政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/38333

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/38333

English | 正體中文 | 简体中文 | Post-Print筆數 : 27 | 全文笔数/总笔数 : 113648/144635 (79%)
造访人次 : 51582697 在线人数 : 809

RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.

搜寻范围

查询小技巧：

您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果

若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据

进阶搜寻

主页 ‧ 登入 ‧ 上传 ‧ 说明 ‧ 关于政大典藏 ‧ 管理

到手机版

政大機構典藏 > 傳播學院 > 國際傳播英語碩士學程 > 學位論文 > Item 140.119/38333

请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/38333

题名:	Nationalism in 21st Century Chinese Blockbusters
作者:	荻羅拉 Tylova, Klara
贡献者:	朱立 Chu, Leonard 荻羅拉 Tylova, Klara
关键词:	國族主義電影中國主題分析 Nationalism Movies China thematic analysis
日期:	2008
上传时间:	2010-04-09 14:21:36 (UTC+8)
摘要:	This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes. The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered. This study is thematic analysis that sought to identify nationalistic themes in mainland China`s box-office hits in the 21st century. Box-office hits as the study material were picked because of their potential to spread the message they carry. Altogether, 14 movies were analyzed through a deconstruction, identifying scenes and dialogues that contained nationalistic appeals of both political and cultural nationalism as defined by Greenfeld (1992). During the coding process, 22 nationalistic themes were labeled, defined and described. Additionally, the study examined nationalistic structures of the movies taking Gries` (2004) nationalistic narratives and Smith`s (1995) ethnic myths as a basis. Movies` background, and historical context adressing China`s movie industry and Chinese nationalism are included for clarification purposes. The movies were found to exhibit manifestations of both cultural and political nationalism. It was found that movies financed and backed by government tend to show political nationalism while commercial movies exhibit cultural nationalism. For the movies` thematic structures, the shift from positive ones showing China`s achievements towards negative ones expressing China`s suffering was discovered.
參考文獻:	Books Anderson, B. (1983). Imagined Communities: Reflections on the Origins and Spread of Nationalism. London: Verso. Berry, Ch. (1994). “A Nation Two: Chinese Cinemas and Nationhoods“, in W. Dissanayake, Colonialism, 42-64. Bloomington: Indiana University Press. Billig, M. (1995). Banal Nationalism. London: Sage. Blandford, S. (1999). Film, Drama and the Break-Up of Britain. Bristol: Intellect Books. Boyatzis, R. E. (1998). Transforming Qualitative Information: Thematic Analysis and Code Development. Thousand Oaks: Sage Publications. Brubaker, R. (1996). Nationalism Reframed: Nationhood and the National Question in the New Europe. Cambridge: Cambridge University Press. Chang, P. (2000). „Nationalities, Nationalism, and Globalization: The Case of China“ in Nationalism and Globalization: East and West. Singapore: Institute of Southeast Asia Studies, 258 – 294. Chu, Y. (2003). Hong Kong Cinema: Colonizer, Motherland and Self. London: Routledge Curzon. Cornelius, S. (2002). New Chinese Cinema: Challenging Representations. London: Wallflower. Darby, W. (1997). John Ford`s Westerns: A Thematic Analysis, With a Filmography. Jefferson, NC: McFarland & Co. Devin, J. M. (1999). Vietnam at 24 Frames a Second: A Critical and Thematic Analysis of Over 400 Films about the Vietnam War. Austin: University of Texas Press. Flick, U., E. Vvon Kardorff, et al. (2004). A Companion to Qualitative Research. London: Sage. Furhammar, L., Isaksson, F. (1971). Politics and Film. New York: Praeger