政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/31800

政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/31800

English | 正體中文 | 简体中文 | Post-Print筆數 : 27 | 全文笔数/总笔数 : 112704/143671 (78%)
造访人次 : 49797894 在线人数 : 696

RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.

搜寻范围

查询小技巧：

您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果

若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据

进阶搜寻

主页 ‧ 登入 ‧ 上传 ‧ 说明 ‧ 关于政大典藏 ‧ 管理

到手机版

政大機構典藏 > 外國語文學院 > 英國語文學系 > 學位論文 > Item 140.119/31800

请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/31800

题名:	In Quest of Home: Three Female Writers` Negotiation with Displacement in the Age of Globalization
作者:	李怡瑩 Lee,Yi-yin
贡献者:	黃宗儀 Huang,Tsung-yi 李怡瑩 Lee,Yi-yin
关键词:	家全球化時空錯置觀光業身份 home globalization displacement tourism identity
日期:	2004
上传时间:	2009-09-14 12:14:59 (UTC+8)
摘要:	全球化近乎無遠弗屆地吸納了世界的每個角落並且改變了人類的世界觀。隨著觀光產業發展至全球規模，觀光客與在地人對家這個空間有了不同的理解。尤其對居住在第三世界的人民而言，家成為一個因應全球化時代時空錯置(displacement)的場域。本篇論文針對三位女性作家對家的敘述進行分析—阿蘭達蒂．洛伊的《微物之神》，牙買加．琴凱德的《微渺之地》以及法蘭西斯卡．瑪西安諾的《荒野法則》。在對《微物之神》的分析中，筆者強調演現 (performance)為建構身份認同與歸屬感的重要過程與方法，並且分析女性敘述者如何從演現的角度重新審視現今受觀光業入侵的喀拉拉(Kerala)與在地人的關係。經由重建家族史，女性敘述者得以一窺權力結構是如何經由訓育(pedagogy)主導演現，並且藉由演現來鞏固訓育與其權力運作。在《微渺之地》中，琴凱德描述了安地瓜人(Antiguans)與觀光客之間不公平的拉距戰。筆者強調，琴凱德藉由詳述家園的消失，揭露觀光客的自行其事宛如重現殖民者的剝削，並且形成她對安地瓜的在地論述。在《荒野法則》的分析中，筆者意圖釐清全球化時代四海為家的誤夢。藉由分析女性敘述者在肯亞建立家園卻遭遇失敗之因，筆者企圖闡明，全球化時代的疆域流動反而可能導致不經批判的過度懷舊與傳統價值的全面復興。藉著分析三位女性作家如何因應全球化之下的時空錯置，筆者企圖宣稱，或許，我們能經由重思如何建構家與歸屬感，找到另一定位。 Globalization has changed people’s understanding of the world seeing that the world has enlarged and involved more places in a more inter-related network. The development of tourism as a global phenomenon brings an impact on people’s home—a place where they, particularly those in the Third World, start to negotiate their displacement in the age of globalization. This thesis contains three female writers’ discourses of home—Arundhati Roy’s The God of Small Things, Jamaica Kincaid’s A Small Place, and Francesca Marciano’s Rules of the Wild. This thesis analyzes how their works can be regarded as their respective ways of negotiating their displacement experience. In the first chapter, I analyze how the female narrator in Arundhati Roy’s The God of Small Things re-describes and rethinks people’s relationship in the aspect of performance, and in this way, she intends to problematize her people’s performance of the exotic other to further tourist consumption. I highlight that performance is the process of constituting one’s identity and sense of belongingness. Through reconstructing her family saga, the female narrator thinks more critically of what lies behind performance of all kinds—the pedagogy of the dominant power structure that conducts people’s life but takes their practice to make itself stable. Jamaica Kincaid in A Small Place presents an uneven development between local Antiguans and tourists from the Western world. In the second chapter, I argue that by revealing how tourists and their ancestors, colonizers, exploit Antigua, Kincaid unveils the ideology of tourism and composes her own Antiguan discourse. In the third chapter, employing Francesca Marciano’s Rules of the Wild as an example, I intend to demystify the global dream of being at home in the world. By analyzing why the female narrator feels frustrated in making a home in Kenya, I argue that globalization may cause the frenetic longing for a return to old days as if they were all good. Therefore, to prevent a problematic revival of old values, people have to think critically how boundaries, geographical or metaphorical, are broken and redrawn to define their life. I suggest in this thesis that to rethink the politics of home—how home and the sense of belongingness are constructed—provides a way for us to engage and re-position ourselves in the globalizing world.
