政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/33324
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文筆數/總筆數 : 113303/144284 (79%)
造訪人次 : 50829559      線上人數 : 797
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧：
  • 您可在西文檢索詞彙前後加上"雙引號"，以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋，建議至進階搜尋限定作者欄位，可獲得較完整資料
    •  進階搜尋


    請使用永久網址來引用或連結此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/33324


    題名: Spatial Symbiosis and Spatial Oscillation in Jeanette Winterson`s The Passion
    溫特森小說《激情》中的空間共生與空間擺盪
    作者: 徐肇駿
    Hsu, Chao-chun
    貢獻者: 劉建基
    Liu, Chien-chi
    徐肇駿
    Hsu, Chao-chun
    關鍵詞: space
    Kristeva
    Baudrillard
    Lefebvre
    Winterson
    semiotic
    simulation
    implosion
    spatial triad
    spatialization
    日期: 2003
    上傳時間: 2009-09-17 16:15:40 (UTC+8)
    摘要: 本篇論文企圖運用三種不同之理論架構分別來詮釋詹涅特•溫特森（Jeanette Winterson）的第二本小說《激情》（The Passion）。小說中的兩位敘述者，亨利（Henri）與薇菈妮爾（Villanelle）各自在不同的城市□（Paris and Venice）遭受當權者的操縱與剝削，因此下定決心脫離宰制的空間，進而在逃亡的過程中彼此相識。不過由於諸多的因素，這對無緣的戀人終究以悲劇收場，分別在不同的空間□尋找自我生存的意義。論文第二章以克麗絲蒂娃（Julia Kristeva）的理論為基礎，探討小說人物的主體性如何受到兩種空間（the semiotic and the symbolic）的相互拉扯，而呈現出不穩定的狀態。第三章運用布希亞（Jean Baudrillard）所提出的擬像（simulation）與內爆（implosion）等觀念，分析小說人物如何在真實界與擬像界中來回擺盪。第四章從列菲弗爾（Henri Lefebvre）的空間概念為出發點，透過三種空間（spatial practice, representations of space, and representational spaces）的交互辯證關係，一方面挑戰傳統二分法的制式化對立，一方面藉由檢視小說人物與城市空間的互動，賦予空間議題某種顛覆傳統的可能性。最後在論文的結論部分，首先歸納出三位理論家一致的共通性—空間共生與空間擺盪，並以此做為貫穿理論架構與小說文本的中心概念，希冀將小說《激情》做更全面的詮釋與研究。
    This thesis aims to interpret Jeanette Winterson’s The Passion through three different theoretical frameworks, including Julia Kristeva’s feminism, Jean Baudrillard’s postmodernism, and Henri Lefebvre’s spatial theory. Interwoven with two narrators, The Passion describes the ill-starred lovers, Henri and Villanelle, both of whom undergo a series of manipulations and exploitations from those-in-power in Paris and Venice respectively, later determine to escape, and encounter each other in Russia unexpectedly. On account of the radical differences in personality and preference, this romantic story of Henri and Villanelle ends up with the permanent separation in two diverse spaces where both protagonists eventually feel the sense of belonging. Accordingly, this thesis pays much attention to the function of space in the novel, which is conducive to the dissection of Winterson’s characters and which becomes a crucial perspective penetrating these three theorists’ assertions. In Chapter Two, The Passion is first scrutinized in terms of Kristeva’s theory, particularly from the viewpoint of the semiotic and symbolic spaces, between which the subjectivity of the characters ineluctably oscillates. Chapter Three applies the operation of simulation and implosion within Baudrillard’s spectrum as the groundwork to elaborate The Passion, in which the characters again are entrapped in the oscillation of the real and simulated spaces. In Chapter Four, the focus is laid on the elucidation of how Lefebvre’s spatial trialectics, namely, spatial practice, representations of space, and representational spaces, interact with each other in the world of the novel. This dialectical relation of oscillation between the spatial triad not only challenges the oppositional rigidity of the traditional dichotomy but implies a possibility of subversion against the dominant space as well. Finally in the last chapter, I attempt to deduce the interrelation from three theorists in the scope of the novel, concluding my thesis with the concept—spatial symbiosis and spatial oscillation—as the major one probing into these four littérateurs of different fields.