Publishers. Giglio, E. (2000). Here`s Looking at You: Hollywood, Film and Politics. New York: Peter Lang Publishing. Gries, P. H. (2004). China`s New Nationalism. Berkeley: University of California Press. Greenfeld, R. (1992). Nationalism: Five Roads to Modernity. Cambridge, MA: Harvard University Press. Hall, S. (2004). “Cultural Identity and Cinematic Representation“ in Film Theory 1.: Critical Concepts and Cultural Studies, 386 – 398. London: Routledge. Kedourie, E. (1993). Nationalism. Oxford: Blackwell. Kellas, J. (1991). The Politics of Nationalism and Ethicity. New York: St. Martin`s Press. Lee, C. C. ed. (1994). China`s Media, Media`s China. Boulder: Westview Press. Liu, A. (1971). Communications and National Integration in Communist China. Los Angeles: University of California Press. Lynch, D. (1999). After the Propaganda State. Stanford: Stanford University Press. Lu, S. (1997). Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press. Lu, S. (2005). Chinese-Language Film. Honolulu: University of Hawaii Press. Lull, J. (1991). China Turned On: Television, Reform, and Resistance. London: Routledge. Martin-Jones, D. (2006). Deleuze, Cinema and National Identity. Edinburgh: Edinburgh University Press. Miles, M. and Huberman, A. (1994). Qualitative Data Analysis : An Expanded Sourcebook . Thousand Oaks: Sage. Ozkirimli, U. (2000). Theories of Nationalism: A Critical Introduction. New York: St. Martin Press. Said, E. (1978). Orientalism. London: Routledge and Kegan Paul. Smith, A. D. (1995). National Identity. Reno: University of Nevada Press. Smith, A. D. (1999). Myth and Memories of the Nation. Oxford: Oxford University Press. Taylor, S., & Bogdan, R. (1984). Introduction to Qualitative Research Methods: The search for meanings (2nd-ed.). New York: John Wiley & Sons. Turner, G. (1994). Making it National: Nationalism and Australian Popular Culture. St. Leonards: Ellen & Unwin. Viroli, M. (1995). For Love of Country. Oxford: Clarendon Press. Wang, G. (2003). Bind Us in Time: Nation and Civilisation in Asia. Singapore: Eastern University Press. Wright, W. (1975). Six Guns and Society: A Structural Study of the Western. Berkeley: University of California Press. Xu, X. (2006). Modernizing China in the Olympic Spotlight: China`s National Identity and the 2008 Beijing Olympiad. The Editorial Board of Sociological Review. Oxford: Blackwell Publishing. Yin, H. (1998). Shiji zhuanzhe shiqi de Zhongguo yingshi wenhua (China Film and Television Culture in the Transition Period of the Century).Beijing: Beijing chubashe. Zha, J. (1995). China Pop. New York: The New Press. Zhang, Y. (2004). Chinese National Cinema. New York: Routledge Zhang, Y. (2002). Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor: University of Michigan, Center for Chinese Studies Publications. Zhao, S. (2004). A Nation-state by Construction: Dynamics of Modern Chinese Nationalism. Stanford: Stanford University Press. Zhao, Y. (1998). Media, Market, and Democracy in China. Chicago: University of Illinois Press. Zhu, Y. (2003). Chinese Cinema during the Era of Reform. West Port: Praeger Publishers. Journals “2000 Movie Industry in China“ (2001). Dianying Yishu, Vol. 278, No. 3, 4 – 24. “2001 Movie Industry in China“ (2002). Dianying Yishu, Vol. 284, No. 3, 12 – 35. “2002 Movie Industry in China“ (2003). Dianying Yishu, Vol. 290, No. 3, 4 – 29. “2003 Movie Industry in China“ (2004). Dianying Yishu, Vol. 296, No. 3, 16 – 39. “2004 Movie Industry in China“ (2005). Dianying Yishu, Vol. 302, No. 3, 4 – 24. “2005 Movie Industry in China“ (2006). Dianying Yishu, Vol. 307, No. 2, 8 – 36. “2006 Movie Industry in China“ (2007). Dianying Yishu, Vol. 313, No. 2, 5 – 15. “2007 Movie Industry in China“ (2008). Dianying Yishu, Vol. 319, No. 2, 13 – 21. Balibar, E. (1990). “The Nation Form: History and Ideology.