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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/65437


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/65437


    題名: 水滸故事傳播中的江湖與江山──以明‧陳忱《水滸後傳》的「地景書寫」與「場域效應」為主的討論
    其他題名: The Perspectives of `Jiang-hu` and `Jiang-shan` (Nation) in the Story of `Shui-hu`: A Discussion of Geographic Description and Field Effect from Chen Chen`s Book of `Shui-hu-hou-zhuan`
    作者: 高桂惠
    Kao, Kuei-Hui
    貢獻者: 中文系
    關鍵詞: 水滸故事;江湖;江山;梁山泊;場域;Shui-hu;Jiang-hu;Jiang-shan Nation;Liang-shan-bo
    日期: 2007.01
    上傳時間: 2014-04-16 17:16:59 (UTC+8)
    摘要: 本文由水滸故事流播過程中的江湖書寫及其所回應的「變局」，藉由「避地」、「採錄景象」等手法的呈現，成為一個很具代表性的、流動的意象世界，此一世界呈現多面向、多層次空間意象的指涉。經由早期「梁山泊」的「巨野澤」書寫，衍生出與歷世歷代的心靈產生連結，使此存在空間成為不斷賦予創造意義的「地方」。後世更在知識社群、民間傳講、義軍內部演繹，形成多聲部言說狀態，逐漸由江湖言說朝向江山想像趨進。文中指出《水滸後傳》的江湖述說乃將梁山泊忠義堂的「廢墟」及還道村九天玄女廟改變為家族化宗祠、世俗化的廟宇，將暹羅國丹霞宮的修真道場成為國家信仰中心、將山頭意識轉化為逃名之人間淨土、以及航向島嶼等敘事修辭，回應明清語境中「水滸」意涵由「抗」到「征」、「逃」的書寫變化，在水滸故事傳播的脈絡化過程中，經由多面向的歷史折照，我們可以瞥見「建國」的靈光，是一種由江湖到江山多重變奏的建國想像之歷史潛流。
    This article analyzed the story of Shui-hu through the description of Jiang-hu, the folkway, the changes of events as well as the action of escaping from the chaos world. It has become a representational and mobile worldview that involves multi-facet and multi-dimensional imagination of space. From the description of the huge swamp area in the early novel of `Liang-shan bo,` not only `the space` concept of Liang-shan bo has been connecting spirits from generation to generation, it also becomes `a place` where creativity seems never end.The phrase `shui-hu` originated from the folktale of volunteer army and the dialogue of the knowledgeable people after a long period of discussion. It had achieved a well-sound position that the smaller viewpoint of Jiang-hu was replaced by a much greater perspective of Jiang-shan (nation). This article points out how the book of Shui-hu-hou-zhuan describes the changes of Liang-shan-bo from war ruins, memorial site, family shrine, and how it becomes the center belief of the nation. Besides these, the meaning of Shui-hu has also implies a hiding place where people can find peace of mind. Furthermore, the remnants of shui-hu finally pursue their utmost peace by sailing to a far away island. The development of the story representes the change of shui-hu, from it resistance conquer, and from it conquer to escape. It also implies that how the possibility of an `outlier` organization moves from triviality to become the focal point of the society as well as the nation, and later, a brand new nation emerged as a result of this idea.
    關聯: 東華人文學報, 1(10), 157-180
    資料類型: article
    顯示於類別:[中國文學系] 期刊論文

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