English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113303/144284 (79%)
Visitors : 50802190      Online Users : 921
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    政大機構典藏 > 商學院 > 統計學系 > 學位論文 >  Item 140.119/54171
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/54171


    Title: 創意城鄉發展的文創人才及文創城鄉基盤之KPI編製
    Factors influencing the development of urban and suburban cultural creativity in the framework of KPI
    Authors: 李欣倫
    Lee, Hsin Lun
    Contributors: 鄭宇庭
    李欣倫
    Lee, Hsin Lun
    Keywords: 創意城市指標
    競爭力指標
    創意城市
    創意都市
    地方資本
    Date: 2011
    Issue Date: 2012-10-30 10:13:34 (UTC+8)
    Abstract: 一個地方能否創造競爭優勢,從商業科技業發展來看已經不是現在的趨勢,如何讓一個地方具有當地特色、屬於自己的文化創意,才是現今為大家所重視的部分,尤其要端看它吸引人力資本的能力或人才的能力,有人才的地方就更有優勢發展文化創意。在找出文創人才KPI之前,知道哪些地方能夠吸引創意人才和了解地方品質在創意經濟所扮演之角色會更有幫助。
    我們先將之前各個國家(香港、歐洲以及亞太文創產業協會)和台灣曾做過的創意城市指標進行比較,並參考Richard Florida的4T以及聯合國的5C,並分析與調查各地文創人才、文創城鄉基盤的需求與實態。「文創人才指標」的構面包括:文創人才基盤、文創人才資本;「文創城鄉基盤指標」的構面包括:文創建設、文創傳承、文創精神、文創政策和文創經費,再藉由專家訪談、德爾菲法調查法發展出最適台灣的「文創人才KPI」和「文創城鄉基盤KPI」,評量各城鄉文創人才、文創城鄉基盤之實力與潛能,以及規劃人才、城鄉基盤育成。
    Reference: 一、中文文獻
    1.丁家鵬(2005),台灣地方城市創意競爭力之比較研究 ,政治大學企業管理 研究所碩士學位以出版論文。台北市。
    2.上海創意產業發展報告(2006),上海創意產業發展中心,上海:上海科學技術文獻。
    3.于啟武(2008),北京文化創意指數的框架和指標體系探討,藝術與投資,12,67-71。
    4.台灣社區總體營造的軌跡(1999),台北︰文建會。
    5.王志弘(2002),David Harvey於世新大學蕭宗讓講座︰「文化產業與消費─文化‧經濟‧後現代」演講講稿,2002年12月10日。
    6.王幸慧譯(1997),解釋過去,了解現下-歷史社會學。S. Kendrick;P. Straw ;D. McCrone原著,Interpreting the Past Understanding the Present。台北︰麥田。
    7.王振源(2000),文化研究,台北︰揚智。
    8.尹繼佐主編(2004),2004年上海經濟發展藍皮書:創新城市,上海:上海社會科學院出版社。
    9.朱元鴻(2000),文化工業︰因繁榮而即將作廢的類概念,載於張笠雲主編文化產業︰文化生產的架構分析,台北︰遠流。
    10.西村幸夫編著(2010),大家一起來!打造觀光城鄉:從城鄉之傲開始的地域管理,天下雜誌出版社。
    11.李永展、林士堅、黃慶銘(2008),台北市永續發展指數之建構及應用,建築學報,65,1-26。
    12.李康譯(2003),社會理論指南,上海:人民出版社。
    13.辛晚教(1999),文化產業與地方經濟再生策略研究,行政院國家科學委員會專題研究計畫成果報告,NSC89-2415-H-005A-007。
    14.江啟臣、黃富娟(2006),全球化下城市競爭力指標之探討,研考雙月刊30卷5期,台北。
    15.佘日新(2006),台灣文化創意產業發展指標研究,經濟部工業局,編號:9501108001-105003。
    16.周桂田(2003),從「全球化風險」到「全球在地化風險」之研究進路:對貝克理論的批判思考,台灣社會學刊,31,頁153-188。
    17.周業謙、周光詮譯(1999),Jary.D:Jary.著/社會學辭典,台北:貓頭鷹。
    18.香港創意指數研究(2004),香港特別行政區政府民政事務局。
    19.林政逸(2011),創意都市及文化產業群聚:台北市案例與反思,第二屆發展年會初稿
    20.林宗德譯(2004),Philip Smith :文化理論的面貌,台北:韋伯。
    21.兩岸城市文化創意產業競爭力調查報告(2011),亞太文化創意產業協會,商業編輯。