“ New Left Review, Vol. 13, No. 3, 329 - 61. Christensen T. (1996). “Chinese Realpolitik.“ Foreign Affairs, Vol. 75, no. 5, 35 - 72. Chan, K. (2004). “The Global Return of Wu Xia Pian: Ang Lee`s Crouching Tiger, Hidden Dragon.“ Cinema Journal, Vol. 43, No. 4, 3 -17. Sautman, B. (1997). “Racial Nationalism and China`s External Behavior.“ World Affairs, Vol. 160, No.2, 78 – 95. Zhu, Y. (2005). „Yongzheng Dynasty and Chinese Primetime Television Drama.“ Cinema Journal, Vol. 44, no. 4, 3 – 17. Dissertations Anderson, E. S. (1996). Pirating Feminisms: Film and the Production of Post-War Canadian National Identity. Ann Arbor: UMI Dissertation Services. Dodds, C. L. (2006). Will this Picture Help Win the War? The Textual Thematic Analysis of Recruiting Themes in Guadalcanal Diary. Online version. Retrieved from: http://soar.wichita.edu/dspace/items-by-subject?subject=Guadalcanal+Diary+(Motion+picture) Li, J. (2006). Discursive Construction of Nationalist Ideologies in Times of Crisis: a Comparative Analysis of the News Media in the United States and China. Dissertation Abstracts International, Volume: 67-07, Section: A, p. 2561. Articles Asiaweek, ed. 1994. “Box-Office Boom: Asia Films and Themes Light Up the World`s Movie Screens.“ Asiaweek (Feb. 16): 27. Newsweek, ed. 2007. “Redefining The Epic; China`s Latest Big-budget Drama Has Plenty of Grit, Gore and Action but not a Flying Swordsman in Sight.“ Newsweek, Vol. 150, No. 26, 24 - 25. Reynaud, B. (2003). “Modern Times.“ Film Comment, Vol. 39, No. 4., 55 – 65. Taipei Times, ed. 2008. “Beijing Starts New Patriotic Education Campaign in Tibet.“ Taipei Times (April 22): 1. Yang, M. (1993). “Of Gender, State Censorship, and Overseas Capital: An Interview with Chinese Director Zhang Yimou.“ Public Culture 5, 297 – 313. Ye, T. (1999). “From the Fifith to the Sixt Generation: An Interview with Zhang Yimou.“ Film Quaterly. Vol. 53, No. 1, 2 – 13. Online sources “A Battle of Wits“ (2007). Available at Variety magazine website: http://www.variety.com/review/VE1117932396.html?categoryid=31&cs=1 “Assembly: Answer to Saving Private Ryan“ (2007). Available at Xinhua news agency website: http://news.xinhuanet.com/english/2007-10/13/content_6873801.htm “Assembly: Review“ (2007). Available at The Guardian website: http://www.guardian.co.uk/film/2008/mar/09/drama.worldcinema “Best action movie ever“ (2002). Available at The China Daily Internet Information Center website (from China Daily): http://english.hanban.edu.cn/english/culture/78307.htm “Charging Out Amazon: Review“ (2003). Available at: http://www.tonight.co.nz/reviews/chargingoutamazon.HTML “Children Should know the Facts: Feng Xiaoning“ (2002). Available at The China Internet Information Center website: http://www.china.org.cn/english/2002/Jul/36837.htm “Chinese Film Tokyo Trial Debuts to Acclaim“ (2006). Available at The China Internet Information Center website: http://www.china.org.cn/english/2006/Sep/179952.htm “China Bids“(2007). Available at Chinese Olympic Committee website: http://en.olympic.cn/china_oly/olympic_bids/2004-03-27/121850.html “Chinese Film Gain Attention“ (2007). Available at China Daily website: http://www.chinadaily.com.cn/language_tips/auvideo/2007-10/26/content_6209889.htm “Chinese Films Shine in Hollywood“ (2005). Available at Embassy of PRC in the United States of America website: http://www.china-embassy.org/eng/xw/t214380.htm “Chinese Movie Makers Angry about TV Stations Showing Pirated Movies“ (2006). Available at