參考文獻:	Amin, Amina. “Text and Countertext: Oppositional Discourse in The God of Small Things.” Bhatt and Nityanandam 18-28. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: U of Minnesota P, 1996. “Arundhati Roy.” Biblio Company. 2 Dec. 2004〈http://www.biblio.com/author.php?author=149〉 Bakhtin, M. M. The Dialogic Imagination. Trans., Caryl Emerson and Michael Holquist. Ed., Michael Holquist. Austin: U of Texas P, 1998. Barat, Urbashi. “Arundhati Roy’s The God of Small Things: Great Stories and Small Ones.” Bhatt and Nityanandam 69-82. Bell, Vikki. “Performativity and Belonging: an Introduction.” Bell, Performativity and Beloning 1-10. ---, ed. Performativity and Belonging. London: Sage, 1999. Bhabha, Homi. K. The Location of Culture. London: Routledge, 1994. Bhatt, Indira. “Victims and Victimizers: a Study of Arundhati’s The God of Small Things.” Bhatt and Nityanandam 136-41. Bhatt, Indira and Indira Nityanandam, eds. Explorations: Arundhati Roy’s The God of Small Things. New Delhi: Creative Books, 1999. Bose, Rinda. “In Desire and in Death: Eroticism as Politics in Arundhati Roy’s ‘The God of Small Things.’” A Review of International English Literature 29.2 (1998): 59-72. Buhalis, Dimitrios. “The Tourism Phenomenon: the New Tourists and Consumers.” Wahab and Cooper 69-96. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge, 1990. Burns, Peter. “Brief Encounters: Culture, Tourism and the Local-Global Nexus.” Wahab and Cooper 290-305. Byerman, Keith E. “Anger in a Small Place: Jamaica Kincaid’s Cultural Critique of Antigua.” College Literature 22.1 (1995): 91-102. “Controversy.” Arunthati Roy Homepage. 25 Nov. 2004〈http://website.lineone.net/~jon.simmons/roy/tgost6.htm〉 Cooper, Christ and Stephen Wanhill, eds. Tourism Development: Environmental and Community Issues. New York: John Wiley and Sons, 1997. Craik, Jennifer. “The Culture of Tourism.” Rojek and Urry 113-36. Crang, Phillips. “Performing the Tourist Product.” Rojek and Urry 137-54. Crawshaw, Carol and John Urry. “Tourism and the Photography.” Rojek and Urry 176-195. Daniel, Aharon. “The Non-Hindu in Caste System.” Pezaekar.com Home Page. 8 Oct. 2004〈http://adaniel.tripod.com/foreigners.htm〉 Dasan, M. “Arundhati Hits the Socio-Political Ball.” Dodiya and Chakravarty 22-36. Dodiya, Jaydipsinh. “Arundhati Roy—The Woman and the Writer.” Dodiya and Chakravarty 1-7. Dodiya, Jaydipsinh and Joya Chakravarty, eds. The Critical Studies of Arundhati Roy’s The God of Small Things. New Delhi: Atlantic, 1999. Elliott, Allison. “Caste and The God of Small Things.” Postcolonial Studies Home Page. 1997. Dept. of English Lits., U of Emory. 10 Oct. 2004 〈http://www.english.emory.edu/Bahri/caste.html〉 Ferguson, Moira. Jamaica Kincaid: where the Land Meets the Body. Virginia: UP of Virginia, 1994. Fortier, Anne-Marie. “Re-Membering Places and the Performance of Belongings(s).” Bell, Performativity and Belonging 41-64. “Francesca Marciano: in Her Own Words.” Interview. 24 June 2004 〈http://www.readinggroupguides.com/guides/rule_of_the_wild-author.asp〉 Franklin, Adrian. Tourism: An Introduction. London: Sage, 2003. Friedman, Susan Standford. “Locational Feminism: Gender, Cultural Geographies, and Geopolitical Literacy.” Feminist Locations: Global and Local, Theory and Practice. Ed., Marianne DeKoven. Piscataway: Rutgers UP, 2001. 13-36. George, Don. “Seduced by Kenya.” Interview. Salon Wanderlust, 2000. 24 June 2004 〈http://archive.salon.com/wlust/pass/1998/10/09pass.html〉 George, Rosemary Marangoly. The Politics of Home. Berkeley: U of California P, 1999. Holmes, David. “Virtual Globalization—An Introduction.” Virtual Globalization: Virtual Spaces/ Tourist Spaces. London: Routledge, 2001. 