    參考文獻: Barker, Chris. Cultural Studies: Theory and Practice. London: SAGE Publications Ltd., 2000.
    Barthes, Roland. “Semiology and the Urban.” The City and the Sign. Ed. M. Gottdiener and A. Ph. Lagopoulous. New York: Columbia UP, 1986. 87-92.
    Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext(e) Inc., 1983.
    ---. Symbolic Exchange and Death. Trans. Iain Hamilton Grant. London: SAGE Publications, 1993.
    ---. “On Nihilism.” On the Beach 6 Spring 1984: 38-9.
    ---. The Mirror of Production. Trans. Mark Poster. St. Louis: Telos Press, 1975.
    Benko, Georges and Ulf Strohmayer, ed. Space and Social Theory: Interpreting Modernity and Postmodernity. Oxford: Blackwell Publishers Ltd., 1997.
    Best, Steven and Douglas Kellner. Postmodern Theory: Critical Interrogations. New York: The Guilford Press, 1991.
    Bristow, Joseph. Sexuality. London: Routledge, 1997.
    Burns, Christy L. “Fantastic Language: Jeanette Winterson’s Recovery of the Postmodern Word.” Contemporary Literature 37.2 (1996): 278-306.
    Butler, Judith P. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
    Butler, Rex. Jean Baudrillard: The Defense of the Real. London: SAGE Publications Ltd., 1999.
    Doan, Laura. “Jeanette Winterson’s Sexing the Postmodern.” The Lesbian Postmodern. Ed. Laura Doan. New York: Columbia UP, 1994. 137-55.
    Fahy, Thomas. “Fractured Bodies: Privileging the Incomplete in Jeanette Winterson’s The Passion.” Mosaic: A Journal for the Interdisciplinary Study of Literature 33.3 (2000): 95-106.
    Fang, Shu-Cherng, J. R. Rajasekera, and H. S. J. Tsao. Entropy Optimization and Mathematical Programming. Boston: Kluwer Academic Publishers, 1997.
    Foucault, Michel. “Questions on Geography.” Power/Knowledge: Selected Interviews and Other Writings 1972-1977. Ed. C. Gordon. New York: Pantheon, 1980. 63-77.
    Gane, Mike. Baudrillard’s Bestiary: Baudrillard and Culture. London: Routledge, 1991.
    ---, ed. Baudrillard Live: Selected Interviews. London: Routledge, 1993.
    Genosko, Gary. Baudrillard and Signs: Signification Ablaze. London: Routledge, 1994.
    Glover, David and Cora Kaplan. Genders. London: Routledge, 2000.
    Grace, Victoria. Baudrillard’s Challenge: A Feminist Reading. London: Routledge, 2000.
    Grice, Helena and Tim Woods, ed. ‘I’m telling you stories’: Jeanette Winterson and the Politics of Reading. Amsterdam: Rodopi, 1998.
    Grosz, Elisabeth. Sexual Subversions: Three French Feminists. St. Leonards: Allen & Unwin Pty Ltd., 1989. 39-99.
    hooks, bell. Black Looks: Race and Representation. Boston: South End Press, 1992.
    Hutcheon, Linda. “Historiographic Metafiction: ‘The Pastime of Past Time’.” A Poetics of Postmodernism: History, Theory, Fiction. New York: Routledge, 1988. 105-23.
    Kellner, Douglas. Jean Baudrillard: From Marxism to Postmodernism and Beyond. Cambridge: Polity Press, 1989.
    ---, ed. Baudrillard: A Critical Reader. Cambridge: Basil Blackwell Ltd., 1994.
    Kristeva, Julia. Revolution in Poetic Language. Trans. Margaret Waller. New York: Columbia UP, 1984. Trans. of La Révolution du langage poétique. Paris: Seuil, 1974.
    ---. Desire in Language: A Semiotic Approach to Literature and Art. Trans. Thomas Gora, Alice Jardine, and Leon S. Roudiez. Ed. Leon S. Roudiez. New York: Columbia UP, 1980.
    Kutzer, M. Daphne. “The Cartography of Passion: Cixous, Wittig, and Winterson.” Re-Naming the Landscape. Ed. Jürgen Kleist and Bruce A. Butterfield. New York: Peter Lang, 1994. 133-45.