Xinhua news agency website: http://news.xinhuanet.com/english/2006-08/11/content_4950447.htm “Curse of the Golden Flower is China’s official 2007 Oscar entry“ (2006). Available at Independent Film website: http://www.independentfilm.com/films/curse-of-the-golden-flower-china-2007-oscar.shtml “Feng Xiaogang has the West in his Sights with Assembly“ (2007). Available at The Times website: http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article3448182.ece “Film `Deng Xiaoping in 1928` Debuts in Beijing” (2004). Available at People`s Daily website: http://english.peopledaily.com.cn/200408/20/eng20040820_153942.html “In Chen Kaige the Promise Waiting for Winter to Follow Spring“ (2006). Available at The New York Times website: http://movies.nytimes.com/2006/05/05/movies/05prom.html “Interview: Chinese Director Chen Kaige Vows to Redeem Audiences by The Promise“ (2005). Available at People`s Daily website: http://english.peopledaily.com.cn/200512/11/eng20051211_227200.html “It`s High Noon in the Chinese Desert“ (2004). Available at The New York Times website: http://movies.nytimes.com/2004/09/03/movies/03WAR.html “Kiss Your Way to Get Discount to the Romantic Movie“ (2006). Available at China Daily website: http://www2.chinadaily.com.cn/citylife/2006-12/01/content_748335.htm “More to War Movies than Meets the Eye“ (2007). Available at China Daily website: http://www.chinadaily.com.cn/opinion/2008-01/15/content_6394482.htm “Movie on Long-standing Love across Taiwan Strait Wins Beijing Student Film Festival“ (2007). Available at People`s Daily website: http://english.peopledaily.com.cn/200704/29/eng20070429_370797.html Sun, S. (2000). “Under the Shadow of Commercialisation: The Changing Landscape of Chinese Cinema.“ Available at: http://www.usc.edu/isd/archives/asiafilm/china/landscape.html. “The Promise – review“ (2006). Available at Wall Street Journal website: http://online.wsj.com/public/page/2_1567.html?mod=2_1567 “The Red Heart of 1928“ (2004). Available at People`s Daily website: http://english.peopledaily.com.cn/200405/20/eng20040520_143899.html “Tokyo Trial Enjoys Big Success“ (2006). Available at People`s Daily website: http://english.people.com.cn/200609/19/eng20060919_304080.html “Tokyo Trial: A Movie No Chinese Should Miss“ (2006). Available at Chinese Radio International website: http://english.cri.cn/3166/2006/09/11/44@137581.htm “Warriors of Heaven and Earth – Movie Review“ (2004). Available at Entertainment Weekly website: http://www.ew.com/ew/article/0,,691144,00.html “Zhang Yimou Calm over Mixed Reviews of Box Office of Curse“ (2006). Available at: http://e.cnci.gov.cn/doce/news/news_detail.aspx?news_id=510 Databases YesAsia.com. Internet source for Asian Entertainment Products. http://www.yesasia.com IMDb. Internet Movie Database. http://www.imdb.com
描述:	碩士國立政治大學國際傳播英語碩士學程(IMICS) 95461018 97
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0095461018
数据类型:	thesis
显示于类别:	[國際傳播英語碩士學程] 學位論文

文件中的档案:

档案	描述	大小	格式	浏览次数
101811.pdf		185Kb	Adobe PDF2	3090	检视/开启
101810.pdf		121Kb	Adobe PDF2	1603	检视/开启
101809.pdf		504Kb	Adobe PDF2	2736	检视/开启
101808.pdf		128Kb	Adobe PDF2	1908	检视/开启
101807.pdf		168Kb	Adobe PDF2	1749	检视/开启
101806.pdf		189Kb	Adobe PDF2	1997	检视/开启
101805.pdf		109Kb	Adobe PDF2	1502	检视/开启
101804.pdf		72Kb	Adobe PDF2	1591	检视/开启
101803.pdf		62Kb	Adobe PDF2	1488	检视/开启
101802.pdf		61Kb	Adobe PDF2	1454	检视/开启
101801.pdf		64Kb	Adobe PDF2	1587	检视/开启

在政大典藏中所有的数据项都受到原著作权保护.

社群 sharing

著作權政策宣告 Copyright Announcement

1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.

DSpace Software Copyright © 2002-2004 MIT & Hewlett-Packard / Enhanced by NTU Library IR team Copyright © - 回馈