政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/60517
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113451/144438 (79%)
Visitors : 51248328      Online Users : 921
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/60517


    Title: 臺灣電音夜店消費行為之研究
    A study of consumer behavior in electronic music based nightclub in Taiwan.
    Authors: 施冠竹
    Shih, Kuan Chu
    Contributors: 陳建維
    施冠竹
    Shih, Kuan Chu
    Keywords: 電子音樂
    夜店
    音樂態度
    利益區隔
    生活型態
    Date: 2010
    Issue Date: 2013-09-05 16:48:07 (UTC+8)
    Abstract: 電子音樂與夜生活的結合發展,向來為歐美地區休閒娛樂產業之獨特現象,近年來由於臺灣社會型態的轉變,夜生活的樣貌更為多采多姿,再加上大眾媒體、音樂產業和夜店產業的聯手合作,使得電音夜店逐漸受到臺灣消費者的矚目。本研究以臺灣電音夜店消費者為研究對象,調查前往銳舞、Disco舞廳以及Lounge Bar的消費者,其消費行為、個人背景、音樂態度、利益區隔、生活型態之樣貌;並探討各個消費場所之消費者在人口統計變數、消費行為、音樂態度、利益區隔、生活型態方面的差異情形,以及音樂態度、利益區隔和生活型態三個量表之相關情形。本研究以問卷調查方式蒐集資料,並利用敘述統計分析、信度分析、因素分析、卡方分析、單因子和多因子變異數分析、皮爾森相關分析等統計方法進行資料分析。根據研究結果,發現前往不同消費場合的夜店消費者,其人口統計變數、消費行為、音樂態度、利益區隔和生活型態之若干層面皆有所差異存在。本研究於最後提出行銷建議,以提供相關業者作為參考。
    Reference: DJ@llen、林強、林志堅、Fish、曹子傑,2001,『2001電音世代---電子舞曲聖經2』,臺北;商周。
    方世榮譯,1998,Kotler, Philip著,『行銷管理學-分析,計畫,執行,與控制』,臺北:東華。
    吳克祥、范健強,1998,『PUB經營與管理』,臺北:百通。
    吳秉忠,1998,「台中市Pub進口啤酒消費行為之研究」,東海大學食品科學研究所碩士論文:臺中。
    吳統雄,1984,『電話調查:理論與方法』,臺北:聯經。
    吳逸驊,1996,「高雄市PUB 的休閒研究」,國立高雄醫學院行為科學研究所碩士論文:高雄。
    李怡陵,2006,「從休閒需求、利益區隔探討PUB消費行為之研究─以台南市PUB為例」,國立高雄餐旅學院餐旅管理研究所碩士論文:高雄。
    杜瑞澤,2004,『生活型態設計-文化、生活、消費與產品設計』,臺北:亞太。
    周先樂,2001,『人體生理學』,臺北:藝軒。
    林建煌,2007,『消費者行為』,臺北:智勝文化。
    林儀慈,2004,「臺灣沙發音樂文化中時尚操作現象之探討」,國立成功大學藝術研究所碩士論文:臺南。
    邱安煒,2005,「聆聽音樂時腦波及心率變異性之變化」,『醫療資訊雜誌』,14(2),27-36。
    邱皓政,2000,『量化研究與統計分析』,臺北:五南。
    夏鑄九,鄧宗德,1992 ,「臺灣都會區休閒生活所面臨的困境─臺北都會區之休 閒關係與休閒空間」,『中國休閒生活文化學術研討會論文集』,117-152 。
    徐珮菡,2000,「音樂治療理論基礎及其在臺灣的研究與實踐」,國立藝術學院音樂研究所碩士論文:臺北。
    眭凱玲,2006,「Lounge Bar的空間符號對消費者之影響 ─ 一個體驗行銷的觀點」,淡江大學大眾傳播研究所碩士論文:臺北。
    郭世和,2005,「應用音樂探索活動增進大學生情緒智力之研究-以大葉大學休閒系一年級學生為例」,大葉大學休閒事業管理研究所碩士論文:彰化。
    陳天佑,2003,「酒吧類型、區位選擇與消費者關係之研究-以新竹市區酒吧為例」,中華大學建築與都市計畫研究所碩士論文:新竹。
    陳建勳,2004,「酒吧類型、區位選擇與消費者關係之研究-以新竹市區酒吧為例」,中華大學建築與都市計畫研究所碩士論文:新竹。
    陳穎,2010,「星巴克品牌形象與消費者生活型態之自我一致性研究」,國立臺北教育大學文化產業學系暨藝文產業設計與經營研究所碩士論文:臺北。
    傅靜慧,1994,「音樂治療的模式 - 數據」,『當代醫學』,21(1),79-84 。
    董旭英、黃儀娟譯,2000,Steward, David W著,『次級資料研究方法』,臺北:弘智文化。
    劉哲浩,2009,「台北市公館地區Live House消費者生活型態之研究」,國立臺北教育大學文化產業學系暨藝文產業設計與經營研究所碩士論文:臺北。
    劉焜輝,1994a,「音樂治療的理論與實施 ( 一 )」,『諮商與輔導』,104,21-25。
