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    政大機構典藏 > 文學院 > 哲學系 > 期刊論文 >  Item 140.119/16253


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    题名: 後現代與藝術之間的文化邏輯--詹明信的文本解讀
    其它题名: The Cultural Logic between Postmodernism and Arts
    作者: 蔡錚雲
    Tsai,Cheng-Yun
    日期: 1998-05
    上传时间: 2008-12-17 14:11:44 (UTC+8)
    摘要: 本文是對詹明信《後現代主義，或後資本主義的文化邏輯》之哲學解讀，處理藝術與後現代之間錯綜複雜的關係，誠如此關係，是由他所宣稱的後資本主義之文化邏輯來彰顯，須由下列步驟作進一步的闡明： 一、它在美術作品的分析中象徵為主體的死亡。 二、此主體死亡在歷史終結懷舊的模仿中呈現為一種擬象。 三、而這正是我們將今日的現實捕捉為精神分裂文本之原由。 四、後者又源自於現代藝術的去現實化與後資本主義的科技複製。 五、這一切皆可由建築的後現代特徵所揭示。 六、以及我們將它理解為認知性的繪圖。
    This paper is dealt with the complicated relationship between arts and the post-modern by a philosophical reading of Fredric Jameson`s Postmodernism, or, The Cultural Logic of Later Capitalism. If is exposed by virtue of what he claimed as a cultural logic of late capitalism, it should be further elaborated in the following steps: 1.it is symbolized as the death of subject in the analysis of artworks; 2. such a death of subject presents itself in the simulacrum as the pastiche of nostalgia at the end of history; 3. this is exactly how we perceive today`s reality by taking it as the writings of schizophrenia; 4. the later comes from the derealization of the modern arts as well as from the technological reproducation of the late capitalism; 5. all of these can be viewed in the hyperspace of the postmodern architecture; 6. andour understanding of it is in terms of this cognitive mapping.
    關聯: 視覺藝術, 1, 61-75
    数据类型: article
    显示于类别:[哲學系] 期刊論文

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