政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/33348

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/33348

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政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/33348

請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/33348

題名:	當血肉之軀成神話—瑪格麗特˙愛德伍《盲眼刺客》中的原型閱讀 When a Person Becomes a Myth—An Archetypal Reading of Margaret Atwood`s The Blind Assassin
作者:	林嘉慧 Lin, Chia-hui
貢獻者:	何艾克 Heroux, Erick 林嘉慧 Lin, Chia-hui
關鍵詞:	瑪格麗特˙愛德伍盲眼刺客榮格原型神話膨脹瑪莉安˙伍德曼卡蘿˙皮爾森心理分析鬥士殉道者 Margaret Atwood The Blind Assassin C. G. Jung Archetype Myth Inflation Marion Woodman Carol S. Pearson Psychoanalysis Warrior Martyr
日期:	2004
上傳時間:	2009-09-17 16:20:23 (UTC+8)
摘要:	本論文將用榮格的原型觀念(archetypes)探討瑪格麗特˙愛德伍小說《盲眼刺客》中的人物性格。本論文由五章組成。第一章將大略介紹《盲眼刺客》的內容以及其評論。第二章將會介紹榮格對集體無意識(the collective unconscious)的概念以及其和原型概念的關連；接著，將會根據兩位新榮格學派的學者，瑪莉恩˙伍德曼(Marion Woodman)和卡蘿˙皮爾森(Carol S. Pearson)對原型理論的闡述，針對兩個原型加以探討──鬥士原型和殉道者原型。在父權社會的影響下，這兩個原型時常會被過度簡化成對兩性的刻板印象，而在這簡化過程裡，原本屬於這兩個原型的能量和複雜性都被忽視或壓抑了。第三章始於對愛德伍小說人物的辯護，說明其人物並不是一般所說的刻版人物，而是充滿衝突與能量的原型人物。而後，我會把小說中的人物和象徵和神話及童話中的人物作連結。在一方面，我將會對於小說中的現實人物，如艾麗絲和蘿拉(Iris and Laura)，和小說中的象徵角色，盲眼刺客和獻祭少女，做連結且並討論；另一方面，我將會將這兩個象徵角色延伸出去，探討與之相關的神話或童話人物，或是，更上一層的原型人物。在第四章，我則會依據小說人物和其原型的關係加以剖析，檢視他們和其原型的認同狀況，及他們膨脹(Inflation)的程度。在最後的第五章，將以原型的概念來詮釋小說中各個人物的悲劇做為總結。《盲眼刺客》中的每個人物都傾向於過份認同某個原型，而忽略了讓自我有平衡發展的重要性。 This thesis is to discover the psychological depths of the characters in Margaret Atwood’s The Blind Assassin and to analyze them according to the Jungian conception of archetypes and the influence of archetypes upon the human psyche. This thesis consists of five chapters. Chapter One is an introduction, including the overview of the novel and its critical backgrounds. And Chapter Two introduces C.G. Jung’s conception of the collective unconscious and its relation with archetypes and follow with specific discussion of certain archetypes—the Warrior and the Martyr—mainly according to the theories of two neo-Jungian scholars, Marion Woodman and Carol S. Pearson. Since these two archetypes are often over-simplified to fit in gender stereotypes under the influence of patriarchal society, the energies and complexity of these archetypes are always neglected or repressed. Chapter Three begins with an argument that Atwood’s characters are not stereotypical but rather archetypal, for they possess the contradictory energies within them that are correspondent with that of archetypes. On the one hand, I discuss how the characters in the memoir are symbolized in the science-fiction allegory, being reflected as the blind assassin and the sacrificial maiden; on the other hand, I make a connection between the symbols of the novel—the blind assassin and sacrificial maiden—and the mythological and fairy-tale allusions, and further, the archetypes behind them. In Chapter Four, I examine the psychic problems of the characters according to their relations with the archetypes—to examine how much they identify unconsciously with the archetypes and the extent of their inflation. Finally, Chapter Five concludes with the archetypal explanation of the tragic life of the characters in the novel. Each of them is trapped in an overwhelming power of a certain archetype instead of having the ego balanced between these multiple archetypes, they turn themselves into mythical figures that are too rigid for humanity.