    劉焜輝,1994b,「音樂治療的理論與實施 ( 二 ) 」,『諮商與輔導』,105,23-30。
    蔡育昇,2006,「Géza Révész的『音樂心理學導論』中之美學思考」,國立臺北藝術大學音樂系碩士在職專班音樂學組碩士論文:臺北。
    蔡岱容,2006,「健身俱樂部會員價值觀、生活型態與忠誠度關係之研究」,朝陽科技大學休閒事業管理研究所碩士論文:臺中。
    鄭心怡,2007,「台南地區老年人音樂偏好與聆聽音樂之生理反應」,國立臺南大學音樂研究所碩士論文:臺南。
    鄭雅文,2008,「Lounge bar 符號消費之顧客體驗與感受」,銘傳大學設計管理研究所碩士論文:臺北。
    蕭伊容,1994,「臺北新興PUB的休閒研究」,國立臺灣大學社會學研究所碩士論文:臺北。
    羅悅全譯,2002,Collin, Matthew & Godfrey, John著,『迷幻異域:快樂丸與青年文化的故事』,臺北:商周。
    蘇郁惠,2005,「青少年流行音樂偏好、態度與音樂環境之相關研究」,『藝術教育研究』,9,1-32。
    蘇婉瑜,2008,「都市綠園+夜店-從都市空間的變化探討朝九晚五的身體狀態」,朝陽科技大學建築及都市設計研究所碩士論文:臺中。
    蘇勤惠,2002,「都市休閒空間的民族誌研究:以台南市PUB為例」,國立成功大學都市計劃研究所碩士論文:臺南。
    鐘俊陞,1988,「臺灣的娼婦經濟」,『人間雜誌』,37(11):73。

    Aaker, D. A. (1996). Measuring brand equity across products and markets. California Management Review, 38(3), 102-120.
    Adler, A. (1927). Understanding human nature. New York: Greenburg.
    Adorno, T. W. (1976). Introduction to the Sociology of Music. New Yok: Seabury Press.
    Adorno, T. W. (2003). Dissonanzen. Einleitung in die Musiksoziologie. Frankfurt: Suhrkamp Verlag.
    Ajzen, I., & Fishbein, M. (1982). Understanding attitude and predicting social behavior. Englewood Cliffs, NJ: Prentice-Hall.
    Ali, L. (2001, Aug 9). The road to rave. Newsweek, 138(6), 54-56.
    Anderson, T., Daly, K., & Rapp, L. (2009). Clubbing masculinities and crime: A qualitative study of Philadelphia nightclub scenes. Feminist Criminology, 4(4), 302-332.
    Andreasen, A. R. (1967). Leisure, mobility and life style pattern. American Marketing Association Conference Proceedings, 55-62.
    Andreasen, A. R., & Belk, R. W. (1980). Predictors of attendance at the performing arts. The Journal of Consumer Research, 7(2), 112-120.
    Areni, C. S., & Kim, D. (1993). The influence of background music on shopping behaviour, classical versus top-forty music in a wine store. Advances in Consumer Research, 20, 336-40.
    Arnould, E., Price, L., & Zinkhan, G. (2002). Consumers. Boston, MA: McGraw Hill.
    Assael, H. (1992). Consumer behavior and marketing actions (4th Ed.), Boston, MA: PWS-Kent.
    Baker, J. (1986). The role of the environment in marketing services: The consumer perspective, The services challenge: Integrating for competitive advantage, Chicago, IL: American Marketing Association, 79-84.
