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    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/38942


    Title: 排灣族鼻笛文化之民族誌調查 - 平和排灣的個案研究
    An Ethnographical Result on the Nose Flute Culture of Paiwan - a Case Study of Pinghe Paiwanese
    Authors: 曾如敏
    Tseng,Ju-Ming
    Contributors: 張駿逸
    Chang,Jiunn Yih
    曾如敏
    Tseng,Ju-Ming
    Keywords: 排灣
    排灣族
    鼻笛
    百步蛇
    神話
    物質文化
    精神文明
    原始藝術
    Paiwan
    Paiwanese
    Nose Flute
    Hundred-Pace Snake
    Myth
    Material Culture
    Spiritual Civilizatioh
    Primitive Art
    Date: 2007
    Issue Date: 2010-04-23 19:27:21 (UTC+8)
    Abstract: 至屏東 花蓮 台東田調 探討排灣族的鼻笛笛文化
    Through fieldwork in Pingtung, Taitung and Hualien, the researcher gained first-hand data for this thesis. This thesis introduces the ethnography, environment, material culture, spiritual civilization and social structure of the Paiwan. This research is not limited to the technical aspects of Paiwanese nose flute art, and their playerts, but also discusses the making of nose flutes and the people who are able to play them. The paper discusses the myths and origins of nose flutes and the formation of nose fltue culture. The research focuses on the social function of nose flutes through analysis of the flutes and the symbols they represent. To the Paiwan, nose flutes represent the sound of hundred-pace snakes, the wooing of girls, sorrow and memories, the gathering together of friends and performing of wedding rites. Finally, the research examines the continuity and promotion of nose flute culture, including periods of decline and of changing factores in the culture.
    Reference: English References:
    Amstutz Mark R. (2005) International Ethics: Concepts, Theories, and Cases in Global Politic, 2nd edition, Rowman & Littlefield Publishers, Inc, Lanham.
    Blusse Leonard, Everts Natulie, & French Elelien (1999) The Formosan Encounter: Notes on Formosa’s Aboriginal Society, Shung Ye Museum of Formosan Aborigines, Taipei.
    Chen, Chi-Lu (1988) Material Culture of the Formosan Aborigines, 3rd edition, Southern Materials Center, Inc p 76.
    Tsang, Cheng-Hwa, Tseng,Chiu-Yu, et al (1995) Austronesian Studies Relating to Taiwan (No. 3), Academia Sinica, Taipei.
    Cheng, Yuan Qing (1996) Te Struggle for Renaissance Taiwan’s Indigenous Culture (I), Sinorama Magazine, Taipei.

    Dudbridge Glen (1999) Aborigines of South Taiwan in the 1880s, Shung Ye Museum of Formosan Aborigines: Institute of Taiwan History, Academia Sinica, Taipei.
    Eskildsen Robert (2005) Aborigines of South Taiwan 1867-1874, Institute of Taiwan History, Academia Sinica, Taipei.
    Faure, David (2001) In Search of the Hunters and their Tribes, Shung Ye Museum of Formosan Aborigines, Taipei.
    Harrison Henrietta (2001) Natures of Formosa, Shung Ye Museum of Formosan Aborigines, Taipei.
    Wrinkler, R. J. (2003) Pali’s Red Eyes and Other Stories from the Paiwan Tribe, Third Nature Publishing Co., Ltd, Taipei. (排灣族巴里的紅眼睛) 亞榮隆．撒可努。

    English Handbook and the Material of Shung Ye Museum of Formosan Aborigines, Taipei. (順益台灣原住民博物館手冊英文版以及展示館之資料)
    Chinese References:
    王沛綸
    2003《The Concise Dictionary of Music》台北： 全音樂譜出版社。
    王嵩山
    2001《當代台灣原住民的藝術》台北：國立台灣藝術教育館。
    [Wang , Song-Shan (2001) Contemporary Taiwan Aboriginal Art, Taipei]
    王嵩山
    2001《台灣原住民的社會文化》台北：聯經出版事業公司。
    [Wang , Song-Shan (2001), Taiwan Aboriginal’ Social Culture, Taipei]
    Description: 碩士
    國立政治大學
    臺灣研究英語碩士學位學程
    93924009
    96
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G0093924009
    Data Type: thesis
    Appears in Collections:[International Master`s Program in Taiwan Studies] Theses

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