    22.胡龍騰、黃瑋瑩與潘中道合譯,Ranjit Kumar著(2003),研究方法-步驟化學習指南。台北,學富文化,頁190-191。
    23.南方朔(2004),一本文化經濟學的先驅作(載於張維倫譯,文化經濟學序言),台北:典藏。
    24.吳思華(2006),台灣地方城市創意競爭力之比較研究,台北市,政治大學。
    25.吳思華(2003),文化創意的產業化思維(上下),典藏藝術。
    26.吳思華(2010),文化創意產業的生態系統,台北市,政治大學。
    27.吳翠松譯(2003) ,社會科學的概論(Smith, M. J.著/Social Science in Question),台北:韋伯。
    28.吳連賞(2010),建構文化創意城市可行性研究-以高高屏地區為例,高雄市政府研究發展考核委員會。
    29.高莉雅(2010),臺灣表演藝術行政管理相關系所畢業生就業情形之研究,台灣師範大學表演藝術研究所。
    30.高珮娟(2009),創意在規劃及決策制定上的關係研究-以吳念真《人間條件系列》之創意架構為例,政治大學企業管理研究所。
    31.陳雯琪(2008),品牌識別設計體系之建構,銘傳大學設計管理研究所。
    32.葉至誠、葉立誠(2000),研究方法與論文寫作,台北:商鼎銀文化出版社。
    33.曾雪梨(2010),組織合作績效之影響因素研究,世新大學企業管理學系。
    34.曾耀瑩(2008),城市創意競爭力評估體系建構之研究-檢視台北、台中與高雄,碩士論文,逢甲大學土地管理學系碩士班,台中市。
    35.張維倫譯(2004),文化經濟學/David Throsby著,台北:典藏。
    36.張曉明、胡惠林、章建剛主編(2004),中國文化產業發展報告,北京:社會科學文獻出版社。
    37.TWCI(Taiwan Culture Indicators): 建構兼具氣質與實質的永續台灣文化指標(2004),系統財團法人台灣智庫,台北:行政院文化建設委員會。
    38.梁浩彬(2007),台灣都市文化創意產業競爭力指標之研究,碩士論文,國立台北大學不動產與城鄉環境學系,台北市。
    39.葉晉嘉(2010),各國創意城市指標的比較性研究,城市發展出版社。
    40.溫肇東(2008),從智慧資本到智慧新都,收錄於劉江彬教授退休論文集
    41.彭立勛主編(2003),2003年深圳文化發展藍皮書:文化體制改革與文化產業發展。北京:中國社會科學出版社。
    42.楊敏芝(2002),地方文化產業與地域活化互動模式研究-以埔里酒文化產業為例,台北大學都市計畫研究所博士論文,未出版。
    43.楊深耕(2006),地方文化產業的理論內涵分析:歷史社會學與文化經濟學,文化研究月報,第59期。

    44.賈士蘅譯(1998),他者的歷史(Kirsten Hastrup著/Other Histories),台北:麥田。
    45.建構創意城市-活化都市生機(2008),遠見出版社,。
    46.廖珮君譯(2006),文化產業(David Hesmondhalgh 著/The Cultural Industries),台北:韋伯。
    47.蔡慶同(2006),研究文化也是研究產業,新聞學研究,第89期,p.165-172。
    48.潘淑滿(2003),質性研究-理論與運用,台北:心理。
    49.鄭立軒譯(2007),市場的構造:21世紀資本主義社會的經濟社會學/Neil Fligstein著,台北:群學。
    50.劉宜君(2004),提昇城市競爭力治理途徑之研究,政策研究學報第4期,p.55-56。
    51.劉曉蓉(2006),文化產業發展成文化創意產業之策略研究-以交趾陶為例,中山大學公共事務管理研究所未出版碩士論文。
    52.蕭安利,(2009),共同基金經理人之專業職能初探,世新大學企業管理系。
    53.韓培爾,(2003),社會科學研究方法Q&A,台北:風雲論壇。
    二、英文文獻
    1.Adorno, T. W., Rabinbach, A. R.(2001), Culture industry reconsidered, New German Critique, p.12-19.
    2.APEC(2002), The New Economy in APEC, OECD, Measuring the Information Society.
    3.Bacon-Shone Hui.(2010), Design and construction of the Hong Kong creativity index.
    4.Barro, R. J.(2001), Education and economic growth. In Helliwell, J.F. ed., The Contribution of Human andSocial Capital to Sustained Economic Growth and Well-Being, OECD, chapter 3: 14-41.