    Baker, J., Levy, M., & Grewal, D. (1992). An experimental approach to making retail store environmental decisions, Journal of Retailing, 68(4), 445-461.
    Berkman, H. W., & Gilson, C. C. (1986). Consumer behavior: Concept and strategies (3rd Ed.), Boston, MA: PWS-Kent.
    Bernardi, L., Porta, C., & Sleight, P. (2006). Cardiovascular, cerebrovascular, and respiratory changes induced by different types of music in musicians and non-musicians: The importance of silence. Heart, 92(4), 445-52.
    Biley, F. C. (2000). The effects on patient well-being of music listening as a nursing intervention: A review of the literature. Journal of Clinical Nursing, 9(5), 668-677.
    Booms, B. H., & Bitner, M. J. (1982). Marketing service by managing the environment. Cornell Hotel and Restaurant Administration Quarterly, 23(5), 35-40.
    Brewster, B., & Broughton, F. (1999). Last night a DJ saved my life: The history of the Disc Jockey, New York: Grove Press.
    Bruner, G. C. (1990). Music, mood, and marketing. Journal of Marketing, 54, 94-104.
    Bruya, T., & Severtson, P. (1984). Evaluating the effects of music on the electroencephalogram patterns of normal subjects. Journal of Neurosurgical Nursing, 16(2), 96-100.
    Butler, M. J. (2006). Unlocking the groove: Rhythm, meter, and musical design in electronic dance music, Bloomington, IN: Indiana University Press.
    Byrnes S. R. (1997). Different age and mentally handicapped listeners` response to Western art music Selection. Journal of Research in Music Education, 45, 568-579.
    Calantone, R. J., & Sawyer, A. G. (1978). The stability of benefit segments. Journal of Marketing Research, 15, 395-404.
    Campbell, D. (1997). The Mozart effect: Tapping the power of music to heal the body, strengthen the mind, and unlock the creative spirit. New York: Avon Books.
    Choi, H. W. (2002, Jan 9). Korean club scene: How guys and gals use cupids for hire. Wall Street Journal, A1.
    Clynes, M., & Nettheim, N. (1982). The living quality of music, neurobiologic patterns of communicating feeling. Music, mind and brain: The Neuropsychology of music. New York: Plenum Press, 47-82.
    Cook, J. D. (1986). Music as an intervention in the oncology setting. Cancer Nursing, 9, 23-28.
    Crim, Stephen J. (2008). Developing a theory of nightclub location choice. MA. Dept. of Urban Studies and Planning, Massachusetts Institute of Technology: Massachusetts.
    Cutietta, R. A. (1992). The Measurement of attitudes and preferences in music education. Handbook of research on music teaching and learning, New York: Schirmer Books, 295-329.
    Davis, W. B., & Thaut, M. H. (1989). The influence of preferred relaxing music on measures of state anxiety, relaxation, and physiological response. Journal of Music Therapy, 16(4), 168-187.
    Demby, E. (1974). Psychographics and from where it comes. Lifestyle and Psychographics, Chicago, IL: American Marketing Association, 22-29.
    Dickson, P. R. (1982). Person-situation: Segmentation`s missing link. Journal of Marketing, 46, 56-64.
    Engel, J. F., Blackwell, R. D., & Miniard, P. W. (2001). Consumer behavior (9th Ed.), New York: The Dryden Press.
    Evans, J. R., & Berman, B. (1982). Marketing, New York: Macmillan.
    Fassbender, T. (2008). The trance experience. Knoxville, TN: Sound Org.
    Fikentscher, K. (2000, July/August). Youth`s sonic forces: The club DJ: A brief history of a cultural icon. The UNESCO courier, 45-47.
    Finnäs, L. (1989). How can musical preference be modified? Bulletin of the Council for Research in Music Education, 102, 1-58.
    Forsyth, A. J. M. (2009). Gritos de cerveza, cerveza: el rol de la música y de los DJs en el control del desorden en los clubes nocturnes. Addiciones, 21(4), 327-345.
    Foster, J. (1992, Dec 16). Free water rule to raise safety at rave clubs. The Independent, 5.
    Frank, R. (1998, Jul 20). Music: A British nightclub empire rocks around the world. Wall Street Journal, B1.
