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政大機構典藏 > 傳播學院 > 新聞學系 > 會議論文 > Item 140.119/62772

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/62772

Title:	以觀展/表演典範論女人我最大的閱聽人
Other Titles:	The application of spectacle/performance paradigm on a famous TV show concerning how to make up and dress yourself
Authors:	陳澤瑋
Contributors:	國立政治大學新聞研究所
Keywords:	觀展表演典範 spectacle/performance paradigm
Date:	2006
Issue Date:	2013-12-19 14:34:27 (UTC+8)
Abstract:	本研究以觀展/表演典範提出的閱聽人行為循環過程－媒介滲透、日常生活、消費、表演、觀展/自戀來分析「女人我最大」的閱聽人，試探究觀展/表演典範是否適於分析台灣當前的實際傳播現況。研究發現，除了自戀外，其餘的概念皆適於詮釋女人我最大的閱聽人，此外研究還發現，觀展並非僅出現在表演之後，而被認為是構成整個循環過程的要因。 This study is to analyze the audience`s reaction to test the application of Spectacle/Performance paradigm`s suggested five level of SPP-media, drenching, everyday life, consumption, performance, and Spectacle/Narcissism. The study verified that all five levels of Spectacle/Performance paradigm, except for Narcissism. In addition, this study showed that Spectacle does not necessary come subsequent to performance, but exist as a main component of audience`s behavior.
Relation:	中華傳播學會年會研討會
Data Type:	conference
Appears in Collections:	[新聞學系] 會議論文

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