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    政大機構典藏 > 文學院 > 中國文學系 > 期刊論文 >  Item 140.119/57304
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/57304


    Title: 招魂曲:《楚辭》注釋的抒情向度
    Authors: 廖棟樑
    Contributors: 政大中文系
    Date: 2010-06
    Issue Date: 2013-03-25 14:27:52 (UTC+8)
    Abstract: 依仗诗人的接引,在自我的深处找到深藏其中的形象,这不再是参与他人的诗,而是为了自己而诗化。于是批评家变成了诗人。——乔治·布莱众所周知,经由陈世骧、高友工等人的阐述,中国文学的抒情传统,已广为人知。这个传统主要是关注中国文学中强烈的抒情特质,这种抒情特质,不只是通贯历史上整个诗言志的脉络,不只是当作文类的标记。其实,士人内在之情志更显示着生命的形态,表现了生命意识。
    Relation: 勵耘學刊, 2010.1, 11, 209-240
    Data Type: article
    Appears in Collections:[中國文學系] 期刊論文

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