    5.BAYLISS, D.(2007), The rise of the creative city: Culture and creativity in Copenhagen. European Planning Studies, 15, p.889-903.
    6.Beck, U.(2000), What is globalization? Oxford: Polity Press.
    7.CHANG, T. C.(2000), Renaissance revisited: Singapore as a `global city for the arts`. International Journal of Urban and Regional Research 24, p. 818-831.
    8.Cultural Initiatives Silicon Valley (2002), Creative Community Index: Measuring Progress Toward a Vibrant Silicon Valley.
    9.DCMS(2004), Culture at the Heart of Regeneration, London, DCMS.
    10.DTI, Cities (2003), Regions and Competitiveness, London:Department of Trade and Industry.
    11.European Communities(2003), EU Member State Experiences with Sustainable Development Indicators. Luxembourg: Office for Official Publication of the European Communities.
    12.EVANS, G.(2004), Cultural industry quarters: from pre-industrial to post-industrial production.In:BELL, D. & JAYNE, M.(eds.), City of Quarters: Urban Villages in the Contemporary City, Aldershot: Ashgate.
    13.Florida,R.(2006), Cities and The Creative Class.
    14.Florida, R. and Irene Tinagli(2004).Europe in the Creative Age, p.11.
    15.Florida, R.(2002), The Rise of the Creative Class, New York, Basic Books.
    16.Florida, R.(2003), Cities and creative class. City and Community, 2, p.3-19.
    17.GIBSON, C. & KLOCKER, N.(2004), Academic publishing as `creative` industry, and recent discourses of `creative economies` : some critical reflections. Area, p. 423-434.
    18.GIBSON, C. & KONG, L.(2005), Cultural economy: a critical review, Progress in Human Geography, p.541-561.
    19.GRIFFITHS, R(1995), Cultural strategies and new modes of urban intervention. Cities, p.253-65.
    20.GRIFFITHS, R.(2006), City/culture discourses: evidence from the competition to select the European Capital of Culture European Planning Studies, 14, p.415-430.
    21.GRODACH, C. & LOUKAITOU-SIDERIS.(2007), Cultural development strategies and urban revitalization: a survey of US cities. International Journal of Cultural Policy, 13, 349 - 370.
    22.HALL, P.(1998), Cities in Civilization, New York, Pantheon Books.
    23.HALL, P.(2000), Creative cities and economic development. Urban Studies, 37, p.639-649.
    24.Hans J. Eysenck (1996), The Measurement of Creativity, in Margaret A. Bodened (1996), Dimensions of Creativity,Cambridge, Massachusetts: the MIT Press: p.208-209.
    25.Harvey, David (2001),The art of rent: globalization and the comodification of culture, In his Spaces of Capital, New York: Routledge.
    26.Hesmondhalgh, David(2002), Cultural Indutries: An introduction, Sage Publication Inc.
    27.Howkins, J. (2001), Creative Economy: How People Make Money From Ideas, UK: Penguin Books LTD.
    28.HSU, J.-Y.(2005), A site of transnationalism in the `Ungrounded Empire`: Taipei as an interface city in the cross-border business networks. Geoforum, p.654-666.
    29.HUTTON, T. A.(2006), Spatiality, built form, and creative industry development in the inner city Environment and Planning A, 38, p.1819-1841.
    30.KONG, L.(2007), Cultural icons and urban development in Asia: economic imperative, national identity, and global city status. Political Geography, 26, p.383-404.
    31.KONG, L., GIBSON, C., KHOO, L.-M. & SEMPLE, A.-L.(2006), Knowledges of the creative economy: towards a relational geography of diffusion and adaptation in Asia. Asia Pacific Viewpoint, 47, p.173-194.
    32.Landry, C.(2000), The Creative City: A Toolkit for Urban Innovation, London: Comedia.
    33.Lau Siu Kai et al. (2003), Indicators of Social Development: Hong Kong. Hong Kong: Hong Kong Institute of Asia-Pacific Studies, the Chinese University of Hong Kong.
    34.LESLIE, D.(2005), Editorial: Creative cities?, Geoforum, 36.
    35.LEYSHON, A., WEBB, P., FRENCH, S., THRIFT, N. & CREWE, L.(2004), On the reproduction of the musical economy after the internet. Media, Culture and Society, Forhtcoming.