    Lacan, Jacques. Écrits: A Selection. Tran. Alan Sheridan. New York: W. W. Norton & Company, Inc., 1977. Trans. of Écrits. Paris: Seuil, 1966.
    Lechte, John. Julia Kristeva. London: Routledge, 1990.
    Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson-Smith. Oxford: Basil Blackwell Ltd., 1991.
    Levin, Charles. Jean Baudrillard: A Study in Cultural Metaphysics. Hertfordshire: Prentice Hall Europe, 1996.
    Liggett, Helen and David C. Perry. Ed. Spatial Practices: Critical Explorations in Social/Spatial Theory. London: SAGE Publications Ltd., 1995.
    del Mar Asensio, María. “Subversion of Sexual Identity in Jeanette Winterson’s The Passion.” Gender, I-deology: Essays on Theory, Fiction and Film. Ed. Chantal Cornut-Gentille D’Arcy and José Ángel García Landa. Amsterdam: Rodopi, 1996. 265-79.
    Massey, Doreen. Space, Place and Gender. Cambridge:Polity Press, 1994.
    Mills, Sara. Discourse. London: Routledge, 1997.
    Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London: Methuen, 1985. 150-73.
    ---, ed. The Kristeva Reader. Oxford: Basil Blackwell Ltd., 1986.
    Moore, Lisa. “Teledildonics: Virtual lesbians in the fiction of Jeanette Winterson.” Sexy Bodies: The Strange Carnalities of Feminism. Ed. Elizabeth Grosz and Elspeth Probyn. London: Routledge, 1995. 104-27.
    Oliver, Kelly. Reading Kristeva: Unraveling the Double-bind. Bloomington and Indianapolis: Indiana UP, 1993.
    Palmer, Paulina. “The Passion: Storytelling, Fantasy, Desire.” ‘I’m telling you stories’: Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 103-16.
    Pykett, Lyn. “A New Way With Words? Jeanette Winterson’s Post-Modernism.” ‘I’m telling you stories’: Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 53-60.
    Seaboyer, Judith. “Second Death in Venice: Romanticism and the Compulsion to Repeat in Jeanette Winterson’s The Passion.” Contemporary Literature. 38.3 (1997): 483-509.
    Selden, Raman, Peter Widdowson, and Peter Brooker. A Reader’s Guide to Contemporary Literary Theory. 4th ed. Hertfordshire: Prentice Hall / Harvester Wheatsheaf, 1997.
    Shields Rob. Lefebvre, Love and Struggle: Spatial Dialectics. London: Routledge, 1999.
    Soja, Edward W. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso, 1989.
    ---. Thirdspace. Cambridge: Blackwell Publishers Inc., 1996.
    Stowers, Cath. “Journeying with Jeanette: Transgressive Travels in Winterson’s Fiction.” (Hetero)Sexual Politics. Ed. Mary Maynard and June Purvis. London: Taylor & Francis, 1995. 139-58.
    Tong, Rosemarie Putnam. Feminist Thought: A More Comprehensive Introduction. Oxford: Westview Press, 1998.
    Wilson, Scott. “Passion at the End of History.” ‘I’m telling you stories’: Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 61-74.
    Winterson, Jeanette. The Passion. London: Vintage, 1987.
    Wright, Elizabeth, ed. Feminism and Psychoanalysis. Oxford: Basil Blackwell Ltd., 1992.
    描述: 碩士
    國立政治大學
    英國語文學研究所
    89551012
    92
    資料來源: http://thesis.lib.nccu.edu.tw/record/#G0089551012
    資料類型: thesis
    顯示於類別:[英國語文學系] 學位論文

    文件中的檔案:

    檔案 描述 大小格式瀏覽次數
    55101201.pdf38KbAdobe PDF21097檢視/開啟
    55101202.pdf37KbAdobe PDF21153檢視/開啟
    55101203.pdf41KbAdobe PDF21136檢視/開啟
    55101204.pdf43KbAdobe PDF21420檢視/開啟
    55101205.pdf37KbAdobe PDF2975檢視/開啟
    55101206.pdf78KbAdobe PDF27419檢視/開啟
    55101207.pdf96KbAdobe PDF22201檢視/開啟
    55101208.pdf102KbAdobe PDF22259檢視/開啟
    55101209.pdf101KbAdobe PDF22596檢視/開啟
    55101210.pdf60KbAdobe PDF21388檢視/開啟
    55101211.pdf48KbAdobe PDF22380檢視/開啟


    在政大典藏中所有的資料項目都受到原著作權保護.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