    Fung, C. V. (1993). A review of studies on non-Western music preference. Update: Application of Research in Music Education, 12(1), 26-32.
    Gilbert, J. (1999). Discographies: Dance music, culture, and the politics of sound. London: Routledge.
    Goulding, C., Shankar, A., Elliott, R., & Canniford, R. (2009). The marketplace management of illicit pleasure. Journal of Consumer Research, 35(5), 759-771.
    Grazian, D. (2007). The girl hunt: Urban nightlife and the performance of masculinity as collective activity. Symbolic Interaction, 30(2), 221-243.
    Greenberg, M., & McDonald, S. S. (1989). Successful needs / senefit segmentation: A user`s guide. Journal of Consumer Marketing, 6(3), 29-36.
    Gundlach, R. H. (1935). Factors determining the characterization of musical phrases. American Journal of Psychology, 47, 624-643.
    Haley, R. I. (1968). Benefit segmentation: A decisoin-oriented research tool. Journal of Marketing, 23(3), 30-35.
    Haley, R. I. (1985). Developing effective communications strategy: A benefit segmentation approach, New York: John Wiley & Sons.
    Hall, C. S., & Lindsey, G. (1957). Theories of personality, New York: John Wiley & Sons.
    Hanser, S. (1985). Music therapy and stress reduction research. Journal of Music Therapy, 21, 2-15.
    Hanser, S. (1988). Controversy in music listening / stress reduction research. The Arts in Psychotherapy, 15, 211-217.
    Hargreaves, D. J., Combr, C., & Colley, A. (1995). Effects of age, gender, and training on musical preferences of British secondary school students. Journal of Research in Music Education, 43(3), 242-250.
    Hargreaves, D. J., North, A. C., & Tarrant, M. (2005). Musical preference and taste in childhood and adolescence. The child as musician: A handbook of musical development, Oxford: Oxford University Press, 135-154.
    Hawkins, D. I., Best, R. J., & Coney, K. A. (2001). Consumer behavior: Building marketing strategy (8th Ed.), New York: McGraw-Hill.
    Hawkins, D.I., Best, R. J., & Coney, K. A. (1986). Consumer behavior: Implication for marketing strategy (3rd Ed.), Plano, TX: Business.
    Helmholtz, H. von (1885). On the sensations of tone as a physiological basis for the theory of music, London: Longmans, Green, & Co.
    Hewitt, M. (2008). Music theory for computer musicians, Boston, MA: Course Technology.
    Holmes, T. (2002). Electronic and experimental music: Pioneers in technology and composition, New York & London: Routledge.
    Hui, M. K., Dube, L., & Chebat, J. C. (1997). The impact of music on consumers` reactions to waiting for services. Journal of Retailing, 73(1), 87-104.
    Hustad, T. P., & Pessemier, E. A. (1974). The development and application of psychographics life style and associated measures. Lifestyle and Psychographics,Chicago, IL: American Marketing Association, 31-70.
    Hutson, S. R. (2000). The rave: Spiritual healing in modern Western subcultures. Anthropological Quarterly, 73(1), 35-49.
    Iwanaga, M. (1995). Harmonic relationship between preferred tempi and heart rate. Perceptual and Motor Skills, 81(1), 67-71.
    Karbusicky, V. (1979). Systematische Musikwissenschaft: Eine Einführung in Grundbegriffe, Methoden und Arbeitstechniken, München: Wilhelm Fink Verlag.
    Kellaris, J. J., & Rice, R. C. (1993). The influence of tempo, loudness, and gender of listener on responses to music. Psychology and Marketing, 10(1), 15-29.
    Kelly, G. A. (1955). The psychology of personal constructs, New York: Norton.
    Kling, S. M. (2001). Spare time: Pub culture in nineteenth century London: A social and culture history of working class pub patronage, PhD, University of California, Los Angeles.
    Kotler, P., & Armstrong, G. (1994). Principles of marketing (6th Ed.), Englewood Cliffs, NJ: Prentice-Hall.
    Kotler, P. (1998). Marketing management: Analysis planning, implementation and control (9th Ed.), Englewood Cliffs, NJ: Prentice-Hall.
    Kotler, P. (2003), Marketing management: Analysis, planning, implementation and control (11th Ed.), Englewood Cliffs, NJ: Prentice-Hall.
