English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  全文笔数/总笔数 : 116849/147881 (79%)
造访人次 : 64143435      在线人数 : 617
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧：
  • 您可在西文检索词汇前后加上"双引号"，以获取较精准的检索结果
  • 若欲以作者姓名搜寻，建议至进阶搜寻限定作者字段，可获得较完整数据
    •  进阶搜寻


    请使用永久网址来引用或连结此文件: https://nccur.lib.nccu.edu.tw/handle/140.119/157465


    题名: 人類學革命過後：尚布希亞思想的傳統與創新
    After Anthropological Revolution: Tradition and Innovation in Jean Baudrillard'S Thought
    作者: 高國魁
    贡献者: 社會系
    关键词: 跨政治;武藝術;川普;攝影;人類學革命;傳統;創新
    Transpolitics;Martial Art;Trump;Photography;Anthropological Revolution;Tradition;Innovation
    日期: 2021-11
    上传时间: 2025-06-20 13:08:12 (UTC+8)
    摘要: 本計畫在耙梳布希亞晚期的跨政治觀察和武藝術視域。藉由川普興起和攝影危機的現象鋪陳，布希亞的宿命和象徵理論被推向絕境；該絕境顯示，影像世的消失同時表徵人類世的完結，而非其新生。我們透過布希亞反省科技化社會掀起的人類學革命，目的是要證成布希亞思想的未來指向神學和詩學研究的必要性。本計畫的理論性假說是，布希亞的形上學原則已自過度的物質轉為零和的形式，同時他的人類學規則也從逾越式滅絕化作秘密般消失。循此假說，本計畫首先澄清布希亞的宿命客體形上學或幻想科學為何不可被現實政治所化約（計畫動機），接著闡釋布希亞的象徵交換人類學或社會學如何已朝影像藝術作偏離（計畫旨趣）。最終，計畫展望布希亞基進思想中傳統與創新的奇異碰撞，從而規劃神學和詩學的比較研究（計畫主題）。
    The proposal summarizes later Baudrillard’s transpolitical observations and his martial-artistic perspective. By way of elaborating phenomena like the rise of Trump and the crisis of photography, Baudrillard’s fatal and symbolic theories are push to a tight corner in order to show that the disappearance of the image-centric world also signifies the end of the anthropocentric world rather than man’s new beginning. Invoking Baudrillard to reflect on the anthropological revolution set off by the technological remaking of society, we aim to infer that the future of Baudrillard’s thought resides in the necessity of a research on his theology and poetics. The theoretical hypothesis of the proposal is that the principle of Baudrillard’s metaphysics has shifted from excessive matter toward zero-summed form while the rule of his anthropology has changed from transgressive annihilation into enigmatic disappearance. Following this hypothesis, the proposal first clarifies why Baudrillard’s metaphysics or pataphysics of fatal objects cannot be reduced to any politics in reality (motive of the proposal), and then explains how Baudrillard’s anthropology or sociology of symbolic exchange has swerved to an art of the image (interest of the proposal). Finally, the proposal expects strange collisions of tradition and innovation in Baudrillard’s radical thought, and outlines a comparative research of his theology and poetics (themes of the proposal).
    關聯: 科技部, MOST107-2410-H004-069-MY3, 107.08-110.07
    数据类型: report
    显示于类别:[社會學系] 國科會研究計畫

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML29检视/开启


    在政大典藏中所有的数据项都受到原著作权保护.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