English  |  正體中文  |  简体中文  |  Post-Print筆數 : 27 |  Items with full text/Total items : 113648/144635 (79%)
Visitors : 51574490      Online Users : 927
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    Please use this identifier to cite or link to this item: https://nccur.lib.nccu.edu.tw/handle/140.119/153570


    Title: 《上班不要看NSFW》之文化實踐與共鳴
    Studies of Cultural Practices and Resonance in YouTube Channel《NSFW》
    Authors: 江怡蘋
    Chiang, I-Pin
    Contributors: 陳儒修
    Robert Chen
    江怡蘋
    Chiang, I-Pin
    Keywords: 次文化
    新部落
    上班不要看NSFW
    文化實踐
    文化研究
    Subculture
    Neo-tribes
    NSFW
    Cultural Practices
    Cultural Studies
    Date: 2024
    Issue Date: 2024-09-04 16:08:20 (UTC+8)
    Abstract: 本研究旨在探討YouTube頻道《上班不要看NSFW》創作者與觀眾的文化實踐及共鳴。透過文本分析與深度訪談,本研究運用次文化理論和新部落理論,深入解析頻道創作脈絡及其文化符號的再現。研究詳細探討了頻道如何透過幽默和挑釁元素,在數位媒體環境中創造出高度吸引力的內容,並在其發展過程中,展示了NSFW文化從邊緣走向主流的轉變。研究還關注平台機制對內容創作的深遠影響,並指出觀眾在觀看過程中展現出的後現代性特徵,尋求未知與驚喜,這種行為促進了新部落式虛擬社群的形成。

    研究發現《上班不要看NSFW》透過其獨特的創作風格和策略,成功吸引了大量觀眾,並形成了強烈的文化共鳴。頻道在影片中巧妙地加入了與觀眾互動的元素,這些設計增強了觀眾的參與感和歸屬感。觀眾與創作者之間的積極互動,不僅強化了個體身份認同,還鞏固了集體認同。研究揭示了YouTube平台的推薦算法和內容審查政策在形塑觀眾行為和內容創作中的關鍵角色。本研究為理解數位媒體環境下的次文化現象提供了新的理論框架,並對於未來文化研究和實務操作提供了豐富的學術資源,拓展了次文化理論和新部落理論在數位時代的適用範圍。
    The purpose of this study is to analyze the YouTube channel "NSFW"(《上班不要看NSFW》in Chinese), focusing on its cultural practices and the resonance created by both its creators and spectators. By adopting theories of subculture and neo-tribes, and utilizing textual analysis and in-depth interviews as research methods, this study aims to closely examine the representation of its creation context and cultural symbols. Due to its humorous and provocative content, the channel appeals to a large audience, transforming the NSFW culture from a marginalized niche into a mainstream presence on YouTube. Consequently, a virtual neo-tribal community has formed among its viewers.

