政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/33353

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/33353

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政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/33353

請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/33353

題名:	艾爾弗雷德.耶利內克<鋼琴教師>--從心理學的角度探討艾瑞卡的精神官能症及施虐&被虐症 Psychological Exploration of Erika`s Neurosis and Sadomasochism in Elfriede Jelinek`s The Piano Teacher
作者:	楊登媛 Young,Emma
貢獻者:	羅狼仁 Phillips,Brian David 楊登媛 Young,Emma
關鍵詞:	鋼琴教師精神官能症被虐狂精神分析法虐待狂 The Piano Teacher psychoanalysis sadomasochism neurosis neurotic
日期:	2007
上傳時間:	2009-09-17 16:21:03 (UTC+8)
摘要:	鋼情教師的背景是設在音樂被所有人視為是最崇高、重要的維也納，艾瑞卡從小也被母親期待要成為世界聞名的鋼琴家；母親的目標使得她必須活在永無止盡的練習、競爭比賽的壓力下。本論文主要在探討書中的女性為了要在父權的菁英文化中取得一席之地、為了求更高的社經地位及物質生活而抹滅情感上的需求所產生之病態。性一向被艾瑞卡的母親視為是罪大惡極的禁忌，但壓抑身體慾望的結果使得艾瑞卡有自殘刀割下體的習慣、背著母親去看色情表演、偷窺男女在野地做愛並在性慾被撩起時有拉尿的強迫症。第一章在說明本書的研究價值、摘要小說、回顧評論、和闡述為何以資本主義社會、現代人的精神官能症、自虐症為以下兩章的主題。第二章會從佛洛依德的性壓抑而造成心理疾病的心理學角度去說明艾瑞卡所受精神官能症的病徵及原因。第三章則是研究艾瑞卡的自虐、偷窺、性虐待幻想等的變態行為的起因及心理需求。最後於第四章我用佛洛依德在文明及其不滿中的觀點，來說明個人在被過度要求、否認自我慾望的過程中，精神不但無法超脫還會導致行為、心理的脫序。女性在男性資本主義社會中容易受到經濟、性別弱勢的雙重迫害，而導致極度的不快樂。艾瑞卡就是一位盲目服膺其價值觀而受害的中產階級女性之一。 Jelinek was often commended for her frequent critiques of consumerism and the subjugation of women in the patriarchal society. In her avowedly autobiographical novel The Piano Teacher, she again uses the life of a pathological piano teacher to reflect the cruelties and the subjugating powers inherent in the capitalistic and patriarchal society. By adopting a psychological approach, this thesis will show that Jelinek’s fiction is an account of a larger analysis of female masochism than it initially seems to be. The protagonist’s regular practice of self-mutilation is more than an individual pathology, but an allegory of the result of the violence and deprivation inflicted on the individual by the capitalist society. The thesis consists of four chapters. Chapter I is an introduction, including the overview of the novel and its critical backgrounds. In Chapter II, textual analyses as well as psychoanalysis will be made to explore the psychological depths of the protagonist’s compulsive behaviors and voyeurism. Erika’s relationships with men, especially with one of her musical students, Walter Klemmer, failed tragically and resulted in her final self-destruction. This chapter will study Erika’s neurotic personality and will investigate the factors which contribute to the protagonist’s neuroses and her consequent sufferings. In Chapter III, I will focus on studying Erika’s sadomasochistic fantasies and voyeurism; not only is she made to hurt herself in her tormenting relationship with her mother, she also repeats the sadomasochistic pattern in her relationship with Kelmmer. By researching into the causes and psychodynamics of sadomasochism, Iwill discuss why her non-erotic impulses would be transformed into perverse erotic desires and behaviors. My topics for discussion include: What caused her to develop her “perverse mechanism”? What forces propel her to live out her perversions? The answers lie in the childhood traumas inflicted by her mother and the cultural conditions which lend weight and color to the individual experiences and determine their particular forms. In order to excel and become an elite of Austrian’s high culture, Erika was made to deny her drive needs until later she can only experience a libidinal deadness. Forceful repression of her natural desires lead to her pathologies. The chapter also shows the danger of conforming too completely to the capitalistic ideology and exposes the ideology’s oppressing and alienating effects. Finally, the last chapter concludes that by presenting a cruelty revolting in its extremity, Jelinek is denouncing the Austria’s idolization of high music culture, and mourning the sacrifice of a pianist’s id under its system. Erika can be seen as the victim of society’s fetishization of petty-bourgeois values and her upbringing according to its norms. By exposing the superstructure that immobilizes her characters, Jelinek’s biting irony is directed at the capitalist superstructure and its restraining and deadening effect on the individual.
參考文獻:	Aloin, David. Poems and Poets. St. Louis: McGraw-Hill, 1965. Bach, Sheldon. “On Sadomasochistic Object Relations.” Perversions and Near-Perversions in Clinical Practice. Ed. Gerald I. Fogel and Wayne A. Myers. New Haven: Yale U. Press, 1991. Bethman, Brenda L. “My Characters Live Only Insofar as They Speak: Interview with Elfriede Jelinek.” Women in German Yearbook. 16 (2001): 61-72. Benjamin, Jessica. “Women’s Masochism and Ideal Love.” Psychoanalysis and Women: Contemporary Reappraisals. Ed. Judith L. Alpert. Hillsdale: The Analytic Press, 1986. 113-38 Berka, Sigrid. “D(e)addyfication.” Elfriede Jelinek: Framed by Language. Ed. Jorun B. Johns and Katherine Arens. Riverside, CA: Ariadne Press, 1994. Chancer, Lynn S., Sadomasochism in Everyday Life. New Brunswick, NJ: Rutgers U. Press, 1992. Cooper, Arnold M. “The Unconscious Core of Perversion.” Perversions and Near-Perversions in Clinical Practice. Ed. Gerald I. Fogel and Wayne A. Myers. New Haven: Yale U. Press, 1991. deBeauvoir, Simone. The Second Sex. New York: Vintage, 1974. Deleuze, Gilles. Masochism: Coldness and Cruelty. Trans. Jean McNeil. New York: Zone Books, 1989. DeMeritt, Linda C. “A Healthier Marriage: Elfriede Jelinek’s Marxist Feminism in Die Klavierspielerin and Lust.” Elfriede Jelinek: Framed by Language. Ed. Jorun B. Johns and Katherine Arens. Oxford: Ariadne Press, 1994. Durantay, Leland de la. “On Cynicism, Dogs, Hair, Elfriede Jelinek and the Nobel Prize.” Harvard Review. 29 (2005): 146-155. Edinger, Edward F. Ego and Archetype: Individuation and the Religious Function of the Psyche. Boston and London: Shambhala Publications, Inc, 1992. Edmundson, Mark. Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic. Cambridge, MA: Harvard UP, 1999. “Elfriede Jelinek: The Piano Teacher—Interview.” Austrian Film Commission. 18 Aug. 2007 <http://www.afc.at/jart/prj3/afc/main.jart?rel=de&reserve-mode =active &content-id=1164272180506&artikel_id=3817> Fiddler, Allyson. “Preface.” Rewriting Reality: An Introduction to Elfriede Jelinek. Oxford: Berg Publishers Limited, 1994. ---. “Sexuality and Subjectivity.” Rewriting Reality: An Introduction to Elfriede Jelinek. Oxford: Berg Publishers Limited, 1994. ---. “There Goes That Word Again, or Elfriede Jelinek and Postmodernism.” Rewriting Reality: An Introduction to Elfriede Jelinek. Oxford: Berg Publishers Limited, 1994. Freud, Sigmund. Civilization and Its Discontents. Trans. and Ed. James Strachey. New York: W. W. Norton, 1962. ---. Three Essays on the Theory of Sexuality. Trans. and Ed. James Strachey. New York : Avon, 1962. Horney, Karen. The Neurotic Personality of Our Time. New York: W. W. Norton, 1937. Jelinek, Elfriede. The Piano Teacher. Trans. Joachim Neugroschel. London: Serpent’s Tail, 1989. Kecht, Maria-Regina. “In the Name of Obedience, Reason, and Fear: Mother-Daughter Relations in W. A. Mitgutsch and E. Jelinek.” German Quarterly 62.3 (summer 1989): 357~72. Levin, Tobe. “Introducing Elfriede Jelinek: Double Agent of Feminist Aesthetics.” Women’s Studies International Forum, 9.4 (1986): 435-442. Parks, Tim. “How to Read Elfriede Jelinek.” New York Review of Books. 54.12 (2007): 59-60. Pearson, Carol. S. The Hero Within: Six Archetypes We Live By. New York: Harper and Row, Publishers, Inc., 1989. Reich, Wilhelm. The function of the Orgasm. New York: Farrar, Strauss, & Giroux, 1973. Shapiro, David. Psychotherapy of Neurotic Character. New York: Basic Books, 1989. ---, comp. Preface. Psychotherapy of Neurotic Character. By Shapiro. New York: Basic Books, 1989. ix-xii. Silverman, Kaja. Male Subjectivity at the Margins. New York : Routledge, 1992. Stoller, Robert J. Pain & Passion: A Psychoanalyst Explores the World of S & M. New York: Plenum Press, 1991. ---. “Hostility and Mystery in Perversion.” International Journal of Psychoanalysis. 55: 425-34, 1974. Woodman, Marion. Addiction to Perfection: The Still Unravished Bride. Toronto: Inner City Books, 1982.
描述:	碩士國立政治大學英國語文學研究所 91551017 96
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0915510171
資料類型:	thesis
顯示於類別:	[英國語文學系] 學位論文

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