1-53. Hoving, Isabel. In Praise of New Travelers: Reading Caribbean Migrant Women Writers. Standford: Standford UP, 2001. John, K. K. “A Band of Masqueraders: A Study of Some Characters in Arundhati Roy’s The God of Small Things.” Dodiya and Chakravarty 119-23. “Kerala Arts.” Kerala.com Home Page. 9 Oct. 2004〈http://www.kerala.com/ke_artsclassical.htm〉 Kincaid, Jamaica. A Small Place. New York: Farrar, Straus, and Giroux, 1988. Kothari, Reena. “The Multiple Power Structure in Ayemenem.” Bhatt and Nityanandam 142-54. Kowalewski, David. Global Establishment: The Political Economy of North/Asia Networks. Houndmills: Macmillian, 1997. Lanfant, Marie-Françoise. Introduction. International Tourism. 1-23. ---. “Tourism, Internationalization and Identity.” International Tourism. 24-43. Lanfant, Marie-Françoise, John B. Allock, and Edward M. Bruner, eds. International Tourism: Identity and Change. London: Sage, 1995. “Leave None to Tell the Story: Genocide in Rwanda.” 11 Oct. 2004〈http://hrw.org/reports/1999/rwanda/〉 Life and Debt. Dir. Stephanie Black. Tuff Gong, 2003. MacCannel, Dean. The Tourist: A New Theory of the Leisure Class. Berkeley: U of California P, 1999. Marciano, Francesca. Rules of the Wild. New York: Vintage, 1998. Malik, Nazma. “The God of Small Things: A Study of English Influence on Indian Culture.” Bhatt and Nityanandam 162-67. Marcus, George. “Past, Present, and Emergent Identities: Requirements for Ethnographies of Late Twentieth-century Modernity Worldwide.” Modernity and Identity. Eds., Scott Lash and Jonathan Friedman. Oxford: Blackwell, 1996. 309-30. Mbembe, Achille. “African Modes of Self-Writing.” Trans., Steven Rendall. Public Culture 14.1 (2002): 239-273. ---. “Introduction: Time on the Move.” Trans. A. M. Berrett. On the Postcolony. Berkeley: U of California P, 2001. 1-23. Mullaney, Julie. The God of Small Things: A Reader’s Guide. New York: Continuum, 2002. Nimavat, Dushyant B. “The Theme of Suffering and Exploration in Arundhati Roy’s The God of Small Things and Toni Morrison’s Novels.” Dodiya and Chakravarty 142-48. Price, Mary. The Photograph: a Strange, Confined Space. Standford: Standford UP, 1994. Ramamurthy, Anandi. “Constructions of Illusion: Photography and Commodity Culture.” Photography: a Critical Introduction. Ed., Liz Wells. London; New York: Routledge, 1997. 151-198. Rojek, Christ and John Urry, eds. Touring Cultures: Transformations of Travel and Theory. London: Routledge, 1997. Roy, Arundhati. The God of Small Things. 1997. New York: HarperPerennial, 1998. “Rules of the Wild by Francesca Marciano.” Reading Group Guide. 24 June 2004〈http://www.readinggroupguides.com/guides/rules_of_the_wild.asp〉 Sibley, David. “Border Crossings.” The City Culture Readers. Eds. Malcolm Miles, Tim Hall and Iain Borden. New York: Routledge, 2000. 269-75. Simmons, Diane. Jamaica Kincaid. New York: Twayne, 1994. Sontag, Susan. On Photography. New York: Picador, 1990. Sturken, Marita and Lisa Cartwright. Practices of Looking: an Introduction to Visual Culture. Oxford: Oxford Up, 2001. Tour India Home Page. 9 Oct. 2004〈 http://www.tourindia.com/htm/homepage.htm〉 Urry, John. Consuming Places. London: Routledge, 1995 ---. The Tourist Gaze. 2nd ed. London: Sage, 2002. ---. The Tourist Gaze: Leisure and Travel in Contemporary Societies. London: Sage, 1990. Wahab, Salah and Christ Cooper, eds. Tourism in the Age of Globalization. New York: Routledge, 2001. Wall, Geoffrey. “Rethinking Impacts of Tourism.” Cooper and Wanhill 1-9. Wanhill, Stephen. “Introduction—Tourism Development and Sustainability.” Cooper and Wanhill xi-xvii.
描述:	碩士國立政治大學英國語文學研究所 90551006 93
資料來源:	http://thesis.lib.nccu.edu.tw/record/#G0905510061
数据类型:	thesis
显示于类别:	[英國語文學系] 學位論文

文件中的档案:

档案	大小	格式	浏览次数
index.html	0Kb	HTML2	960	检视/开启

在政大典藏中所有的数据项都受到原著作权保护.

社群 sharing

著作權政策宣告 Copyright Announcement

1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.

DSpace Software Copyright © 2002-2004 MIT & Hewlett-Packard / Enhanced by NTU Library IR team Copyright © - 回馈