    The study finds that, due to its unique production style and strategy, the channel successfully attracts significant attention. The sense of belonging among the audience and the interaction between content creators and viewers further empower personal subjectivity and collective identification. It is hoped that this study provides a new theoretical framework for understanding subcultural phenomena in the digital media environment. Additionally, for future academic research in cultural studies, it may offer new insights into exploring subculture and neo-tribal theories in the digital era.
    Reference: 王孝勇(2011)。Mikhail bakhtin 狂歡節概念的民主化意涵:從批判取向論述分析的理論困境談起。新聞學研究,108,183-223。
    林思平(2020)。純粹社群, 掛釘社群與網絡個人主義: 以批踢踢八卦板 (ptt gossiping) 為例。資訊社會研究,38,127-161。
    唐樂水(2020)。當媒介化遇到次文化:一種歷時性研究的思路。中華傳播學刊,38,99-138。
    張玉琳、吳惠萍(2015)。社群價值和人際吸引力對虛擬社群意識與黏著度之影響:兼論虛擬社群意識完全中介與社群類行調節效果。行銷評論,12(3),323-357。
    楊善茵(2019)。數位原生與數位移民代間資訊行為比較[未出版之碩士論文]。國立臺灣師範大學圖書資訊學研究所。
    萬榮水、梁瑞文(2007)。虛擬社群形成之意義及其衡量指標之探討: 以網路書店為例。資訊社會研究,13,295-317。
    蕭瑞麟(2020)。不用數字的研究:質性研究的思辨脈絡(第五版)。五南。
    謝君臨(2018)。檢認定網紅谷阿莫涉侵權《屍速列車》等13部片。自由時報。https://news.ltn.com.tw/news/society/breakingnews/2450504
    Adams, T. L., & Smith, S. A. (Eds.).(2008)。Electronic tribes: The virtual worlds of geeks, gamers, shamans, and scammers(初版)。University of Texas Press。
    Anderson, B.(2010)。想像的共同體:民族主義的起源與散布(吳叡人譯)(初版)。時報出版。(原著出版年:2006)
    Appadurai, A.(2009)。消失的現代性:全球化的文化向度(鄭義愷譯)(初版)。群學。(原著出版年:1996)
    Baker, C.(2010)。文化研究:理論與實踐(羅世宏譯)(第二版)。五南。
    Bauman, Z.(2007)。液態之愛:論人際紐帶的脆弱(何定照、高瑟濡譯)(初版)。商周出版。(原著出版年:2003)
    Bauman, Z.(2018)。液態現代性(陳雅馨譯)(初版)。商周出版。(原著出版年:2000)
    Benjamin, W.(1998)。說故事的人(林志明譯)(初版)。台灣攝影。
    Bennett, A.(1999)。Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste。Sociology,33(3),599-617。
    Bourdieu, P.(1993)。The field of cultural production: Essays on art and literature(初版)。Columbia University Press。
    Brown, J.(2017)。A brief history of 'nsfw'。VICE。https://www.vice.com/en/article/xwwqaj/nsfw-brief-history
    Burgess, J.、Green, J.(2010)。Youtube: Online video and participatory culture。Polity。
    Castells, M.(1998)。網絡社會之崛起(夏鑄九,王志弘等譯)(初版)。唐山。(原著出版年:1996)
    Danet, B.、Herring, S. C.(2007)。The multilingual internet: Language, culture, and communication online(初版)。Oxford University Press。
    DarkDan(2003)。Nfbsk。Urban Dictionary。https://www.urbandictionary.com/define.php?term=nfbsk
    De Saussure, F.(2019)。普通語言學教程(高名凱譯)(初版)。五南。
    Du Gay, P.、Hall, S.、Janes, L.、Madsen, A. K.、Mackay, H.、Negus, K.(1997)。Doing cultural studies: The story of the sony walkman(初版)。SAGE Publications Ltd。
    Du Gay, P.、Hall, S.、Janes, L.、Madsen, A. K.、Mackay, H.、Negus, K.(2013)。Doing cultural studies: The story of the sony walkman。Sage。
    Foucault, M.(2020)。監視與懲罰:監獄的誕生(王紹中譯)(初版)。時報文化。(原著出版年:1975)
    Giddens, A.(2005)。現代性與自我認同(趙旭東,方文譯)(初版)。左岸文化。(原著出版年:1991)
    Groom, N.(2016)。The dirty bird! Kfc slammed for ad showing a woman reaching into a man's blurred lap... And even proudly labelling it #nsfw。https://www.dailymail.co.uk/news/article-3541113/KFC-Australia-slammed-uploading-extremely-NSFW-image-Twitter.html
    Guins, R.(2014)。The Present Went This-A-Way: Marshall McLuhan’s Understanding Media: The Extensions of Man@ 50。Journal of visual culture, 13(1), 3-12。
    Hall, S.(1980)。Cultural studies: Two paradigms。Media, culture & society,2(1),57-72。
    Hall, S.(1989)。Cultural identity and cinematic representation。Framework: The Journal of Cinema and Media,36,68-81。
    Hall, S.(1997)。Representation: Cultural representations and signifying practices (culture, media and identities series)(初版)。Sage Publications & Open University。
    Hall, S.、Hobson, D.、Lowe, A.、Willis, P.(1980)。Culture, media, language : Working papers in cultural studies, 1972-79(初版)。Hutchinson。
    Haysom, S.(2023)。Reddit's api protest just got even more nsfw。Mashable。https://mashable.com/article/reddit-api-protest-nsfw
    Hebdige, D.(2005)。次文化:風格的意義(蔡宜剛譯)(初版)。巨流。(原著出版年:1979)
    Heilpern, W.(2016)。Kfc deleted a nsfw ad from twitter after just one hour。Yahoo!。https://uk.movies.yahoo.com/finance/news/kfc-deleted-nsfw-ad-twitter-100917041.html
    Herring, S. C.(2007)。A faceted classification scheme for computer-mediated discourse。Language@ internet,4(1)。
    Hodkinson, P.、Deicke, W.(2007)。Youth cultures: Scenes, subcultures and tribes(第1st版)。Routledge。
    INSIDE(2023)。Reddit api 收費政策惹怒開發者,ceo 表示平台不是為了第三方 app 而生。INSIDE。https://www.inside.com.tw/article/31932-reddit-ceo-the-verge-interview
    Knorr-Cetina, K.(1999)。Epistemic cultures: How the sciences make knowledge(初版)。Harvard University Press。
    Koebler, J.(2023)。Reddit in mass revolt over astronomical api fees that would kill third party apps。VICE。https://www.vice.com/en/article/5d99pn/reddit-api-apollo-app-controversy-explained
    Koshelev, D.(2023)。“Reddit 快死了”:社交網絡發生了什麼,用戶為何抗議?。Root Nation。https://zh-tw.root-nation.com/ua/articles-ua/internet-ua/ua-reddit-strike/
    Kozinets, R.(1999)。E-tribalized Marketing?: The Strategic Implications of Virtual Communities of Consumption。European Management Journal,17,252-264。
    Maffesoli, M.(1996)。The time of the tribes: The decline of individualism in mass society(初版)。SAGE Publications Ltd。
    Memmi, D.(2006)。The nature of virtual communities。AI & SOCIETY,20,288-300。
    McLuhan, H. M.(2015)。認識媒體:人的延伸(鄭明萱譯)(初版)。貓頭鷹。(原著出版年:1964)
    Merriam-Webster Dictionary(2024)。Nsfw。Merriam-Webster.com Dictionary。https://www.merriam-webster.com/dictionary/NSFW
    Peters, J.(2023)。Reddit removed moderators behind the latest protests before restoring a few of them。The Verge。https://www.theverge.com/2023/6/20/23767848/reddit-blackout-api-protest-moderators-suspended-nsfw
    Reddit(2024)。Reddit content policy。https://www.redditinc.com/policies/content-policy
    Speck, P. S.(1991)。The humorous message taxonomy: A framework for the study of humorous ads。Current Issues and Research in Advertising,13(1-2),1-44。
    Spencer, D. C.、Walby, K.(2013)。Neo-tribalism, epistemic cultures, and the emotions of scientific knowledge construction。Emotion, Space and Society,7,54-61。
    Sturken, M.、Cartwright, L.(2013)。觀看的實踐:給所有影像世代的視覺文化導論(陳品秀、吳莉君譯)(初版)。臉譜。(原著出版年:2001)
    Sun, T., & Zhong, B.(2020)。Multitasking as multisensory behavior: Revisiting media multitasking in the perspective of media ecology theory。Comput. Hum. Behav.,104,106151。
    Tumblr(2024)。Mature / nsfw content。https://help.tumblr.com/zh-tw/mature-nsfw-content/
    Turkle, S.(2017)。在一起孤獨:科技拉近了彼此距離,卻讓我們害怕親密交流?(洪世民譯)(初版)。時報出版。(原著出版年:2011)
    Wikipedia(2024)。The joy of painting。Wikipedia。https://en.wikipedia.org/wiki/The_Joy_of_Painting
    Willis, P.(2017)。Learning to labour: How working class kids get working class jobs(初版)。Routledge。
    YouTube(2024)。創作者政策與規範。YouTube。https://www.youtube.com/intl/zh-TW_ALL/creators/how-things-work/policies-guidelines/
    Zweify(2019)。Update to nsfw advertising policy。Reddit。https://www.reddit.com/r/RedditforBusiness/comments/bdwlin/update_to_nsfw_advertising_policy/
    Description: 碩士
    國立政治大學
    傳播學院碩士在職專班
    106941008
    Source URI: http://thesis.lib.nccu.edu.tw/record/#G1069410081
    Data Type: thesis
    Appears in Collections:[傳播學院碩士在職專班] 學位論文

    Files in This Item:

    File Description SizeFormat
    008101.pdf6853KbAdobe PDF0View/Open


    All items in 政大典藏 are protected by copyright, with all rights reserved.


    社群 sharing

    著作權政策宣告 Copyright Announcement
    1.本網站之數位內容為國立政治大學所收錄之機構典藏,無償提供學術研究與公眾教育等公益性使用,惟仍請適度,合理使用本網站之內容,以尊重著作權人之權益。商業上之利用,則請先取得著作權人之授權。
    The digital content of this website is part of National Chengchi University Institutional Repository. It provides free access to academic research and public education for non-commercial use. Please utilize it in a proper and reasonable manner and respect the rights of copyright owners. For commercial use, please obtain authorization from the copyright owner in advance.

    2.本網站之製作,已盡力防止侵害著作權人之權益,如仍發現本網站之數位內容有侵害著作權人權益情事者,請權利人通知本網站維護人員(nccur@nccu.edu.tw),維護人員將立即採取移除該數位著作等補救措施。
    NCCU Institutional Repository is made to protect the interests of copyright owners. If you believe that any material on the website infringes copyright, please contact our staff(nccur@nccu.edu.tw). We will remove the work from the repository and investigate your claim.
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback