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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/62352
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/62352


    Title: 秋聲‧諫諍‧歸田─歐陽脩〈秋聲賦〉與〈歸田錄〉中的諍臣與困境
    Other Titles: Sound of Autumn·Admonition·Retreat ——The Concept of Admonition and Metaphor of His Plight in Ou Yang Xyou’s Chiou-Sheng Fu and Guei Tian Lu
    Authors: 許東海
    Xu,Donghai
    Contributors: 中文系
    Keywords: 歐陽修;北宋;辭賦;諫諍;秋聲賦;歸田
    Ou Yang Xyou;Bei Song;Ci-Fu;Admonition;Chiou-Sheng Fu;Retreat
    Date: 2013.05
    Issue Date: 2013-12-12 09:41:02 (UTC+8)
    Abstract: 歐陽修的《秋聲賦》無論在辭賦史與古文史上,皆具有不可忽略之地位。文章在秋聲書寫中隱喻了北宋王朝世變中的諫諍困境,以及歐陽對于突破這一困境之路徑方法的探尋與思考。因此,藉由歐陽修《秋聲賦》與其平生奏議書啟詩文的參酌對讀,誠不難窺見歐陽修的諍臣困境與世變觀照,是為《秋聲賦》一文變創性秋聲書寫的底蘊。而《歸田錄》誠以"歸田"為名,卻以"諍臣"為實。從《秋聲賦》到《歸田錄》的書寫,既可視為作者一生諍臣自任的文學回憶錄,更是一本諍臣歷經世變困境、臻至亟思歸田的宦海靜思錄。
    Ou Yang Xyou’s Chiou-Sheng Fu has its significance in Song Classical Movement as well as an important representative of the history of the Tang and Song Fu. Chiou-Sheng Fu implies the plight of admonition in the changing world of Song Dynasty, and contemplation upon a possible cultural way to break through the plight. Therefore, Chiou -Sheng Fu should be considered to be Ou Yang Xyou’s silhouette of Jian-Chen and primary literary metaphor of the time.
    Relation: 文學與文化, 2,81-95
    Data Type: article
    Appears in Collections:[中國文學系] 期刊論文

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