政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/61810
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113313/144292 (79%)
造訪人次 : 50948077      線上人數 : 927
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋
    政大機構典藏 > 文學院 > 歷史學系 > 期刊論文 >  Item 140.119/61810


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/61810


    題名: 「身體的身體」：伊拉斯摩斯與人文學者的服飾觀
    作者: 林美香
    貢獻者: 歷史系
    關鍵詞: 文雅;伊拉斯摩斯;人文學者;禮儀書;穿著與服飾
    日期: 2012-11
    上傳時間: 2013-11-22 15:56:58 (UTC+8)
    摘要: 近年來蓬勃發展的服飾文化史，多從物質文化或藝術史的面向切入，本文則企圖開拓思想的角度，以服裝是如何被談論與思考，來分析服飾在歷史中的意義。本文主要研究的對象是文藝復興時代的人文學者，並以荷蘭出生的伊拉斯摩斯為主角。在研究方法上，本文從「觀看的方式」切入，指出人文學者一方面認為穿著能凸顯個人內在的品格與涵養，眼見可以為憑；另一方面又對服裝所能承載的內在真實充滿懷疑，外在的高貴華麗未必有內在的對應，因此眼見不可為憑。雖然這兩種立場有矛盾之處，但也凸顯了人文學者乃在表象與內在的關連性中，思考服飾的意涵。 This article attempts to bring the Renaissance humanists and their ideas into the study of clothing culture by looking at the Dutch humanist Desiderius Erasmus (1466-1536), a tremendously influential writer and best-selling author of the sixteenth century. His various works contained valuable sources about his experience and ideas on clothing, as well as the contemporary custom of dress. In addition, he left several portraits to show his style of dress visually. This article thus makes use of his writings and portraits to understand the way that he and other humanists thought of the sign and significance of clothing. The article begins with the story of Erasmus’s crisis of changing habit in the early sixteenth century, in order to correlate his own experience and his writings on clothing. Then it surveys diverse sources written by Erasmus and his contemporary humanists, including courtesy books, treatises on education, satires, and colloquies. Focusing on Erasmus’s works, this article discovers two ways of seeing things in his ruminations on clothing. On the one hand, ‘seeing is believing’: he is convinced that clothing is ‘the body’s body’ and one may infer the state of a man’s character through what he wears. On the other hand, ‘seeing is not believing’: he suggests not judge a person by his clothes and appearance. Finally, this article turns to look at Erasmus’s portraits and discusses his ideal style of dress. His portraits deliver an image of true ‘civility’, embodying a perfect correspondence between the outward clothing and body and the inner soul and spirit.
    關聯: 台大文史哲學報, 77, 237-288
    資料類型: article
    顯示於類別:[歷史學系] 期刊論文

    文件中的檔案:

    檔案 大小格式瀏覽次數
    237288.pdf4519KbAdobe PDF2935檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