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Please use this identifier to cite or link to this item:
https://nccur.lib.nccu.edu.tw/handle/140.119/55707
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| Title: | 性別與身分認同之探討---西班牙後佛朗哥時期的女性作家之偵探小說 (II) |
| Other Titles: | Gender and Identity---Women`s Detective Fiction in the Post-Franco Spain (II) |
| Authors: | 楊瓊瑩 |
| Contributors: | 國立政治大學外文中心
行政院國家科學委員會 |
| Keywords: | 性別;身分認同;西班牙後佛朗哥時期;偵探小說;女性自我實現
gender;identity;detective fiction;female sleuth;Alicia Giménez Bartlett |
| Date: | 2007 |
| Issue Date: | 2012-11-20 13:44:01 (UTC+8) |
| Abstract: | 長久以來，由於西班牙文學評論家的性別偏見及男性優越感，致使女性作家之作品通常不被選錄於西班牙文學歷史。就偵探小說文體而言，西班牙女性作家更是極少被提及，即使她們早在該文體發展之初便投入創作。對於女性作家與女性讀者而言，偵探小說比起其他文學形式更貼切的呈現與女性相關的嚴肅議題。偵探小說提供了理想的文學模式與寬廣的書寫空間，讓女性作家盡情的展現其女性主義之論述，進而藉著女性主角偵辦犯罪案件的過程探討女性權力與女性意識的覺醒，而與女性在傳統男性偵探小說中所扮演的惡女角色形成強烈的對比。本計劃以性別與身份認同之主題來詮釋西班牙後佛朗哥時期的數位暢銷女性作家之偵探小說作品，承續個人近年來的當代西班牙偵探小說之研究計畫，擴展性別主題與大眾文學體裁的運用，有架構性地探討西班牙女性偵探小說的創作脈絡，以期增添西班牙文學評論的研究成果。本次計劃將以三年期方式執行。第一年以孟德羅(Rosa Montero)的兩本暢銷小說Te tratare como a una reina（《我對待你如同一位皇后》）（1983）與La hija del canibal（《吃人肉的女兒》）（1997）為例，探討作者如何藉著偵探類體裁作為作品的結構模式以建構女性自我實現與女性主體認同的論述。第二年將研究當今知名的女性偵探小說家喜美內斯巴爾雷(Alicia Gimenez-Bartlett)以女警官Petra Delicado 為主角的一系列6 部偵探小說：Ritos de muerte（《死亡的儀式》）（1996）、Dia de perros（《狗的歲月》）（1997）、 Mensajeros de la oscuridad（《黑暗的使者》）（1999）、Muertos de papel（2000）、Serpientes en el paraiso（《天國之蛇》）（2002）、Un barco cargado de arroz（《滿載米的船》）（2004），將探討作者如何書寫以女性為中心之偵探文本。第三年則將研究卡塔盧尼亞語系地區的三位新生代女作家─奧莉薇(Maria-Antonia Oliver)、西摩(Isabel-Clara Simo) 及瑪荷納 (Assumpta Margenat)之偵探小說作品，將探討三位女作家如何運用偵探小說文體解構傳統父權社會所賦予女性之刻版形象，又如何再現女性/他者(Other)的特質，進而改寫卡塔盧尼亞女性的雙重邊緣化。
The success of the women’s movement in combination with the rebirth of detective fiction in Spain in the seventies finally has produced women’s detective narrative. Among the high quality of some of the pioneering examples, the works of Alicia Giménez Bartlett in particular have received substantial critical acclaim. With the publication of Ritos de muerte (Death Rites) in 1996, Giménez Bartlett has initiated a series of detective novels centered on the figure of Barcelona Inspector Petra Delicado and her inseparable colleague, Deputy Fermín Garzón, among which other 6 novels have been published: Día de perros (Dog Days, 1997), Mensajeros de oscuridad (Messengers of Darkness, 1999), Muertos de papel (The Paper Muerders, 2000), Serpientes en el paraíso (Serpent in Paradise, 2002), Un barco cargado de arroz (A Ship Full of Rice, 2004) and Nido vacío (Empty Nest, 2007). The uniqueness of the series of Petra Delicado lies in the creation of the female sleuth since the writer tries to break with the phallocentric structure of detective narrative in which traditionally female characters used to be fatal women, defenseless young women, or unprotected victims. In addition, Petra Delicado has demonstrated her multiple transgressions in terms of gender (woman), profession (police inspector) and the use of language (irony). The present project aims to analyze gender and identity as central themes in the detective novels by Giménez Bartlett and explore how detective genre can be used by the writer to create transgressions of the incorporation of a feminist agenda for the construction of female identity. |
| Relation: | 基礎研究
學術補助
研究期間:9608~ 9707
研究經費:378仟元 |
| Data Type: | report |
| Appears in Collections: | [外文中心] 國科會研究計畫
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Files in This Item:
| File |
Size | Format | |
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| 962411H004034.pdf | 153Kb | Adobe PDF2 | 918 | View/Open |
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