    36.LIN, C.-Y. & HSING, W.-C.(2009), Culture-led urban regeneration and community mobilization: the case of the Taipei Bao-An Temple area, Taiwan. Urban Studies, 49, p.1317-1342.
    37.MARKUSEN, A.(1996), Sticky places in slippery space: a typology of industrial districts. Economic geography, 72, p.293-313.
    38.MARKUSEN, A.(2006), Urban development and the politics of a creative class: evidence from the study of artists. Environment and Planning A, 38, 1921-1940.
    39.MASKELL, P. & LORENZEN, M.(2004), The cluster as market organisation. Urban Studies, 41, p.991-1009.
    40.MILES, S.(2005), Our Tyne : iconic regeneration and the revitalisation of identity in NewcastleGateshead. Urban Studies, 42, p.913–926.
    41.O`CONNOR, J.(2005), Creative exports: taking `cultural Industries` to St Petersburg. International Journal of Cultural Policy, 11, p.45-60.
    42.PECK, J.(2002), Political economies of scale: fast policy, interscalar relations, and neo-liberal workfare. Economic Geography, 78, p.331-360.
    43.PECK, J.(2005), Struggling with the Creative Class. International Journal of Urban and Regional Research, 29, p.740-770.
    44.PRATT, A.(1997), Production values: from cultural industries to the governance of culture. Environment and Planning A, 29, p.1911-1917.
    45.PRATT, A.(2004), Creative clusters: towards the governance of the creative industries production system? Media International Australia, 112, p.50-66.
    46.PRATT, A. (2008), Creative cities: the cultural industries and the creative class. Geografiska Annaler : Series B, Human Geography, 90, p.107-117.
    47.Roberson, R.(1992), Globalization: Social theory and global culture. London: Sage.
    48.Roland Robertson(1992), Social Theory and Global Culture.
    49.Saguaro Seminar(2001), The Social Capital Community Benchmark Survey.
    50.Sayer, A.(1999), Valuing Culture and Economy, Culture and Economy after the Culture Turn, London: Sage.
    51.SCOTT, A. J.(1997), The cultural economy of cities. International Journal of Urban and Regional Research, 21, p.323-329.
    52.SCOTT, A. J.(2006), Creative cities: conceptual issues and policy questions. Journal of Urban Affairs, 28, p.1-17.
    53.SCOTT, A. J.(2007), Capitalism and urbanization in a new key? the cognitive-cultural dimension. Social Forces, 85, p.1465-1482.
    54.SELYA, R. M.(1994), Taiwan as a service economy. Geoforum, 25, p.305-322.
    55.Smith, P.(2001), Culture theory: an introduction. Malden : Blackwell.
    56.Strinati, D.(2004), An introduction to theories of popular culture, New York : Routledge.
    57.UNCTAD(2010), Creative Economy Report.
    58.UNESCO(2005), Our Creativity Diversity.
    59.UNESCO(2004), The Creative Cities Network.
    60.UNESCO Institute for Statistics(2003), Measuring and Monitoring the Information and Knowledge Societies: A Statistical Challenge.
    61.UNESCO(2000), World Culture Report.
    62.UNESCO Institute for Statistics(2000), International flows of selected cultural goods.
    63.Waters, M.(2001), Globalization(2nd). London and New York: Routledge.
    64.Weber, Max.(1930), The Protestant Ethic and the Spirit of Capitalism, New York: Harper Collins.
    65.Wimmer, R. D. & Dominick, J. R.(2006), Mass media research:An introduction (8th ed). Belmont, CA:Wedworth Publishing Company.
    66.World Economic Forum(2004), The Global Competitiveness Report 2003-2004. Oxford University Press.
    67.WU, W. (2004), Cultural strategies in Shanghai: regenerating cosmopolitanism in an era of globalization. Progress in Planning, p.159–180.
    68.YEOH, B. S. A. (2005), The global cultural city? spatial imagineering and politics in the (multi)cultural marketplaces of south-east Asia. Urban Studies, 42, p.945-958.
    69.YUSUF, S. & NABESHIMA, K.(2005), Creative industries in East Asia. Cities, 22, p.109-122.
    70.ZIMMERMAN, J.(2008), From brew town to cool town: Neoliberalism and the creative city development strategy in Milwaukee. Cities, 25, p.230-242.
    Description: 碩士
    國立政治大學
    統計研究所
    99354001
    100
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0099354001
    Data Type: thesis
    Appears in Collections:[統計學系] 學位論文

    Files in This Item:

    File SizeFormat
    index.html0KbHTML2237View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback