政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/59183

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/59183

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政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/59183

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題名:	威廉．布雷克詩作中對基督教原型的再現與修正 The Re-presentations and Revisions of Christian Archetypes in William Blake’s Poetry
作者:	陳岡伯 Chen, Kang Po
貢獻者:	楊麗敏 Li-Min Yang 陳岡伯 Chen, Kang Po
關鍵詞:	威廉．布雷克《天真與經驗之歌》《阿美利加：一個預言》《歐羅巴：一個預言》基督教原型性修正 William Blake Songs of Innocence Songs of Experience America: a Prophecy Europe: a Prophecy Christian archetypes sexual revision
日期:	2012
上傳時間:	2013-09-02 11:04:22 (UTC+8)
摘要:	本論文檢視威廉．布雷克詩作《天真與經驗之歌》、《阿美利加：一個預言》與《歐羅巴：一個預言》中的基督教原型，並試圖討論詩人如何以性慾做為方法來再現與修正這些原型。第一章提出「修正」與「原型」的基本定義。並討論傳統基督教神話中，神/父親、自然/母親以及人類/孩子所組成的神聖家庭關係，進而指出性慾在該神話建構中所扮演的重要角色。第二章探討《天真與經驗之歌》的多層次結構：在《天真之歌》中，自然的原型被馴化/去性化為一個虛幻的伊甸園，並被挪用為壓迫個人慾望的宗教手段。而在《經驗之歌》中，詩人企圖重新召喚自然並賦予她性活力，以警示世人宗教對於性慾的扭曲與汙名化。第三章透過基督教類型學(typology)的角度閱讀布雷克兩部早期的預言書《阿美利加》與《歐羅巴》中耶穌與上帝的父子對立。布雷克以神話角色傲克(Orc)和尤力臣(Urizen)做為耶穌和上帝的原型修正，並以他們之間的衝突象徵性解放與性壓迫之間的永恆鬥爭。而自然/母親的原型則由傲克的母親依妮薩萌(Enitharmon)呈現，以批判傳統基督教中童貞聖母形象所代表的禁慾主義。第四章總結前述，指出布雷克再現與修正傳統基督教神話中的原型，並藉由將性慾重新納入基督教神話中，創造出一個更自由且更有活力的新基督信仰。 This thesis aims to examine the Christian archetypes in William Blake’s Songs of Innocence, Songs of Experience, America: a Prophecy, and Europe: a Prophecy, and to discuss how Blake re-presents and revises them through an approach concerning sex as a form of human desire. Chapter One provides the basic definitions for “revision” and “archetype,” and illustrates the divine familial relationship of God the father, Nature the mother, and human beings the children in orthodox Christianity. This chapter also shows how sex functions in the forming of this relationship, on which the orthodox Christian mythology is constructed. In Chapter Two, I discuss the multi-layered structure of the Songs. In the Songs of Innocence, the archetype of Nature is domesticated/desexualized as an illusionary Eden, employed as a religious device to oppress human individuals, especially about sexual prohibition. In the Songs of Experience, Nature is re-called and sexualized by the poet to warn human beings of the religious distortion and blackening of sex. Chapter Three focuses on two early prophetic books of Blake, America and Europe, through the scope of “arche-typological” antithesis between God/the father and Jesus/the son. The Christian archetypes of God and Jesus are respectively reified by Blake’s mythical characters Urizen and Orc, and their war signifies the eternal strife between sexual liberation and oppression. The Nature /mother archetype is presented as Enitharmon to criticize the sexual prohibition represented by the image of Virgin Mary. Chapter Four concludes that Blake’s own unique version of Christianity is embodied by his re-presentations and revisions of the archetypes in the orthodox Christian mythology. By re-including sexual desire into such a mythology, Blake presents a new and more liberal Christian belief.
