政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/62600
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113318/144297 (79%)
造訪人次 : 51037713      線上人數 : 898
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/62600


    題名: 台灣風土、異國情調與現代主義─以楊熾昌的詩與詩論為中心
    其他題名: Taiwanese Scenery, Exoticism and Modernism ─Focusing on You Syoku-syou’s Poetry and Poetics
    作者: 陳允元
    Chen, Yun-Yuan
    貢獻者: 台文所
    關鍵詞: 台灣風土;異國情調;現代主義;超現實主義;楊熾昌;殖民地現代主義
    Taiwanese scenery;exoticism;modernism;surrealism;You syoku-syou;colonial modernism
    日期: 2011-12
    上傳時間: 2013-12-17 14:50:20 (UTC+8)
    摘要: 在戰前台灣都市化/資本主義程度能否孕育現代主義仍有疑義的情況下,文本傳播提供了解釋現代主義在戰前台灣存在的合理性基礎。然而本文認為,除了都市化發展與文本傳播,台灣風土以及台灣的外地•殖民地情境,是構成日治時期台灣現代主義文學的重要因素。本文以日治時期高舉「超現實主義文學」大纛、創立「風車詩社」的楊熾昌(1908-1994)的詩與詩論為中心,探究其中台灣風土、異國情調與現代主義之間的關係,並重新錨定楊熾昌現代主義文學的美學屬性及其觀看視線。本文認為,楊熾昌作品中介於地方色彩與異國情調之間的「南方」的自我凝視•自我敘述,既是帝國視線的內化與延長,同時也是台灣本島人日語世代作家在帝國文學的語境中試圖尋找台灣文學的獨特性/主體位置的努力。然而其視線的轉換,無可避免具有極高的曖昧性。此外,本文也試圖指出,除了都市現代性,促成日治時期台灣現代主義文學發生的因素之中,台灣的風土以及外地•殖民地情境也發揮了相當深刻的作用。
    In pre-war period, text dissemination provides a legitimacy foundation of the existence of modernism literature in Taiwan, instead of arguing about whether the level of urbanization and capitalization is enough to produce modernism or not. In addition, I consider that local color of Taiwanese scenery and “gaiti” (foreign land)•colonial condition, are two important factors to produce Taiwan modernism literature in colonial period. This article focus on Surrealism poet You syoku-shou’s poetry and poetics, analysis the relationship among Taiwanese scenery, exoticism and modernism, and try to define the aesthetics of You’s Surrealism and its inner perspective. I find out that You’s poetry is a self-gaze and self-description by “South” image, which is between local color and exoticism. It is not only the internalization and extension of empire perspective, but also the effort of Taiwan “hōnto jin” (native Taiwanese) writers to find the unique and subjectivity of Taiwanese literature in Japanese empire literature context. The transformation of perspectives is inevitably ambiguous.
    關聯: 台灣文學學報, 19, 133-162
    Bulletin of Taiwanese literature, 19, 133-162
    資料類型: article
    顯示於類別:[臺灣文學學報 THCI Core] 期刊論文
    [臺灣文學學報 THCI Core] 期刊論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    133162.pdf2900KbAdobe PDF22904檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