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    题名: 古典美學範疇「物感說」的理論架構及其歷史發展圖式;Theory Construction and History Development of Wu-Gan Hypothesis in Classical Aesthetics Category
    作者: 黃偉倫
    贡献者: 行政院國家科學委員會
    國立政治大學中國文學系
    关键词: 語文;物感;審美感應;感物吟志;創作主體性;心物關係
    日期: 2009
    上传时间: 2011-10-31 14:05:22 (UTC+8)
    摘要: 「物感說」的提出,主要是聚焦於文學藝術之所以發生的角度,對文藝創造與審美體驗的產生做一種心理性根源的追問與描述。它強調文藝創作的本源與審美體驗的發生,乃是根源於主體之「心」與客體之「物」的「感應」關係,並透過「感應」以產生主客、心物、情景的互滲交融,從而緣生出審美的體驗,興發創作的衝動,這在古代美學範疇中,是少數涉及「文藝發生」問題的重要概念。因此,本計劃有見於「物感」在探究文藝發生內在規律上的重要性及前人研究成果的可補闕性,故擬以三年為期,擴大檢視範圍,深入原典,重新分析、詮解「物感說」的理論蘊涵及其淵源所自的哲學基礎,在一「共時性研究」的意義下,統整、梳理「物感說」的內在結構,釐清其理論本身的意義、屬性及作用;同時也在一「歷時性研究」的視角下,檢視其動態的歷史發展進程,揭示「物感」的發展規律,以對其承襲轉變之跡有著更富於邏輯推演性的把握,進而狀繪出「物感說」的歷史全貌,以期能在文藝發生的議題上,提供一個可資參考的視角,據以呼應──重新尋回自身文學的主體性,建立一套契應傳統文化精神之文學理論體系的當代籲求。;Proposition of the Wugan, mainly base on the angle that literature and art ppens, create and do questioning and description of a kind of psychology origin with the aesthetic production that experiences to literature and art. It emphasizes literary creation and rich beautiful production that experienced, is because of the ` reaction ` relation between ` the heart ` of the subject and Wugan of the object, and by producing the integration of the subject, object, in order to cause the aesthetic motive that experiences and creating through ` reaction `, it is the important concept in the ancient aesthstic category. So, this plan sees that in the deficiency of the importance probing into literature and art to take place on the inherent law and forefathers` research results in ` the Wugan`, so draft it with three years by a definite date, reanalyze, understand inside theory structure of ` the sense of the thing ` and historical evolution, can hope for the theory attribute of ` the Wugan`, orient and have clearer understanding with function, in order to set up the intact ` the Wugan ` developing history.
    關聯: 基礎研究
    學術補助
    研究期間:9808~ 9907
    研究經費:350仟元
    数据类型: report
    显示于类别:[中國文學系] 國科會研究計畫

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