參考文獻:	Atwood, Margaret. The Blind Assassin. New York: Anchor Books, 2000. Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Cambridge, Massachusetts and London: Harvard University Press, 1982. Basow, Susan A. Gender Stereotypes and Roles. 3th Edition. California: Brooks/ Cole Publishing Company, 1980. Bouson, J. Brooks. ‘ “A Commemoration of Wounds Endured and Resented”: Margaret Atwood`s The Blind Assassin as Feminist Memoir’ Critique 44 (2003): 251-69. Conley, Verena Andermatt. Helene Cixous. New York and London: Harvester Wheatsheaf, 1992. Cutter, Martha J. “Philomela Speaks: Alice Walker`s Revisioning of Rape Archetypes in The Color Purple” MELUS 25 (2000):161-80. Edinger, Edward F. Ego and Archetype: Individuation and the Religious Function of the Psyche. Boston and London: Shambhala Publications, Inc, 1992. Graves, Robert. The Greek Myths: Volume One. New York: George Braziller, Inc, 1957, Vol. 1 of The Greek Myths. 2 vols. 1957. Gussow, Mel. “An Inner Eye that Sheds Light on Life`s Mysteries” <http://www.nytimes.com/2000/10/10/arts/10ASSA.html> (October 10, 2000) The New York Time. Hopcke, Robert H. A Guided Tour of the Collected Works of C.G. Jung. Boston and Shaftesbury: Shambhala, 1989. Jung, Carl Gustav. Symbols of Transformation : an Analysis of the Prelude to a Case of Schizophrenia. Trans. R. F. C. Hull. New York: Pantheon Books, 1956, Vol. 5 of The Collected Works of C. G. Jung. 18 vols. 1953-7. ---. Two Essays on Analytical Psychology. Trans. R. F. C. Hull. New York: Pantheon Books, 1956, Vol. 7 of The Collected Works of C. G. Jung. 18 vols. 1953-7. ---. The Structure and Dynamics of the Psyche. Trans. R. F. C. Hull. New York: Pantheon Books, 1956, Vol. 8 of The Collected Works of C. G. Jung. 18 vols. 1953-7. ---. Archetypes and the Collected Unconscious. Trans. R. F. C. Hull. New York: Pantheon Books, 1956, Vol. 9 of The Collected Works of C. G. Jung. 18 vols. 1953-7. Keuss, Jeffrey F. ‘Speech after Rape: Towards a Theological Poetics of Identity and Loss after Philomela`s “Voice of the Shuttle”’ Theology & Sexuality: The Journal of the Institute for the Study of Christianity & Sexuality 9 (2003): 242-51. King James Bible: The Gospel According to Saint Matthew. Free Books in the public domain from the Classic Literature Library © 2004. <http://king-james-bible.classic-literature.co.uk/the-gospel-according-to-saint-matthew/ebook-page-27.asp> Lacan, Jacques. Ecrits. Trans. Alan Sheridan. London: Tavistock, 1985. Neumann, Erich. The Great Mother. Trans. Ralph Manheim. 2nd ed. New York: Princeton University Press, 1983. Pearson, Carol. S. The Hero Within: Six Archetypes We Live By. New York: Harper and Row, Publishers, Inc., 1989. Selden, Raman., Peter Widdowson and Peter Brooker. “Jacques Lacan” A Reader`s Guide to Contemporary Literary Theory 4th. London: Prentice Hall, 1997. 162-168. Showalter, Elaine. “Virgin Suicide” New Statesman 129 (2000): 53. Staels, Hilde. “Atwood’s Specular Narrative: The Blind Assassin” English Studies 85 (2004):147-160. Stein, Karen F. “A Left-Handed Story: The Blind Assassin” Margaret Atwood’s Textual Assassinations. Columbus: The Ohio State University Press, 2003. Stevens, Anthony. Archetype: A Natural History of the Self. London: Routledge, 1982. Walker, Steven F. Jung and the Jungians on Myth. New York and London: Garland Publishing, 1995. Wilson, Sharon Rose. “The Blind Assassin, (2000)”. The Literary Encyclopedia and Literary Dictionary. Ed. Robert Clark, Emory Elliott and Janet Todd. 23 March 2003. The Literary Dictionary Company Limited. Date of access: 3 May 2005. <http://www.LiteraryEncyclopedia.com> ---. Margaret Atwood’s Fairy-Tale Sexual Politics. Jackson: University Press of Mississippi, 1993. Wineapple, Brenda. “The Killer Elite” Nation 271 (2000): 58-60. Woodman, Marion. Addiction to Perfection: The Still Unravished Bride. Toronto: Inner City Books, 1982. ---. The Owl Was a Baker’s Daughter: Obesity, Anorexia Nervosa and the Repressed Feminine. Toronto: Inner City Books, 1980. ---. The Pregnant Virgin: A Process of Psychological Transformation. Toronto: Inner City Books, 1985.
描述:	碩士國立政治大學英國語文學研究所 91551011 93
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0915510111
資料類型:	thesis
顯示於類別:	[英國語文學系] 學位論文

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