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| Title: | 不朽的活屍：葛羅伊斯的藝術烏托邦
Immortal Living Corpse: An Interpretation of Boris Groys' Art Utopia |
| Authors: | 蔡承宇
Tsai, Cheng-Yu |
| Contributors: | 高國魁
蔡承宇
Tsai, Cheng-Yu |
| Keywords: | 葛羅伊斯
烏托邦
博物館學
策展
不朽活屍
Boris Groys
Utopia
Museology
Curation
Immortal Corpse |
| Date: | 2025 |
| Issue Date: | 2025-04-01 11:41:02 (UTC+8) |
| Abstract: | 烏托邦的終結已成老生常談，甚至連討論烏托邦本身都顯得過時。然而， 當代社會現象卻揭示了烏托邦願景依然存在。本研究立基於葛羅伊斯的藝術理 論，探討其獨特的烏托邦概念如何能夠回應當代社會理論的侷限。
本研究首先質疑以「真實烏托邦」為代表的政治改良主義之局限性，並回 顧烏托邦概念的三大面向:「現實」、「時空間」與「行動」。在後續章節中， 這些面向透過葛羅伊斯的藝術理論被重新詮釋為「審美化」、「博物館」與 「策展」。藉由前衛藝術的審美化技術，葛羅伊斯將人類概念化還原至純粹形 式的藝術品，在新自由主義社會中創造出「活屍」狀態。在其主張中，烏托邦 並非遙遠未來的理想，而是此時此地既存的另類現實，需要被保衛而非改變。
最後，本研究闡述葛羅伊斯如何透過策展實踐，在生命政治時代將人類從 技術文件轉化為藝術文件，並結合前衛藝術與宇宙主義思想，創造出「不朽活 屍烏托邦」。這種烏托邦不再依賴靈魂的永生，而是透過藝術實現永恆存在， 為當代社會變革提供了新的視野。
The discourse on the End of Utopia has become a cliché, and even discussing utopia itself seems outdated. However, contemporary social phenomena reveal that utopian desires persist. This study is grounded in Boris Groys's art theory, and explores how his unique concept of utopia might address the limitations of contemporary social theory.
The study begins by questioning the limitations of political reformism such as "Real Utopias", and reviews three major aspectss of the utopian concept: "reality," "spatio-temporality", and "action". In subsequent chapters, these aspects are reinterpreted through Groys's art theory into "aestheticization", "museum", and "curation". Through avant-garde technique of artistic aestheticization, Groys conceptualizes humans as artworks reduced to their pure form, creating a "living corpse" within neoliberal society. In his propose, utopia is not an ideal in the distant future but an alternate reality that exists here and now, demanding defense rather than change.
Finally, this study explains how Groys, through curatorial practices, transforms humans from technical documents into artistic documents in the era of Biopolitics, combining avant-garde art with Cosmist thought to create an "Immortal Corpse Utopia". This utopia no longer relies on the immortality of the soul but achieves eternal existence through art, offering a new vision for contemporary social transformation. |
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| Description: | 碩士
國立政治大學
社會學系
109254017 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0109254017 |
| Data Type: | thesis |
| Appears in Collections: | [社會學系] 學位論文
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