    Lai, H. L. (2004). Music preference and relaxation in Taiwanese elderly people. Journal of Geriatric Nursing, 25(5), 286-291.
    Lazer, W. (1963). Life style concepts and marketing. Toward Scientific Marketing, Chicago, IL: American Marketing Association, 130-139.
    LeBlanc, A., & Sherrill, C. (1986). Effect of vocal vibrato and performer`s sex on children`s music preference. Journal of Research in Music Education, 34, 222-237.
    LeBlanc, A. (1980). Outline of a proposed model of sources of variation in musical taste. Bulletin of the Council for Research in Music Education, 61, 29-34.
    LeBlanc, A. (1982). An interactive theory of music preference. Journal of Music Therapy, 19, 28-45.
    LeBlanc, A., Jin, Y. C., Stamou, L., & McCrary, J. (1999). Effect of age, country, and gender on music listening preferences. Bulletin of the Council for Research in Music Education, 141, 72-76.
    LeBlanc, A., Sims, W. L., Siivola, C., & Obert, M. (1996). Music style preference of different age listeners. Journal of Research in Music Education, 44, 49-59.
    Levitin, D. J. (2006). This is your brain on music: The science of a human obsession, New York: Dutton.
    MacInnis, D. J., & Park, C. W. (1991). The differential role of characteristics of music on high- and low-involvement consumer`s processing of ads. Journal of Consumer Research, 18, 161-173.
    Maslow, A. H. (1943). A theory of human motivation. Psychological Review, 50, 370-396.
    McCaffrey, R., & Locsin, R. (2004). The effect of music listening on acute confusion and delirium in elders undergoing elective hip and knee surgery. Journal of Clinical Nursing, 2(13), 91-96.
    McElrea, H., & Standing, L. (1992). Fast music causes fast drinking. Perceptual and Motor Skills, 75,362.
    Milliman, R. E. (1982). Using background music to affect the behavior of supermarket shoppers. Journal of Marketing, 46, 86-91.
    Milliman, R. E. (1986). The influence of background music on the behavior of restaurant patrons. Journal of Consumer Research, 13, 286-289.
    Mintel International Group LTd. (2002). Nightclubs market: US report, London: Mintel International Group.
    Montanaro, L. K. (2004). A singer`s guide to performing works for voice and electronics, DMA, The University of Texas: Austin.
    Moss, G. A., Parfitt, S., & Skinner, H. (2009). Men and women: Do they value the same things in mainstream nightclubs and bars? Tourism and Hospitality Research, 9(1), 61-79.
    Neugarten, B.L., Havighurst, R.J., & Tobin, S.S. (1968). Personality and patterns of aging, middle age and aging: A reader in social psychology, Chicago, IL: University of Chicago Press, 173-177.
    Nickels, W. G. (1978). Marketing principles. Englewood Cliffs, NJ: Prentice-Hall.
    North, A., & Hargreaves, D. J. (1996). The effects of music on responses to a dining area. Journal of Environmental Psychology, 16, 55-64.
    Oakes, S. (2000). The influence of the musicscape within service environments. Journal of Services Marketing, 14(7), 539-556.
    Pauws, S. C. (2000). Music and choice: Adaptive systems and multimodal interaction, PhD, Technische Universiteit Eindhoven, Eindhoven.
    Pinch, T., & Trocco, F. (2004). Analog days: The invention and impact of the Moog synthesizer, Cambridge, MA: Harvard University Press.
    Plummer, J. T. (1974). The concept & application of life style segmentation. Journal of Marketing, 38, 33-37.
    Purcell, J., & Graham, K. (2005). A typology of Toronto nightclubs at the turn of the millennium. Contemporary Drug Problems, 32, 131-167.
    Radocy, R. E., & Boyle, J. D. (2003). Psychological foundations of musical behavior (4th Ed.), Springfield, IL: Charles C. Thomas.
    Reingle, J., Thombs, D. L., Weiler, R. M., Dodd, V. J., O`Mara, R., & Pokorny, S. B. (2009). An exploratory study of bar and nightclub expectancies. Journal of American College Health, 57(6), 629-638.
    Révész, G. (1970). The psychology of a musical prodigy, Westport, CT: Greenwood Press.
    Reynolds, F. D., & Darden, W. R. (1974). Constructing life style and psychographics. Life Style and Psychographics, Chicago, IL: American Marketing Association, 71-96.
    Reynolds, S. (1999). Generation ecstasy: Into the world of techno and rave culture, New York: Routledge.
    Rigg, M. (1940). Speed as a determiner of musical mood. Journal of Experimental Psychology, 27, 566-571.
    Riley, S., Griffin, C., & Morey, Y. (2010). The case for "everyday politics": Evaluating neo-tribal theory as a way to understand alternative forms of political participation, using electronic dance music culture as an example. Sociology, 44(2), 345-363.
    Riley, S., Morey, Y., & Griffin, C. (2010). The pleasure citizen: Analysing partying as a form of social and political participation. Young, 18(1), 33-54.
    Rivera, L. (2010). Status distinctions in interaction: Social selection and exclusion at an elite nightclub. Qualitative Sociology, 33, 229-255.
    Roballey, T. C., McGreevy, C., Rongo, R. R., Schwantes, M. L., Steger, P. J., Wininger, M. A., & Gardner, E. B. (1985). The effect of music on eating behavior. Bulletin of the Psychonomic Society, 23(3), 221-222.
    Robin, D. (1987). Marketing: Basic concepts for decision making, New York: Harper & Row.
    Scheirer, E.D. (1998). Tempo and beat analysis of acoustic musical signals. Journal of the Acoustical Society of America, 103(1), 588–601.
    Sellars, A. (1998). The influence of dance music on the UK youth tourism market. Tourism Management, 19(6), 611-615.
    Short, J., Williams, E., & Christie, B. (1976). The social psychology of telecommunications, New York: John Wiley & Sons.
    Skinner, H., Kubacki, K., Parfitt, S., & Moss, G. (2008). Polish nightclubs and bars: Management insights into what customers really want. Journal of East European Management Studies, 13(2), 154-169.
    Skinner, H., Moss, G., & Parfitt, S. (2005). Nightclubs & bars: What Do customer really Want? International Journal of Contemporary Hospitality Management, 17(2), 114-124.
    Smith, P., & Curnow, R. (1966). Arousal hypothesis and the effects of music on purchasing behavior. Journal of Applied Psychology, 50, 255-256.
    Snoman, R. (2009). The dance music manual: Tools, toys, and techniques (2nd Ed.), Oxford: Elsevier Press.
    Solomon M. R. (2007). Consumer behaviour: Buying, having, and being (7th Ed.), Upper Saddle River, NJ: Prentice-Hall.
    St. John, G. (2004). Rave culture and religion, London: Routledge.
    Stipp, H. (1990), Musical demographics. American Demographics, 48-49.
    Summers, J., Gardiner, M., Lamb, C.W., Hair, J.F., & McDaniel, C. (2009). Essentials of marketing (3rd Ed.), Victoria, Australia: Thomson Learning.
    Thompson, W. F., & Robitaille, B. (1992). Can composers express emotions through music? Empirical Studies of the Arts, 10, 79-89.
    Tobin, H. (2008). Cops and ravers: Should organisers be liable for their guests` drug use? The Institute of Public Affairs Review, 60(1), 25.
    Weinstein, A. (1987). Market segmentation: Using niche marketing to exploit new markets, Chicago, IL: Probus.
    Wells, W. D., & Tigert, D. J. (1971). Activities, interests and opinions. Journal of Advertising Research, 11, 27-35.
    Williams, C. E. (1997). The British pub: An industry in transition. Hotel and Restaurant Administration Quarterly, 37(6), 63.
    Wind, Y., & Green, P. (1974). Some conceptual, measurement, and analytical problems in life style research. Life Style and Psychographics, Chicago, IL: American Marketing Association, 100-125.
    Wind, Y. (1978). Issues and advances in segmentation theory. Journal of Marketing Research, 15, 317-337.
    Yalch, R., & Spangenberg, E. (1990). Effects of store music on shopping behavior. Journal of Consumer Marketing, 7, 55-63.
    Young, S., Ott, L., & Feigin, B. (1978). Some practical considerations in market segmentation. Journal of Marketing Research, 15, 405-412.
    Description: 碩士
    國立政治大學
    國際經營與貿易研究所
    97351027
    99
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0097351027
    Data Type: thesis
    Appears in Collections:[Department of International Business] Theses

    Files in This Item:

    File SizeFormat
    102701.pdf1780KbAdobe PDF21368View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback