政大機構典藏-National Chengchi University Institutional Repository(NCCUR):Item 140.119/153950
English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113478/144464 (79%)
Visitors : 51487078      Online Users : 299
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
    •  Adv. Search
    Home ‧ Login ‧ Upload ‧ Help ‧ About ‧ Administer Goto mobile version


    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/153950


    Title: 他者的力量—流行舞蹈中的敢曝風格
    The Power of the Other: An Inquiry into Camp Style of Pop Dance
    Authors: 徐翠敏;呂潔如
    Hsu, Tsui-Min;Lu, Chieh-Ju
    Contributors: 政大體育研究
    Keywords: 扮裝;陰柔;甩手舞;時尚舞風
    Levinas;crossdresser;feminine;Waacking;Voguing
    Date: 2022-12
    Issue Date: 2024-10-04 16:45:59 (UTC+8)
    Abstract: 本研究目的為探討流行舞蹈中的敢曝風格，以Waacking與Voguing兩舞種為對象，其舞蹈風格最初起源於同志酒吧文化，男性以扮裝(cross-dressing)、姿態或動作展現出冶豔、性感的陰柔的特質，爾後形成其特有的舞蹈風格，發展至今其舞蹈技巧符碼化為陰柔的力量，早期，同志展現的那種「裝腔作勢、矯揉造作」的敢曝(camp)風格，仍舊保留在舞廳或舞蹈比賽中的battle形式，或者是藝人表演及MV舞蹈的舞台形式，舞者已然跨越性別，舞蹈風格也更為大眾化。面對這股舞蹈敢曝所展示的他者力量，文末藉由列維納斯提出的他者倫理學作為回應。
    Waacking and Voguing that emphasize a feminine and pretentious gesture have definitely started a new fashion in pop dance. As sexual stereotype, men would be considered mentally ill if they are shown delicate, sexy, or feminine. We usually depreciate the performance that has too many feminine acts. We would consider those feminine acts as “the Other”. However, the dancing styles of Waacking and Voguing especially highlight the feminine gestures to make the “camp” way. No matter the gender, the dance with feminine acts can be appreciated. This would make “the Other” have new identification and value. This article will discuss the impact on the “camp” style for dancing by the theories of Levinas’ “the Other”. First, we will discuss the origin and features of Waacking and Voguing dance. Then, we will discuss the impact of “the Other”. Finally, we will understand how to face the existence of “the Other” by the bold way of the “camping” dancing style.
    Relation: 政大體育研究, 29, 1-12
    Data Type: article
    DOI link: https://doi.org/10.30411/CTTYYC.202212_(29).0001
    DOI: 10.30411/CTTYYC.202212_(29).0001
    Appears in Collections:[NCCU Sports Series] Journal Articles
    [Physical Education Office] Periodical Articles

    Files in This Item:

    File Description SizeFormat
    29-1.pdf859KbAdobe PDF0View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏，無償提供學術研究與公眾教育等公益性使用，惟仍請適度，合理使用本網站之內容，以尊重著作權人之權益。商業上之利用，則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作，已盡力防止侵害著作權人之權益，如仍發現本網站之數位內容有侵害著作權人權益情事者，請權利人通知本網站維護人員(nccur@nccu.edu.tw)，維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback