政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/51755

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/51755

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政大典藏 > College of Liberal Arts > Department of Chinese Literature > NSC Projects > Item 140.119/51755

Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/51755

Title:	象中蘊理，理以象出---論「楚辭學史」研究視野中的圖像
Other Titles:	Experiencing the Objects and Describing the Spirits---The Images of the History of Resarch Field on `Chu Ci`
Authors:	廖棟樑
Contributors:	行政院國家科學委員會國立政治大學中國文學系
Keywords:	語文
Date:	2008
Issue Date:	2011-10-31 14:04:21 (UTC+8)
Abstract:	在古代《楚辭》學史中，值得注意的接受方式有二：一是數以百計的學者為之箋注釋義；二是不少畫家為之作圖。從宋代李公麟，元代的趙孟頫、張渥，到明代的文徵明、仇英、董其昌、陳洪綬、蕭雲從，清代的門應兆，分別對〈九歌〉、〈天問〉、〈離騷〉等《楚辭》作過畫卷或是插圖。他們或為屈原造像，或表現《楚辭》中的意境，或用筆於樹木花草，或繪製屈原貶謫地圖。這些圖畫多是根據《楚辭》及《楚辭》的王逸、洪興祖、朱熹注解而繪製的，同時它必然蘊含著某種有意識的選擇、設計和構想，由是形成了《楚辭》──《楚辭》注本──《楚辭》圖之間互為雙向交流的詮釋活動。因此，《楚辭》圖就有「雙聲話語」(double-voiced discouse)的複調本質，在這裡就有《楚辭》學史所需要研究的內容。總之，本計劃強調的是圖與書的意義互動，亦即圖文之間的互文性(intertextuality)，辨析它們與原本的《楚辭》及注釋間的對接和錯位、妙解和誤解，希望尋繹「視覺性」向度在《楚辭》學史的意義。本計畫第一年撰寫有：〈歷代屈原像所見圖文結合模式的初步考察〉、〈楚辭地圖研究〉、〈香草圖：彰稱物芳的隱喻〉，見期中報告。第二年撰寫：〈傳世《九歌圖》之圖式系統及時代舉隅〉，結案報告內容以此為主。
Relation:	基礎研究學術補助研究期間:9708~ 9807 研究經費:499仟元
Data Type:	report
Appears in Collections:	[Department of Chinese Literature] NSC Projects

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