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Print. ---. “Blake’s Introduction to Experience.” Modern Critical Interpretations: William Blake’s Songs of Innocence and of Experience. Ed. Harold Bloom. New York: Chelsea House Publishers, 1987. 29-37. Print. ---. “Blake’s Treatment of the Archetype.” Blake’s Poetry and Designs. Ed. Mary Lynn Johnson and John E. Grant. New York: Norton, 2008. 524-36. Print. ---. Fearful Symmetry: a Study of William Blake. Princeton, New Jersey: Princeton UP, 1947. Print. ---. The Great Code: The Bible and Literature. London: Toronto UP, 2006. Print. ---. Words with Power: Being a Second Study of “The Bible and Literature.” New York: Harcourt Brace Jovanovich, 1990. Print. George, Diana Hume. Blake and Freud. Ithaca: Cornell UP, 1980. Print. Gilchrist, Alexander. The Life of William Blake. Vol 1. London: Macmillan, 1880. Print. Gleckner, Robert F. “Point of View and Context in Blake`s Songs.” Blake, a Collection of Critical Essays. Ed. Northrop Frye. New Jersey: Prentice-Hall, 1966. 8-14. Print. Goldsworthy, Graeme. Gospel-centered Hermeneutics: Foundations and Principles of Evangelical Biblical Interpretation. New York: IVP Academia, 2006. Print. Greenblatt, Stephen, et al. The Norton Anthology of English Literature. 8th ed. New York: Norton, 2006. Print. Hamilton, Edith. Mythology: Timeless Tales of Gods and Heros. New York: The New American Library, 1942. Print. Hobson, Christopher Z. Blake and Homosexuality. New York: Palgrave, 2000. Print. Holy Bible: King James Version, with Apocrypha. New York: Oxford UP, 2008. Print. Hunter, David G. Marriage, Celibacy, and Heresy in Ancient Christianity: the Jovinianist Controversy. New York: Oxford UP, 2007. Print. Jonas, Hans. The Gnostic Religion: the Message of the Alien God & the Beginnings of Christianity. Boston: Beacon, 1991. Print. Langland, Elizabeth. “Blake’s Feminist Revision of Literary Tradition.” Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher, Donald Ault. Durham: Duke UP, 1987. Print. Lewis, Linda M. The Promethean Politics of Milton, Blake, and Shelley. Columbia: Missouri UP, 1992. Print. Mellor, Anne K. Blake’s Human Form Divine. London: California UP, 1974. Print. ---.“Blake’s Portrayal of Women.” Blake/ An Illustrated Quarterly Winter (1982-83): 148-55. Print. ---. Romanticism and Gender. New York: Routledge, 1993. Print. Michael, Jennifer Davis. Blake and the City. Lewisburg: Bucknell UP, 2006. Print. Milton, John. Paradise Lost. Ed. Gordon Teskey. New York: Norton, 2005. Print. Mitchell, W. J. T. “Dangerous Blake.” Studies in Romanticism 21.3 (Fall 1982). 410-416. Print. Nietzsche, Friedrich. Twilight of the Idols/ The Anti- Christ. Trans. R. J. Hollingdale. New York: Penguin, 1990. Print. Norris, Richard A. Jr, ed. The Song of Songs: Interpreted by Early Christian and Medieval Commentators. Michigan: W.B. Eerdmans, 2003. Print. Nuttall, A.D. The Alternative Trinity: Gnostic Heresy in Marlowe, Milton, and Blake. New York: Oxford UP, 1998. Print. Ostriker, Alicia. “Desire Gratified and Ungratified: William Blake and Sexuality.” Blake’s Poetry and Designs. Ed. Mary Lynn Johnson and John E. Grant. New York: Norton, 2008. 560-71. Print. Pearson, Birger A. Ancient Gnosticism: Traditions and Literature. Minneapolis: Fortress P, 2007. Print. Roman, Christopher. Domestic Mysticism in Margery Kempe and Dame Julian of Norwich. New York: E. Mellen, 2005. Print. Sha, Richard C. Perverse Romanticism: Aesthetics and Sexuality in Britain, 1750-1832. Baltimore: The John Hopkins UP, 2009. Print. Snyder, Susan. Pastoral Process: Spenser, Marvell, Milton. Stanford: Stanford UP, 1998. Print. Spenser, Edmund. Poetical Works. Ed, J.C. Smith. New York: Oxford UP, 1979. Print. Tayler, Edward William. Nature and Art in Renaissance Literature. New York: Columbia UP, 1966. Print.
描述:	碩士國立政治大學英國語文學研究所 99551006 101
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0099551006
資料類型:	thesis
顯示於類別:	[英國語文學系] 學位論文

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