斯大林
    literature and art policy;Marx;Engels;Leniin;Stalin
    Date: 1998-07
    Issue Date: 2014-05-07 15:28:02 (UTC+8)
    Abstract: 中共自有正師的文藝政策以來，即興文藝整風結下不解之緣。毛澤東雖然偶作詩詞，但沒有獨創的文藝觀，無產階級文學的黨性思想，自馬克思和恩格斯首倡後，經列寧和斯大林發揚光大，為毛凿翁所襲取。延安時期，毛澤東以工人、農民、兵士和城市小資產階級四種人，占當時全國人口百分之九十以上，因此奉斯大林為師，主張文藝為工農兵服務。它又重複列寧所說，文藝是個無產階級機器中的齒輪和螺絲釘，位置已擺好，所以絕無自由運作的可能。時至今日，毛澤東業已離世多載，死靈魂仍附著中共的文藝政策中，可謂其來有自。毛澤東身兼中共的列寧和斯大林，此種雙重身分，已成歷史定論，因此，過去的俄共可以全面批判斯大林，現在的中共則無法全盤否定毛澤東，就文藝政策本身觀之，毛澤東確也同時抄襲了列寧和斯大林，造成大陸文壇的蘇維埃化，其全面的悲劇，至「文革」達一高峰。
    have often been rectification campaigns in mainland China’s literary and art circles. Mao Zedong did not form his own views on literature and art, though he himself occasionally wrote poems. He inherited the “Party spirit” ideology of proletarian literature and art, advocated by Marx and Engels and further developed by Lenin and Stalin. During the Yan’an Period, he decided to follow Stalin in demanding that literature and art serve the workers, peasants and soldiers as these groups, along with the urban petty bourgeoisie, constituted more than 90 percent of the total population of China. He reiterated Lenin’s remark that literature and art were “cogs and screws” destined to fulfill their allotted roles in the “proletarian machine,” and should not be allowed to develop freely. Although Mao has been dead for more than two decades, his ideas on literature and art still remain dominant in mainland China. In literature and art policy, Mao did copy both from Lenin and Stalin, leading to the Sovietization of literature and art in mainland China. The Cultural Revolution marked the climax of this Sovietization tragedy.
    Relation: 中國大陸研究, 41(7), 21-31
    Data Type: article
    Appears in Collections:[國際關係研究中心] 期刊論文

    Files in This Item:

    File Description SizeFormat
    21-31.pdf847KbAdobe PDF2503View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback