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| Title: | 虛擬演唱會的科技應用與商業潛質
Technical Applications and Business Potentials of Virtual Concerts |
| Authors: | 李芫萱
Li, Yuan-Syuan |
| Contributors: | 林日璇
Lin, Jih-Hsuan
李芫萱
Li, Yuan-Syuan |
| Keywords: | 虛擬演唱會
直播演唱會
全息投影
虛擬實境(VR)
擴增實境(AR)
音樂產業
技術應用
商業潛力
票務與定價
觀眾參與
Virtual Concerts
Live Streaming Concerts
Holograms
Virtual Reality(VR)
Augmented Reality(AR)
Music Industry
Technology Applications
Business Potential
Ticketing & Pricing
Audience Engagement |
| Date: | 2024 |
| Issue Date: | 2025-02-04 15:45:54 (UTC+8) |
| Abstract: | 隨著COVID-19疫情的爆發，虛擬演唱會作為音樂產業的新興形式，迅速崛起並引起廣泛關注。本研究深入探討了三種主要的虛擬演唱會類型：直播演唱會、全息影像演唱會及虛擬實境（VR）演唱會，並透過三個成功的案例進行分析：BTS的《MAP OF THE SOUL ON:E》演唱會、初音未來的全息演唱會和Travis Scott的《Astronomical》虛擬演唱會。研究重點在於虛擬演唱會的技術應用、商業模式及其未來發展潛力，並討論了虛擬演唱會所面臨的挑戰，包括技術障礙、觀眾的接受度、情感需求以及虛擬演唱會與傳統現場演唱會之間的差異。
本研究指出，儘管虛擬演唱會在實現技術需求上面臨挑戰，如網路頻寬、延遲問題，以及缺乏現場互動等，但它仍具備顯著的商業潛力。尤其是擴增實境（AR）與虛擬實境（VR）技術的融合，為虛擬演唱會提供了更具沉浸感的體驗，並開創了新的收入模式，如動態定價、虛擬商品銷售及訂閱制服務等。未來，虛擬演唱會可通過多元的票務方式和跨平台的創新形式，滿足觀眾的需求，進一步提升觀眾參與度與滿意度，並對音樂產業的長期發展產生深遠影響。
With the outbreak of COVID-19, virtual concerts have emerged as a significant and innovative format in the music industry. This study explores three primary types of virtual concerts: live streaming concerts, hologram concerts, and virtual reality (VR) concerts, analyzing three successful case studies: BTS's "MAP OF THE SOUL ON:E," Hatsune Miku's hologram concerts, and Travis Scott's "Astronomical" virtual concert.
The research focuses on the technical applications, business models, and future potential of virtual concerts, and discusses the challenges they face, including technological barriers, audience acceptance, emotional needs, and the differences between virtual and traditional live concerts. The study highlights that, despite challenges related to technology—such as bandwidth, latency, and the lack of live audience interaction—virtual concerts still hold significant business potential. The integration of augmented reality (AR) and virtual reality (VR) technologies offers immersive experiences, opening up new revenue models such as dynamic pricing, virtual merchandise sales, and subscription-based services. In the future, virtual concerts can meet audience needs through diverse ticketing methods and cross-platform innovations, further enhancing audience engagement and satisfaction, which will have a lasting impact on the long-term development of the music industry. |
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| Description: | 碩士
國立政治大學
全球傳播與創新科技碩士學位學程
111ZM1004 |
| Source URI: | http://thesis.lib.nccu.edu.tw/record/#G0111ZM1004 |
| Data Type: | thesis |
| Appears in Collections: | [全球傳播與創新科技碩士學位學程] 學位論文
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