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    題名: 人、妖殊途，肉身如是：從巴赫汀的怪誕身體觀及其「跨性別」意涵看人妖曾秋煌的「她（他）者性」再現
    Reviving Mikhail Bakhtin’s Concept of the Grotesque Body and its Implications of “Transgender”: News Representation of “Otherness” of Renyao (The Prodigy of the Human) TSENG Chiu Huang as a Case
    作者: 王孝勇
    Wang, Hsiao-Yung
    貢獻者: 新聞學研究
    關鍵詞: 人妖曾秋煌;巴赫汀;她（他）者性;怪誕身體;垮性別;跨性別
    renyao TSENG Chiu Huang;Mikhail Bakhtin;otherness;grotesque body;transgenderist;transgender
    日期: 2024-10
    上傳時間: 2024-11-22 13:46:11 (UTC+8)
    摘要: 本研究旨在推敲Bakhtin怪誕身體觀及其「跨性別」意涵。透過批判性和脈絡化地閱讀Bakhtin狂歡節研究中的相關書寫，本研究首先歸納出其中蘊藏著揭示肉身主體的異質性、肯認性╱別官能的接合性、展演性╱別實踐的公共性等意涵。這與從「跨性者」（transsexual）到「垮性別」（transgenderist）一詞的語藝地景變貌有相當程度的呼應，更構築了本質論與建構論互為配搭的可能性。 再以人妖曾秋煌的「她（他）者性」（otherness）再現為例，本研究發現此一「垮性別者」藉由將其生理性（而不只是性別）展演為一種社會裝扮，回溯性地體現破碎、瑣細、獵奇怪誕化的肉身修辭（和媒體報導）如何對女性和男性本質帶來諷刺。曾秋煌所示現的性／別旅居游牧者（sex/gender migrating and nomadic identity）的非法性，直指眾客體、諸類目的「之間」亦總是情境化的動態彈性、性／別光譜和論述建構。正是在此，我們方能理解為何曾秋煌僅僅只是存在，就足以讓人感到不安。因其怪誕身體於1950年代的臺灣，本身就是一項空前的政治宣示。
    The epistemological debate between essentialism and constructivism is a key issue that continues to ferment and occupies a leading position in contemporary transgender studies that emerged in the 1990s. Based on the theory of Judith Butler’s gender performance, constructivists argue that the parodic performance of drag queens can expose gender as an arbitrary and contingent artifact. Sex and the body do not exist a priori, but are cultural and legalized effects of gender. Based on this, some constructivists claim that transgender people who want to resolve their bodily dislocation through sex reassignment surgery could consolidate the sex/gender dimorphism.
    關聯: 新聞學研究, 161, 47-111
    資料類型: article
    DOI 連結: https://doi.org/10.30386/MCR.202410.0019
    DOI: 10.30386/MCR.202410.0019
    顯示於類別:[新聞學研究 TSSCI] 期刊論文

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